Her two daughters, from a previous relationship, are now both adult. Jo, ambitious and independent, is pursuing a career as a barrister. Jo’s younger sister is very different. Shelley, just 20, sweet natured, trusting and innocent, still lives at home and works at a local animal clinic. They are a normal, happy family - and then Shelley meets Sam on the street and everything changes. Martha struggles to accept Shelley’s choice of boyfriend as, with increasing anger, she witnesses the erosion of all Shelley’s values under Sam’s influence. When Martha’s efforts to persuade Shelley to give Sam up fail, she decides on a more direct approach. The consequences of her actions are devastating for everyone and change the course of Martha’s life forever. “After I’d gone up to bed that night, leaving Gabe amidst the carnage I had created in the living room, I formulated my plan. But it was pure chance that I met Sam on Putney Bridge some three weeks later and I went ahead with it.”

    Like a fantastic film, a feverish delirium, or a dream state, these prose poems use an experimental lexicon of imagery that goes beyond anything typically poetic. Tost's point of departure is the loss of the Other that makes the I: Agnes, And in a sort of coming-of-age soliloquy song, he meditates on a range of topics: fatherhood, childhood, identity, poetry. Together his poems express the unburdening of consciousness, a consciousness that contains the likes of Blake, Italo Calvino, Allen Grossman, and Frank Stanford, among others (including Tost himself), Surreal and surprising, Invisible Bride showcases the prose artistry of a new American talent.

    At that time, responding to a question about that book, Pinsky said: “I would like to write a poetry which could contain every kind of thing, while keeping all the excitement of poetry.” That ambition was realized in a new way with each of his books, including the book-length personal monologue An Explanation of America; the transformed autobiography of History of My Heart; the bestselling translation The Inferno of Dante; and, most recently, the savage, inventive Gulf Music. That variety and renewal are represented in this brilliantly chosen volume.

    Table of Contents: List of Works by Collection and TitleList of Works in Alphabetical OrderRobert Frost BiographyA Boy's Will :: North of Boston :: Mountain Interval :: Miscellaneous PoemsA Boy's Will (1913)Into My OwnGhost HouseMy November GuestLove and a QuestionA Late WalkStarsStorm FearWind and Window FlowerTo the Thawing WindA Prayer in SpringFlower-gatheringRose PogoniaAsking for RosesWaiting--Afield at DuskIn a ValeA Dream PangIn NeglectThe Vantage PointMowingGoing for WaterRevelationThe Trial by ExistenceIn Equal SacrificeThe Tuft of FlowersSpoils of the DeadPan with UsThe Demiurge's LaughNow Close the WindowsA Line-storm SongOctoberMy ButterflyReluctanceNorth of Boston (1914)The Pasture Mending WallThe Death of the Hired ManThe MountainA Hundred CollarsHome BurialThe Black CottageBlueberriesA Servant to ServantsAfter Apple-pickingThe CodeThe Generations of MenThe HousekeeperThe FearThe Self-seekerThe Wood-pileGood HoursMountain Interval (1916; revised 1920)The Road Not Taken Christmas Trees An Old Man's Winter Night The Exposed Nest A Patch of Old Snow In the Home Stretch The Telephone Meeting and Passing Hyla Brook The Oven Bird Bond and Free Birches Pea BrushPutting in the Seed A Time to Talk The Cow in Apple Time An Encounter Range-finding The Hill Wife The Bonfire A Girl's Garden Locked Out The Last Word of a Bluebird "Out, Out—" Brown's Descent, or the Willy-nilly Slide The Gum-gatherer The Line-gang The Vanishing Red Snow The Sound of the Trees Miscellaneous Poems to 1920 "The Ax-Helve" "Fire and Ice" "The Flower Boat" "For Once, Then, Something" "Fragmentary Blue""Good-by and Keep Cold" "The Lockless Door""The Need of Being Versed in Country Things" "Not to Keep""Place for a Third" "Plowmen""The Runaway""To E.T.""The Valley's Singing Day""Wild Grapes"

    Amy Hempel is the writer who makes me feel most affiliated with other humans; we are all living this way—hiding, alone, obsessed—and that’s ok.” —Miranda July From legendary writer Amy Hempel, one of the most celebrated and original voices in American short fiction: a ravishing, sometimes heartbreaking new story collection—her first in over a decade.Amy Hempel is a master of the short story. A multiple award winner, Hempel is highly regarded among writers, reviewers, and readers of contemporary fiction. This new collection, her first since her Collected Stories published more than a decade ago, is a literary event. These fifteen exquisitely honed stories reveal Hempel at her most compassionate and spirited, as she introduces characters, lonely and adrift, searching for connection. In “A Full-Service Shelter,” a volunteer at a dog shelter tirelessly, devotedly cares for dogs on a list to be euthanized. In “Greed,” a spurned wife examines her husband’s affair with a glamorous, older married woman. And in “Cloudland,” the longest story in the collection, a woman reckons with the choice she made as a teenager to give up her newborn infant. Quietly dazzling, these stories are replete with moments of revelation and transcendence and with Hempel’s singular, startling, inimitable sentences.

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.

