The wealthy residents of New Town live in comfort, while Old Town’s cobblestone streets are clotted with criminals, prostitution, and poverty.Detective Inspector Ian Hamilton is no stranger to Edinburgh’s darkest crimes. Scarred by the mysterious fire that killed his parents, he faces his toughest case yet when a young man is found strangled in Holyrood Park.With little evidence aside from a strange playing card found on the body, Hamilton engages the help of his aunt, a gifted photographer, and George Pearson, a librarian with a shared interest in the criminal mind. But the body count is rising. As newspapers spin tales of the “Holyrood Strangler,” panic sets in across the city. And with each victim, the murderer is getting closer to Hamilton, the one man who dares to stop him.

    Not only to stop the killing but also to prove her skills at detection to her father and win her dowry and independence. There’s only one catch—she has to take one last matchmaking job to do it. Never mind that the match is impossible, all the better because if she fails, then no one will seek her services again. The job provides the perfect cover especially when her peculiar investigatory techniques are mistaken for unconventional matchmaking attempts. Things would go a lot smoother if she weren’t knee-deep in suspects and thwarted at every turn by a rival matchmaker. But when the killer strikes again, Katherine’s investigation leads down a dangerous path. Too late, she discovers that she has a lot more to lose than her dowry…

    When a weekend party at Farthering Place is ruined by murder and the police seem flummoxed, Drew decides to look into the crime himself. With the help of his best friend, Nick Dennison, an avid mystery reader, and Madeline Parker, a beautiful and whip-smart American debutante staying as a guest, the three try to solve the mystery as a lark, using the methods from their favorite novels.Soon, financial irregularities at Drew’s stepfather’s company come to light and it’s clear that all who remain at Farthering Place could be in danger. Trying hard to remain one step ahead of the killer–and trying harder to impress Madeline–Drew must decide how far to take this game

    Fifteen years later she's got a degree in hospitality management and a great job supervising every aspect of the day-to-day operations of a high-end boutique hotel on the Baltimore waterfront. Then her high school best friend asks her to come talk with the town leaders of Asheford, but she won't say why. Kate can't cut her last link to her past, so she agrees to make the short trip across the state to Asheford.Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they've decided that Kate's skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker--Kate's high school nemesis, who had a hand in driving Kate away from Asheford so many years.But a few days later Kate receives a call from the police--Cordelia has been found dead on the mansion property, and Kate is all-but certain that her name is high on the suspect list. She finds herself juggling the murder investigation and her growing fascination with the magnificent old house that turns out to be full of long-hidden mysteries itself. Kate knows she must clear her name and save her town--before she ends up behind bars.

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

    By night, she creates her own intricately detailed coloring books for adults, filling the pages with objects that catch her eye. There's plenty of inspiration in her new apartment--a beautiful carriage house belonging to Professor John Maxwell, Florrie's boss. He offers the property to Florrie rent-free with one condition--she must move in immediately to prevent his covetous sister and nephew from trying to claim it.When the professor's nephew, Delbert, arrives, he proves just as sketchy as Florrie feared. But the following morning, Delbert has vanished. It's not until she visits the third floor of the store that Florrie makes a tragic discovery--there's a trap door in the landing, and a dead Delbert inside. The esteemed Professor Maxwell is an obvious suspect, but Florrie is certain this case isn't so black and white. Doodling clues, she begins to consider other colorful characters on the scene, all with a motive for murder. With a killer drawing closer, Florrie will need to think outside the lines . . . before death makes his mark again.

    She also has a job to do—report on the event for the society page of the Newport Observer.But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost…

    Much is from the viewpoint of a naive secretary seduced by a blue-blood playboy. Icy blond beauty, aristocratic Priscilla Halburton-Smythe, lends a hand.

