The dowager claims to have seen a corpse on the dining room floor, but all she has to prove it is a bloodied bobble hat. Henry hires the women of the WISE Enquiries Agency. The duke wants the strange matter explained. But the truth of what happened at the Chellingworth Estate is more complex, dangerous, and deadly, than anyone could have foreseen . . .BOOK 2: THE CASE OF THE MISSING MORRIS DANCERHenry, eighteenth Duke of Chellingworth, is about to marry Stephanie Timbers in a grand ceremony at his Welsh estate. But one of the Morris dancers, who must lead the wedding party through the village, is missing. Along with the troupe’s kit of exquisite sixteenth-century silver bells and engraved sticks. Can the ladies of the WISE Enquiries Agency track him down and save the day?BOOK 3: THE CASE OF THE CURIOUS COOKHenry, eighteenth Duke of Chellingworth, is terribly worried about some water damage to the priceless books in his library and hires a local book restorer to tackle the repairs. Meanwhile, strange shenanigans are going on at his book shop and Dowager Duchess Althea brings the case to the women of the WISE Enquiries Agency. They come across a valuable book of miniatures which seems to be the work of a famous local artist, who was murdered by her own brother. The WISE women are on the case — and nothing will get in their way . . .BOOK 4: THE CASE OF THE UNSUITABLE SUITORSuccessful businessman and charmer Huw Hughes has his sights set on Annie. But Huw has been widowed three times and the other women of the WISE Enquiries Agency want to know why. Mavis and Carol have to work with Dowager Duchess Althea Twyst to ensure their unsuspecting friend Annie’s safety . . . and possibly protect the lives of other villagers. And of course all this mustn’t disrupt the Duke’s annual croquet tournament! Someone seems to want it to turn out very nasty indeed.Perfect for fans of Stella Cameron, Faith Martin, Agatha Christie, Frances Evesham, Betty Rowlands, or M.C. Beaton.

    

    Rachael's family comes to America to start a new life after fleeing the pogroms in Russia. Rebekah comes to America with her son, Samuel, fleeing his father, Misha, a Russian soldier with whom she had an affair and has threatened to take him away from her so he will not grow up as a Jew and the son of a cobbler. Set in the Lower East Side of New York and pre-revolutionary St. Petersburg, Russia, both women adjust to life in America until Misha kidnaps Samuel and returns with him to Russia. How Rebekah rises to the challenge of earning enough money as a designer of women's gowns to return to St. Petersburg to find her son, and the difficulties she encounters while there, including murder and prison, show the reader the full extent of a mother's ingenuity and determination when it comes to her child. Rachael also faces the possibility of losing a child to war when her son Solomon enlists in the army as America's entry into World War I approaches.

    Former hellion Adrian Sinclair is ready to prove he's a changed man. He vows to fulfill his duties as the new Earl of Wareton, which includes choosing a wealthy, suitable wife. When he takes charge of his cousin's home, his first priority is marrying off his cousin's troublesome stepsister. However, the more time he spends with the unconventional beauty, the harder it is to deny his attraction to her. While she's anything but suitable, she's everything he wants.She didn't want to be alone...But she had no choice. Anna Colbrook would rather everyone think she's content to be a spinster than have them know the truth. Unfortunately, Adrian seems determined to uncover the real reason she remains unmarried, and his powers of persuasion—namely his kisses in the moonlight—awaken Anna's long-denied dreams of love. But when a scandalous deception is revealed, she begins to doubt Adrian's honor. Worse, the secret puts Anna in grave danger, one even Adrian might not be able to save her from.

    . . a real page turner' Sheila Newberry 1860s London Orphaned at a young age, Rosa has always looked out for her younger sister, Grace, protecting her from the dangers and bullies of the workhouse.So when Grace is suddenly faced with a world without Rosa, she finds herself alone and forced to make difficult decisions about her future. Can she really walk away from everything she has built to protect the children Rosa has left behind?Returning to the gang-ruled streets of south-east London, Grace is determined to build a better future for herself and for the children of Bell Lane - no matter what the cost . . .

    Fearful that his opponent is dying from his injuries, Lawrence seeks sanctuary in a church nearby. When Ducket is found hanging from the rafters, people assume it's suicide. Yet, Sebastian Foxley is unconvinced. Why is his young apprentice, Jack Tabor, so terrified that he takes to his bed?Amidst feasting and merriment, Seb is determined to solve the mystery of his friend’s death and to ease Jack’s fears.

    After all, he was the heir to the biggest clay works in all of Cornwall, and she was but the daughter of one of their workmen.For just as an unexpected passion began to blossom between Morwen Tremayne and Ben Killigrew, the fates seemed determined to stifle its growth. A long, bitter struggle between owner and workforce brought about Charles Killigrew’s sudden illness, and with it Ben’s summons to the head of the family firm.Morwen and Ben, innocent victims of other men’s antagonisms, find themselves party to a conflict not of their making, that threatens to cut them off not only from their families, but from each other…A touching, heartbreaking tale of a love that conquers all, Killigrew Clay is perfect for fans of Rosie Goodwin, Lesley Pearse and Linda Finlay

    

