In the bustling city of Pune, India, with its winding alleys and exotic customs, Sonia is launching a brand new business: private investigation--using Hindu astrology as a crime-solving tool. In an ancient city steeped in tradition, Sonia's unique brand of investigation is raising eyebrows. But she seems to have found a niche--and, before long, a case of murder.When a cat leads Sonia to her very first investigation, she quickly unmasks a killer, using astrology as her guide. Suddenly clients begin streaming in: a persistent, handsome TV personality; a terrified bride-to-be; a missing husband with suicidal tendencies...all challenge Sonia's astrological abilities to prevent a crime. All apparently isolated experiences, but bound by an invisible thread. And while Sonia has stellar success in unraveling the truth, very soon she'll have to look closely at her own stars. Because the most notorious international criminal has just crossed Sonia's path--and he has his own plans for her future!

    Each book comprises all new stories, each one set in a distinct location within the geographic area of the book. Grady and Graff, both Montana natives, masterfully curate this collection of hard-edged Western tales.From the introduction by James Grady and Keir Graff: This anthology is a road trip through the dreams and disasters of the true Montana, stories written by authors with Montana in their blood, tales that circle you around the state through its cities and small towns. These are twenty-first century authors writing timeless sagas of choice, crime, and consequences...You'll meet students and strippers, cops and cons, druggies and dreamers, cold-eyed killers and caught-in-their-gunsights screwed-up souls. But mostly, through all our fiction here, you'll meet quiet heroes and see the noir side of life that makes our Montana as real as it is mythic. No doubt the state's beauty will still make the very idea of Montana Noir seem incongruous to some. Noir is black-and-white. Streets and alleys. Flashing neon lighting a rain-streaked window. But while noir was definitely an urban invention, it knows no boundaries. Noir is struggle. It's doing the wrong thing for the right reasons. It's being trapped. It's hubris. It's being defeated yet going on. Sometimes it's being defeated and not going on.That's life everywhere. This is our Montana.

    Hoch --Death rides the elevator / Lois H. Gresh & Robert Weinberg --The burglar who smelled smoke / Lynne Wood Block & Lawrence Block --No way out / Michael Collins --Off the face of the earth / Clayton Rawson --Murder strips off / Amy Myers --Out of his head / Thomas Bailey Aldrich --The Doomdorf mystery / Melville Davisson Post --The adventure of the Jacobean house / C.N. & A.M. Williamson --The motor boat / Jacques Futrelle --Murder in the air / Peter Tremayne --The pulp connection / Bill Pronzini --Stag night / Marilyn Todd --Mr Strang accepts a challenge / William Brittain --The legs that walked / H.R.F. Keating --The next big thing / Peter T. Garratt --The second drug / Richard A. Lupoff --Ice elation / Susanna Gregory --The mystery of the taxi-cab / Howel Evans --Heartstopper / Frank M. Robinson --Blind eyes / Edward Marston --The amorous corpse / Peter Lovesey --Afterword: Impossible crimes / Mike Ashley.

    Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Edwidge Danticat, Rodney Saint-Éloi, Madison Smartt Bell, Gary Victor, M.J. Fievre, Marvin Victor, Yanick Lahens, Louis-Philipe Dalembert, Kettly Mars, Marie Ketsia Theodore-Pharel, Evelyne Trouillot, Katia Ulysse, Ibi Aanu Zoboi, Nadine Pinede, and others.Haiti has a tragic history and continues to be one of the most destitute places on the planet, especially in the aftermath of the 2010 earthquake. Here, however, Danticat reveals that even while the subject matter remains dark, the caliber of Haitian writing is of the highest order.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Noire: The Collected Stories features eight short stories from renowned authors Megan Abbott, Lawrence Block, Joe Lansdale, Joyce Carol Oates, Francine Prose, Jonathan Santlofer, Duane Swierczynski and Andrew Vachss, many of which revisit the characters and cases in the game, providing a new spin to tell the tales of emotionally torn protagonists, depraved schemers and ill-fated victims.

    A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    The present collection of stories, all set in Calcutta of the fifties and sixties, brings together four mysteries that put the sleuth's remarkable mental agility to the ultimate test. In The Menagerie (adapted by master film-maker Satyajit Ray for his 1967 film Chiriakhana) Byomkesh cracks a strange case involving broken motor parts, a seemingly natural death and the peculiar inhabitants of Golap Colony who seem capable of doing just about anything to safeguard the secrets of their tainted pasts. In The Jewel Case, he investigates the mysterious disappearance of a priceless necklace, while in The Will That Vanished he solves a baffling riddle to fulfil the last wish of a close friend. And in The Quills of the Porcupine, the shrewd detective is in his element as he expertly foils the sinister plans of a ruthless opportunist. Byomkesh's exploits just as it does Bandyopadhyay's remarkable portrayal of a city struggling to overcome its colonial past and come into its own.

    

    Brought up on a hill-station in north-west India, he killed his first leopard before he was nine and wenton to achieve a legendary reputation as a hunter.Corbett was also an author of great renown. His books on the man-eating tigers he once tracked are not only established classics, but have by themselves created almost a separate literary genre. Man Eaters of Kumaon is the best known of Corbett's books, one which offers ten fascinating andspine-tingling tales of pursuing and shooting tigers in the Indian Himalayas during the early years of this century. The stories also offer first-hand information about the exotic flora, fauna, and village life in this obscure and treacherous region of India, making it as interesting a travelogueas it is a compelling look at a bygone era of big-game hunting.

    His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.

    Each of these stories is richly crafted and arranged against the grand chaotic backdrop of life that is Bombay. Shroff's love for his hometown shines through, but so does his deep understanding of its challenges and problems. The reader is afforded an insider's view of this pulsating city, and through an unforgettable emotional and cultural journey comes to care for the characters presented in these stories.Dhobi Ghat --Traffic --The Maalishwalla --This house of mine --The queen guards her own --Haraami --A different Bhel --Busy Sunday --The great divide --Meter down --Love in the time of aids --Babu Barrah Takka --Jamal Haddi's revenge --Breathless in Bombay

    So we're reissuing the first of five Mitchell Tobin mysteries that went largely unnoticed when originally published by Westlake, under the pseudonym Tucker Coe in the 1960s. With a new introduction by Westlake detailing how Tucker Coe and Mitchell Tobin came to be, this novel is classic Westlake. Mitch Tobin is a cop who betrayed those people closest to him. Losing the only job he knew how to do, he's a loner. Then mobster Arnie Rembek offers Tobin a task tailor-made for his talents and keen cop mind -- find out who killed his girlfriend. The alliance between these two men creates a gripping tale.

    Now the author of the Lincoln Rhyme series ("The Cold Moon" and "The Bone Collector," among others) has compiled a second volume of his award-winning, spine-tingling short stories of suspense.While best known for his twenty-four novels, Jeffery Deaver is also a short story master -- he is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story, and he won the Short Story Dagger from the Crime Writers Association for a piece that appeared in his first short story collection, "Twisted. The New York Times" said of that book: "A mystery hit for those who like their intrigue short and sweet . . . [The stories] feature tight, bare-bones plotting and the sneaky tricks that Mr. Deaver's title promises." The sneaky tricks are here in spades, and Deaver even gives his fans a new Lincoln Rhyme and Amelia Sachs story.Deaver is back with sixteen stories in the tradition of O. Henry and Edgar Allan Poe. His subjects range from a Westchester commuter to a brilliant Victorian England caper. With these intricately plotted, bone-chilling stories, Jeffery Deaver is at the top of his crime-writing game.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.