And despite all of the above, the absolute necessity of it, no matter its consequences. Whether it’s a college student undone by the boy who leaves her, or the boyfriend intent on leveling old scores from high school for his lover, or the husband who discovers—in the grocery store—the woman he should have been with all along, every character, no matter how off track, wants to believe in debt and credit and payback and making the messy world—and the messy world of love—turn out neatly.

    In this follow-up collection, the editors once again tackle the question: “How short can a story be and truly be a story?” Determined to find the best flashes from America in the twenty-first century, James Thomas and Robert Shapard searched everywhere for stories that were not merely good but memorable. Moving, and certainly unforgettable, this collection includes stories from the best and most popular fiction writers of our time, including Ron Carlson, Robert Coover, Steve Almond, Amy Hempel, A. M. Homes, Grace Paley, and Paul Theroux. In addition, Rick Moody properly defines armoire, Lydia Davis delves into a world of cats, and Dave Eggers explores narrow escapes. Over and over, these stories prove that often less is more.

    With elements of mystery, suspense, and otherworldly horror, Through a Mirror, Darkly successfully delves into the worlds of Lovecraft, Grant, and the mysterious Carcosa. “Arcane Delights. Clifton Heights' premier rare and used bookstore. In it, new owner Kevin Ellison has inherited far more than a family legacy, for inside are tales that will amaze, astound, thrill...and terrify.An ancient evil thirsty for lost souls. A very different kind of taxi service with destinations not on any known map. Three coins that grant the bearer's fondest wish, and a father whose crippling grief gives birth to something dark and hungry.Every town harbors secrets. Kevin Ellison is about to discover those that lurk in the shadows of Clifton Heights.”Through a Mirror, Darkly is a Supernatural Thriller collection masked as a novel. With elements of mystery, suspense, and otherworldly horror, Through a Mirror, Darkly successfully delves into the worlds of Lovecraft, Grant, and the mysterious Carcosa. “Kevin Lucia writes my favorite kind of horror, the kind not enough folks are writing anymore.” – Kealan Patrick Burke, Bram Stoker Award-winning author of The Turtle Boy and Kin."Through a Mirror, Darkly serves as Kevin Lucia's early-warning system to the horror field - Brace yourselves, folks." - Gary Braunbeck, Bram Stoker Award-winner of To Each Their Darkness, Destinations Unknown, and the forthcoming A Cracked and Broken Path “Literate and stylish, yet fast-paced and accessible, Through a Mirror, Darkly is a thoroughly engrossing read. Kevin Lucia is a major new voice in the horror genre.” – Jonathan Janz , author of The Nightmare Girl" Through a Mirror, Darkly earns Kevin Lucia a literary place alongside these enduring philosophical horror crafters.” – Mort Castle"He is a skillful guide through Clifton Heights, telling tales of mystery and horror in a town where dark secrets and ancient evils lurk to prey upon those who read Through a Mirror, Darkly." – Rena Mason, Bram Stoker Award® winning author of The Evolutionist.“With Through a Mirror, Darkly, Kevin Lucia proves once again that it’s only a matter of time before he’s one of the genre’s biggest names." – James Newman, author of The Wicked and Animosity Through a Mirror, Darkly follows on the success of Lucia's Things Slip Through collection.

    Brave New Worlds brings together the best dystopian fiction of the last 30 years, demonstrating the diversity that flourishes in this compelling subgenre. This landmark tome contains stories by Ursula K. Le Guin, Cory Doctorow, M. Rickert, Paolo Bacigalupi, Orson Scott Card, Neil Gaiman, Ray Bradbury, and many others.Table of ContentsIntroduction / John Joseph Adams --Lottery / Shirley Jackson --Red card / S.L. Gilbow --Ten with a flag / Joseph Paul Haines --Ones who walk away from Omelas / Ursula K. Le. Guin --Evidence of love in a case of abandonment / M. Rickert --The Funeral / Kate Wilhelm --O happy day! / Geoff Ryman --Pervert / Charles Coleman Finlay --From homogeneous to honey / Neil Gaiman & Bryan Talbot --Billennium / J.G. Ballard --Amaryllis / Carrie Vaughn --Pop squad / Paolo Bacigalupi --Auspicious eggs / James Morrow --Peter Skilling / Alex Irvine --The Pedestrian / Ray Bradbury --Things that make me weak and strange get engineered away / Cory Doctorow --Pearl diver / Caitlin R. Kiernan --Dead space for the unexpected / Geoff Ryman --"Repent harlequin!", said the Ticktockman / Harlan Ellison --Is this your day to join the revolution? / Genevieve Valentine --Independence day / Sarah Langan --Lunatics / Kim Stanley Robinson --Sacrament / Matt Williamson --Minority report / Philip K. Dick --Just do it / Heather Lindsley --Harrison Bergeron / Kurt Vonnegut Jr. --Caught in the organ draft / Robert Silverberg --Geriatric ward / Orson Scott Card --Arties aren't stupid / Jeremiah Tolbert --Jordan's waterhammer / Joe Mastroianni --Of a sweet slow dance in the wake of temporary dogs / Adam-Troy Castro --Resistance / Tobias S. Buckell --Civilization / Vylar Kaftan.