    After burying her spinster aunt, orphaned Veronica Speedwell is free to resume her world travels in pursuit of scientific inquiry—and the occasional romantic dalliance. As familiar with hunting butterflies as with fending off admirers, Veronica intends to embark upon the journey of a lifetime.But fate has other plans when Veronica thwarts her own attempted abduction with the help of an enigmatic German baron, who offers her sanctuary in the care of his friend Stoker, a reclusive and bad-tempered natural historian. But before the baron can reveal what he knows of the plot against her, he is found murdered—leaving Veronica and Stoker on the run from an elusive assailant as wary partners in search of the villainous truth.

    When the biographer Russell Graves, who Daniel is helping defend, is sentenced to execution for the murder of his wife, Daniel's Pitt-family investigative instincts kick in, and he sets out to find the real killer. With only twenty-one days before Graves is to be executed, Daniel learns that Graves is writing a biography of Victor Narraway, the former head of Special Branch and a close friend of the Pitts. And the stories don't shed a positive light. Is it possible someone is framing Graves to keep him from writing the biography--maybe even someone Daniel knows in Special Branch? The only answer, it seems, lies in the dead woman's corpse. And so, with the help of some eccentric new acquaintances who don't mind bending the rules, Daniel delves into an underground world of dead bodies and double lives, unearthing scores of lies and conspiracies. As he struggles to balance his duty to the law with his duty to his family, the equal forces of justice and loyalty pull this lawyer-turned-detective in more directions than he imagined possible. And amidst it all, his client's twenty-one days are ticking away.

    Mystery author Lady Amy Lovell receives an anonymous letter containing shocking news: her fiancé, Mr. Ronald St. Vincent, has been dabbling in something illegal, which causes her to promptly break their engagement.Two evenings later, as Lady Lovell awaits a visit from Lord William Wethington, fellow member of the Bath Mystery Book Club, her former fiancé makes an unexpected and most unwelcome appearance at her house. She promptly sends him to the library to cool his heels but later discovers the room seemingly empty--until she stumbles upon a dead Mr. St. Vincent with a knife in his chest.Lord Wethington arrives to find Lady Amy screaming and sends for the police, but the Bobbies immediately assume that she is the killer. Desperate to clear her name, Lady Amy and Lord Wethington launch their own investigation--and stir up a hornet's nest of suspects, from the gardener who served time in prison for murder to a vengeful woman who was spurned by St. Vincent before he proposed to Lady Amy.Can they close the book on the case before the real killer gets away with murder?

    At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer. Except for one Melrose Plant. A keen observer of human nature, he points Jury in the right direction: into the darkest parts of his neighbors’ hearts…

    He drains his fifth pot of morning tea, and glances outside, where a young, plain woman picks her way between the piles of horse-dung towards his front door.March Middleton is Sidney Grice's ward, and she is determined to help him on his next case. Her guardian thinks women are too feeble for detective work, but when a grisly murder in the slums proves too puzzling for even Sidney Grice's encyclopaedic brain, March Middleton turns out to be rather useful after all...Set in a London still haunted by the spectre of the infamous Spring-heeled Jack, THE MANGLE STREET MURDERS is for those who like their crime original, atmospheric, and very, very funny.

    She is the new curator of Lady Georgiana Fowling's First Edition library. The library is kept at Middlebank House, a lovely Georgian home in Bath, England. Hayley lives on the premises and works with the finicky Glynis Woolgar, Lady Fowling's former secretary.Mrs. Woolgar does not like Hayley's ideas to modernize The First Edition Society and bring in fresh blood. And she is not even aware of the fact that Hayley does not know the first thing about the Golden Age of Mysteries. Hayley is faking it till she makes it, and one of her plans to breathe new life into the Society is actually taking flight--an Agatha Christie fan fiction writers group is paying dues to meet up at Middlebank House.But when one of the group is found dead in the venerable stacks of the library, Hayley has to catch the killer to save the Society and her new job.

    At the request of Sergeant Frank Malloy, she searches the girl's room, and discovers that the victim is from one of the most prominent families in New York and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy's help, Sarah begins a dangerous quest to bring the killer to justice, before death claims another victim.