    She was found abandoned on a park bench in Glasgow, Scotland when she was only two years old. Being unable to talk or explain herself meant that growing up within the Scottish welfare system was depressingly harsh.This all changes the day a young social worker named Kim comes into seven-year-old Emily's life. Kim suspects that there is definitely more to Emily than the workers in the social system have surmised. A suspicion that Emily is no ordinary sufferer of domestic trauma. Emily, through Kim, finds hope, guidance and the chance of a normal life. But when a teenaged Emily becomes a victim of assault, leading to the death of her attackers, it fires off an urgent need to find out who she actually is.Through the first person accounts of a social worker, a teenager, a gymnastics coach, an investigative agent and a sickly, elderly man, we observe Emily's often-perilous journey to discover her true identity and what led to her abandonment in the first place--what she eventually finds may be truly extraordinary.

    When I open them, I think it might really be there in front of me.’ After three tours of duty in Afghanistan, Liam Andrews is home safe in Queensland. His weekly life drawing class, full of colourful local artists, helps him manage his post-traumatic stress disorder. But he’s struggling to open up about a past that still haunts him. Belourine ‘Billy’ is an Afghan refugee who lost everything before arriving in Australia as a child. She finds joy in her daily swims in the lake. After years of upheaval, she’s still searching for a place to call home. But her past makes it hard to trust people. When Liam and Billy meet, they form an instant connection. But will they ever overcome the past? And will it be together? ‘Rhonda is one talented Aussie author….’ Chapterichi.com ‘When I read Rhonda’s work, I think "authentic". There is no pretence. No fakeness. Just raw, honest and beautifully crafted characters and dialogue.” The MadHatter Book Reviewer

    After their husbands both pass away within a year of one another, they have no reason to interact. Their connection drops to an awkward phone call on birthdays and an exchange of holiday cards.Until an eccentric uncle of their husbands' leaves a massive cattle ranch to the women's minor children. . . if they work the ranch themselves. A ranch that's located near a small town on the Wasatch front that isn’t too keen on outsiders.They're both going to turn the bequest down, clearly. It’s not like either of them could properly raise their kids or find love again in a backwater province like Birch Creek. But when things at home change dramatically—for both moms—they decide to give it a try. . . just for the summer.What could possibly go wrong in a mere three months? (Or more importantly... what might go right?)Wall Street Journal and USA Today bestselling author Pamela Kelley said, "B. E. Baker takes you right to the heart of the small town that two widowed sisters-in-law land in very unexpectedly. Can they survive the year they need to spend there to keep it? I really enjoyed reading Bridget's romantic women's fiction debut."

    Nineteen-year-old Finn has just arrived in the city with his irrepressible and volatile girlfriend, Dilly, determined to even the score with his older brother Jack for abandoning him in the UK in the aftermath of their parents’ deaths. Across town, successful gallery owner Leo Emerson is haunted by loneliness, unsettled by the contrast between his life and that of his brother-in-law and oldest friend Isidor, who is enviably contented in his faith and his marriage. When Finn wanders into Leo’s gallery, a series of unexpected and interconnected events unfold, changing the lives of all four men, for better or worse. Leo and Isidor’s settled existences are overturned by events outside of their control, while Jack and Finn’s complex relationship reaches its long overdue showdown. Beautifully orchestrated and richly comic, Men Like Air explores the romance and solitude of cosmopolitan life, the transformative power of art, and the impact we have on one another’s lives—and what happens when the ties that bind us are tested or broken. It is an intense and uplifting story of growth and renewal, mapping the complex workings of the human heart across the streets of New York City.

    Marriage was never in the picture. But when her grandfather is tricked into signing a binding marriage contract to a man she finds repugnant, she has one choice: Run away. Her flight ends with a fortuitous meeting with Zayid Hasan, Crown Prince of Raihan, who offers the perfect solution to Laila’s predicament: marry him and solve both their problems. Zayid’s younger brother must marry his pregnant fiancé, and ancient laws dictate the oldest brother is required to marry first. Desperate for a way to protect both her grandfather and herself, Laila agrees. After all, their marriage will last only until Zayid’s brother can marry—and her marriage to the brooding, handsome prince isn’t much of a sacrifice. It’s not like she’s going to be foolish enough to fall in love…Zayid doesn’t know what to think about his new half-American wife. He doesn’t really want to think about her at all, but for some reason, he can’t stop himself. Strangely enough, all the royal functions that used to bore him silly are now entertaining with Laila by his side—even though he knows she’d much rather be alone creating her art. Though the marriage of convenience was his idea, he can’t help but start to wish it was the real deal. No way can he ignore the simmering chemistry that’s driving them both a bit crazy. He’s much better at ignoring what’s in his heart—until he realizes it just might break if he can’t convince Laila to stay with him forever…

    His love affair with punk comes full circle as he learns to hate it and then learns to love it again. The pieces in this book take us from his Southern roots, his brief stay in St. Louis, and his journey to California on a quest for punk bliss. Sinister finds himself in Oakland, where he gets exactly what he wanted, but it may just kill him. From recounts of specific shows to metaphorical dreams of Abraham Lincoln to the tragic stories of circus elephants, All Blacked Out & Nowhere to Go mixes tragedy and comedy into a book that's louder and faster than any book of its kind.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    . . . Ammons makes you laugh and forces you to think hard about the way humans relate to natural phenomena and to themselves. From such simple, short expression emerge complex, often confounding ideas. New readers of poetry as well as those with an active interest in lyric verse will love this volume.”—Booklist

    "The work is deeply felt...Bernstein has been there and brought it back. Bernstein is a writer." [William S. Burroughs]