In his earlier novels, he has written about conspiracy theory, the Cold War and global terrorism. Now, in Point Omega, he looks into the mind and heart of a "defense intellectual", one of the men involved in the management of the country's war machine. Richard Elster was a scholar—an outsider—when he was called to a meeting with government war planners, asked to apply "ideas and principles to such matters as troop deployment and counterinsurgency". We see Elster at the end of his service. He has retreated to the desert, "somewhere south of nowhere", in search of space and geologic time. There he is joined by a filmmaker, Jim Finley, intent on documenting his experience. Finley wants to persuade Elster to make a one-take film, Elster its single character—"Just a man and a wall."Weeks later, Elster's daughter Jessica visits—an "otherworldly" woman from New York, who dramatically alters the dynamic of the story. The three of them talk, train their binoculars on the landscape, and build an odd, tender intimacy, something like a family. Then a devastating event throws everything into question. In this compact and powerful novel, it is finally a lingering human mystery that haunts the landscape of desert and mind.

    Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950's. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct.Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity.

    The stories cut an alternative path across innovative twentieth-century writing, bridging the world of Virginia Woolf and Anna Kavan with that of Kathy Acker and Chris Kraus.Ann Quin (b. 1936, Brighton) was a British writer. Prior to her death in 1973, she lived between Brighton, London, and the US, publishing four novels: Berg (1964), Three (1966), Passages (1969), and Tripticks (1972).

    

    Not after midnight, not through Rocky Point Park. Not the way she was dressed in a tank top, denim cutoffs, and high-heeled sandals. Not with her twelve-year-old daughter Bethie. Not with packs of local guys running loose on hormones, rage, and alcohol. A victim of gang rape, left for dead in the park boathouse, the once vivacious Teena can now only regret that she has survived. At a relentlessly compelling pace punctuated by lonely cries in the night and the whisper of terror in the afternoon, Joyce Carol Oates unfolds the story of Teena and Bethie, their assailants, and their unexpected, silent champion, a man who knows the meaning of justice. And love.

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    Outrageous and uproarious, flamboyant and serious as only the most perfect frivolity can be, James McCourt’s entrancing send-up of the world of opera has been a cult classic for more than a quarter-century. This comic tribute to the love of art is a triumph of art and love by a contemporary American master.

    The Lost Scrapbook is a novel that passionately captures the contradictory richness of our historical slot, a time when feelings of belonging and exclusion can do bitter battle. Conjuring an unforgettable variety of voices, the book delves into lives touched by this tension, before it culminates in a confrontation between a trusting city and the local manufacturing company that both sustains and betrays it. Through the use of a prismatic storytelling form, The Lost Scrapbook finds a contemporary answer to the 19th century novel, evoking an entire world in all its richness and diversity. But by embodying the sense that we can best understand our world through witnessing the interworkings of whole communities, it is also something altogether new: The Lost Scrapbook may be the first "holistic" novel.

    The speaker is David Kepesh, white-haired and over sixty, an eminent TV culture critic and star lecturer at a New York college - as well as an articulate propagandist of the sexual revolution. For years he has made a practice of sleeping with adventurous female students while maintaining an aesthete's critical distance. But now that distance has been annihilated.The agency of Kepesh's undoing is Consuela Castillo, the decorous, humblingly beautiful twenty-four-year-old daughter of Cuban exiles. When he becomes involved with her, Kepesh finds himself dragged helplessly into the quagmire of sexual jealousy and loss. In chronicling the themes of eros and mortality, licence and repression, freedom and sacrifice. The Dying Animal is a burning coal of a book, filled with intellectual heat and not a little danger.

    Alwyn Tower, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner’s The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.

    In To Walk the Night, Bark Jones and his college buddy Jerry Lister, a science whiz, head back to their alma mater to visit a cherished professor of astronomy. They discover his body, consumed by fire, in his laboratory, and an uncannily beautiful young widow in his house—but nothing compares to the revelation that Jerry and Bark encounter in the deserts of Arizona at the end of the book. In The Edge of Running Water, Julian Blair, a brilliant electrophysicist, has retired to a small town in remotest Maine after the death of his wife. His latest experiments threaten to shake up the town, not to mention the universe itself.

    The years pass but no one looks any older. One night a doctor tells the story of a young woman who gives birth to a baby in the most horrible way! Evil psychic powers, obsession and the supernatural in the most ordinary, everyday places. A spine-chiller from the master of horror.

    It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach. But even as he lingers over the surface of their marriage, Salter lets us see the fine cracks that are spreading through it, flaws that will eventually mar the lovely picture beyond repair. Seductive, witty, and elegantly nuanced, Light Years is a classic novel of an entire generation that discovered the limits of its own happiness—and then felt compelled to destroy it.

    Filled with an abiding sense of love and family, and of the forces that test them to the breaking point, Wildlife—first published by Atlantic Monthly Press in 1990 and now reissued as a Grove Press paperback—is a book whose spare poetry and expansive vision established it as an American classic.

    Deftly interweaving humor and pathos, Saul Bellow evokes in the climactic events of one day the full drama of one man's search to affirm his own worth and humanity.