    Dottie Manderson stumbles upon the body of a dying man in a deserted night-time street. As she waits for help to arrive, she holds the man’s hand and tries to get him to tell her what happened. But with his last breaths he sings to her some lines from a popular stage show. But why, Dottie wonders? Why would he sing to her instead of sending a final message to his loved ones? Why didn’t he name his attacker? Dottie needs to know the answers to these questions and so, even though a particular, very annoying, young policeman is investigating the case officially, she feels compelled to carry out her own investigation into the mysterious death. Introducing a new 1930s female sleuth in a traditional, cozy mystery series set in London between the two world wars, from Caron Allan, the writer of Criss Cross, Cross Check and Check Mate, a diary-based murder not-so-mysterious trilogy set in contemporary Britain. Extract from Night and Day: a Dottie Manderson mystery: If she hurried, she shouldn’t get too wet. She had been hopelessly optimistic when she told the cabby the rain had stopped. It hadn’t. Dottie drew her fur coat more tightly around her and held onto her hat, now not much more than a bit of limp lace and ribbon. But almost her first step took her an inch deep into a puddle and she couldn’t help but give a little yelp at how cold the water was, and the shock of it. ‘Blast it,’ she grumbled, and leaning against a nearby gate-post, she shook the worst of the water from her silver sandals. Almost new, too, she thought ruefully, and almost certainly ruined. At least her dress hadn’t seemed to suffer too badly. She hitched the skirt of it up a little higher and continued her short but eventful journey. A sound came to her ears. A soft shushing sort of sound but almost melodic. She paused a moment. Listened. Her eyes, growing accustomed to the darkness, made out a shape on the pavement not ten yards ahead. Her heart gave an odd lurch, as if a cold hand gripped it. ‘Idiot,’ she muttered, and forced herself to keep going. She really shouldn’t read gothic novels late at night, it made her jumpy. No doubt all she would find were the pages of a newspaper all spread about by the wind, and made to look odd by the streetlamp behind her creating shadows. The sound came again. A little louder, a little more insistent. It sounded almost like… There was someone—a man—lying on the pavement. She felt a little shimmer of fear. Could it be a drunk? Perhaps she ought to step into the road, walk round him very carefully, keeping her distance… The head moved very slightly. His face was a pale oval in the dim lamplight. And she saw that the lips moved too. It was him making that odd noise. So it was a drunk, after all. He was singing to himself in a soft sibilant whisper. Her ear caught the rough melody of it, and even then, just as she saw the blood on his shirt-front, one part of her mind was saying, I know that song. She forgot her fears and ran to his side. ‘What happened? Are you all right?’ she asked, then berated herself for asking such a stupid question. Because it was all too obvious he was not all right. She knelt beside him and put out a hand to take his groping one. He was quite young, though older than her own nineteen years of age. But no more than perhaps his early thirties. Fairish hair, slightly receding, and dark from the rain. One of those moustaches that were all the rage at the moment. Blue eyes, very blue like a child’s, wide and astonished-looking. From his smart evening dress, he was clearly well-to-do, although she didn’t recognise him. But the blood—oh the blood.

    With some reluctance, she joins the rest of the glamorous attendees on the veranda for cocktails and dancing until the gala turns grave indeed when one of the guests is murdered. With the sure knowledge there’s a killer among them, Sugar sets out to unearth the secrets that led to the death of a peer of the realm. With the help of a grumpy corgi and a handsome Englishman, she’s on the hunt for a cold-blooded killer and she won’t stop until she gets her man! The second book in the Sugar Martin Vintage Cozy Mysteries set in post-WW2 England.

    When she falls for a doomed soldier named Edward Gainsbury, she vows to save his life. But Millie soon finds the greatest danger is the one she cannot see.Colorado, 1943: With a brother gone to war, Dinah must learn how to fend for herself. She spends her days scouring the old mine for ore and her nights longing to escape her dying town. When Dinah sees a young soldier who looks just like Edward Gainsbury out in the snow—though he supposedly died in 1918—she follows him into the woods.Dinah is quickly drawn into the mysteries surrounding the Gainsbury family. Unexplained events begin to follow her wherever she goes—strange footsteps appearing in the snow, hands pressed to windows of buildings long abandoned. But what she discovers will force Dinah to confront the true history of her town and the darkness hiding inside those she least suspects.For fans of Wendy Webb, Simone St. James, and Jennifer McMahon—a chilling ghost story that spans two world wars, two brave young women, and the terrible secret that binds them.

    

    Auel.It is 56 pages of reprints of Wikipedia and other public domain online articles about her and her books.

     After a disastrous date with a creep who just wouldn’t take no for an answer, she vows to delete her internet dating profile altogether. But there’s one message that catches her eye and she decides to give online dating one final shot. With his fortune and dashing good looks, Mark Masterson always seems to attract the wrong kind of women who only want him for his money. When his secretary signs him up for a dating site, annoyance gives way to intrigue as he browses through Vanessa’s profile. Against all odds, the two of them hit it off and before they know it, sparks begin to fly. Still, Vanessa suspects he’s not being entirely honest with her and she cannot help but wonder how he can afford such a lavish lifestyle. Before she can pry the truth from him, she suddenly goes missing. As Mark embarks on a dangerous journey to track Vanessa down and save her life, will he ever find her in time? **** This is a standalone Novel with a touch of steam and HEA. ****

    She was wrong. New widow, Haley Colbrooke travels to Ashdown to meet her husband’s family and to visit his grave. The shocking news of their recent marriage is awkward enough. That her brother in-law is Lance’s identical twin is worse. Given her circumstances, she accepts the invitation to stay, which sets in motion a chain of events that will risk Haley losing all she has left. Rather than finding solace, she is drawn into past tragedies and deadly secrets. Perhaps coming to the family estate was a terrible mistake.