    In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

    Lansdale compiles and introduces 26 of his own favorite and most violent dark horror tales in this review of his work. "God of the Razor" introduces the dark god behind serial killers. A martial arts fight to the death between a reluctant champion and a sadistic alpha male is featured in "Master of Misery." Human sacrifice to ensure prosperity and as a coming-of-age ritual, are themes of "On a Dark October" and "Duck Hunt." In "The Fat Man," young boys learn the hard way that some mysteries should not be investigated. Many of the tales are truly weird, such as "Chompers," a story of false teeth with an appetite. All of the stories are individually introduced by Lansdale, who explains the humorous, weird, and sometimes sad genesis for each.

    From fairy tales to fims to fiction, witches cast their spells and capture our imaginations.Now the biggest names in fantasy and young adult literature have come together to make a little magic of their own. Neil Gaiman, Holly Black, Diana Peterfreund, Margo Lanagan, Peter S. Beagle, and Garth Nix are just a few of the authors who have toiled over their cauldrons and conjured up bewitching new creations inspired by and celebrating the might and mystery of the witch. Assembled by one of the most well-regarded anthologists in the science fiction/fantasy world, this rich, intelligent collection will enchant readers of all ages.Contents: Stray Magic by Diana PeterfreundPayment Due by Frances HardingeA Handful of Ashes by Garth NixLittle Gods by Holly BlackBarrio Girls by Charles de LintFelidis by Tanith LeeWitch Work by Neil GaimanThe Education of a Witch by Ellen KlagesThe Threefold World by Ellen KushnerThe Witch in the Wood by Delia ShermanWhich Witch by Patricia A. McKillipThe Carved Forest by Tim PrattBurning Castles by M. RickertThe Stone Witch by Isobelle CarmodyAndersen’s Witch by Jane YolenB is for Bigfoot by Jim Butcher (also included in Brief Cases)Great-Grandmother in the Cellar by Peter S. BeagleCrow and Caper, Caper and Crow by Margo Lanagan

    Namely, Great Expectations, Hard Times, A Christmas Carol and A Tale of Two Cities. This Library of Literary Classics edition is bound in padded leather with luxurious gold-stamping on the front and spine, satin ribbon marker and gilded edges. Other titles in this Library of Literary Classics series include: Charlotte & Emily Bronte: The Complete Novels; Edgar Allan Poe: Selected Works; Mark Twain: Selected Works; Jane Austen: The Complete Novels: Lewis Carroll: The Complete, Fully Illustrated Works; and William Shakespeare: The Complete Works.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors. One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.

    They illuminate the odd and the uncanny, the wondrous and the fantastic: all the things we know are lurking just out of sight--on the other side of the looking-glass, beyond the music of the impossibly haunting violin, through the dark trees of the forest. Other worlds, talking animals, fairies, goblins, demons, tricksters, and mystics: these are the elements that populate a rich literary tradition that spans the globe.In this collection, Ann and Jeff VanderMeer explore the stories that shaped our modern idea of "fantasy." There are the expected pillars of the genre: the Brothers Grimm, Hans Christian Andersen, Mary Shelley, Christina Rossetti, Nikolai Gogol, Franz Kafka, L. Frank Baum, Robert E. Howard, and J. R. R. Tolkien. But it's the unexpected treasures from Asian, Eastern European, Scandinavian, and Native American traditions--including fourteen stories never before available in English--that show that the urge to imagine surreal circumstances, bizarre creatures, and strange new worlds is truly a universal phenomenon.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    A desperate young woman makes a prayer to the Saint of Sidewalks, but the miracle she receives isn’t what she expected. A painter spies a naked man, crouched by the Cathedral of St. John the Divine, transform into a beautiful white bird and decides to paint him, and becomes involved in his curse. Jeanne, a duelist and a sacred blade for God and Her holy saints, finds that the price of truth is always blood. And in the novella “Once, Future” Howard reimagines the Arthurian romance on a modern college campus as a story that is told, and told again, until the ending is right.

    The lurking wolf in Little Red Riding Hood, the gingerbread house that lures Hansel and Gretel, the beauty asleep in her castle—these fables represent some of our deepest, most primeval fears and satisfy our longing for good to win out over evil (preferably in the most gruesome way possible). In this captivating new collection, critically acclaimed author Jean Thompson takes the classic fairy tale and brings it into the modern age with stories that capture the magic and horror in everyday life. The downtrodden prevail, appearances deceive, and humility and virtue triumph in The Witch, as lost children try to find their way home, adults cursed by past unspeakable acts are fated to experience their own horror in the present, and true love—or is it enchantment?—conquers all. The Witch and Other Tales Re-Told is a haunting and deeply entertaining collection, showcasing the inimitable Thompson at the height of her storytelling prowess.