This quirky group of women would much rather celebrate one another’s rejected manuscripts over cups of tea and slices of lemon cake than actually publish a book. But good friends are exactly what Janet needs after moving to the small town of Southlea Bay, Washington. Just as the ladies are about to raise a teacup to their five hundredth rejection letter, they receive bad news that could destroy one member’s reputation—and disband the group forever. To save the club, Janet joins her fellow writers on a wild road trip to San Francisco in search of the local publisher who holds the key to a long-buried secret. As they race to the finish line, they’ll face their fears—landslides, haunted houses, handsome strangers, ungrateful children—and have the time of their lives.

    It’s why she trains thirty hours a week, starves herself to under 100 pounds, and pops Advil like Tic Tacs.For her mother, Charlene,  hungry for glory she never had, it’s why she rises before dawn to drive Sera to practice in a different state, and why the family scrimps, saves, and fractures. It’s why, when Sera’s best friend reports the gymnastics doctor to the authority who selects the Olympic Team, Sera denies what she knows about his treatments, thus preserving favor.Their friendship shatters. But Sera protected her dream—didn’t she?Sera doubles down, taping broken toes, numbing torn muscles, and pouring her family’s resources into the sport. Soon she isn’t training for the love of gymnastics. She’s training to make her disloyalty worthwhile. No matter the cost.The Happiest Girl in the World explores the dark history behind an athlete who stands on the world stage, biting gold. It's about the silence required of the exceptional, a tarnished friendship, and the sacrifices a parent will make for a child, even as a family is torn apart. It’s about the price of greatness.

    She thought she'd finally found sanctuary in her rather unremarkable used bookstore just up the street from the marina in River City, Michigan. But the store is struggling and the past is hot on her heels.When she receives an eerily familiar book in the mail on the morning of her father's scheduled execution, Robin is thrown back to the long-lost summer she met Peter Flynt, the perfect boy who ruined everything. That book--a first edition Catcher in the Rye--is soon followed by the other books she shared with Peter nearly twenty years ago, with one arriving in the mail each day. But why would Peter be making contact after all these years? And why does she have a sinking feeling that she's about to be exposed all over again?

    Esther Durrant, a young mother, is committed to an isolated mental asylum by her husband. Run by a pioneering psychiatrist, the hospital is at first Esther’s prison but soon surprisingly becomes her refuge. 2018. Free-spirited marine scientist Rachel Parker embarks on a research posting in the Isles of Scilly, off the Cornish coast. When a violent storm forces her to take shelter on a far-flung island, she discovers a collection of hidden love letters. Captivated by their passion and tenderness, Rachel determines to track down the intended recipient. But she has no idea of the far-reaching consequences her decision will bring.Meanwhile, in London, Eve is helping her grandmother, a renowned mountaineer, write her memoirs. When she is contacted by Rachel, it sets in motion a chain of events that threatens to reveal secrets kept buried for more than sixty years.With an arresting dual narrative that immediately captivates the reader, The Forgotten Letters of Esther Durrant is an inspirational story of the sacrifices made for love.

    But after her grandmother passes away and it falls to her less-than-reliable father to take her instead, Meg’s long-anticipated travel plans seem permanently on hold. When her dad finally tells Meg to book the trip, she prays that the experience will heal the fissures left on her life by her parents’ divorce. But when Meg arrives in Florence, her father is nowhere to be found, leaving aspiring memoir-writer Sophia Borelli to introduce Meg to the rich beauty of the ancient city. Sofia claims to be one of the last surviving members of the Medici family and that a long-ago Medici princess, Nora Orsini, communicates with her from within the great masterpieces of the Italian Renaissance. When Sophia, Meg, and Nora’s stories intersect, their lives will be indelibly changed as they each answer the question: What if renaissance isn’t just a word? What if that’s what happens when you dare to believe that what is isn’t what has to be?

    Life should be a joyful adventure. But . . .Her relationship with her mother is at breaking point.She knows she needs to find her father.She's missed so much that her friends have left her behind.She's felt so helpless for so long that she's let polls on her blog make her decisions for her. And now she barely knows where to start on her own.And then there's Lennox. Her best friend and one time lover. He was sick too. He didn't make it. And now she's supposed to face all of this without him.But her new heart is a bold heart. She just needs to learn to listen to it . . .

    But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well—into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.In a remote area of Washington, a young girl named Raven keeps secrets inside, too. She must never speak to outsiders about how her mother makes miracles spring from the earth, or about her father, whose mysterious presence sometimes frightens her. Raven spends her days learning how to use her rare gifts—and more important, how to hide them. With each lesson comes a warning of what dangers lie in the world beyond her isolated haven. But despite her mother’s cautions, Raven finds herself longing for something more.As Ellis and Raven each confront their powerful longings, their journeys will converge in unexpected and hopeful ways, pulled together by the forces of nature, love, and family.

    Her plan takes a wrong turn when she finds Veronica, her twenty-year-old housekeeper and daughter of her beloved nanny, Lola, hovering over the dead body of octogenarian Randolph Brentwood, the fifth richest man in the world. Maple has never been a warm and fuzzy type of family person, and the last thing she wants to do in her final months of life is deal with Veronica’s mess. But long ago Maple made a promise to Lola that she’d always look out for her “little sister” Veronica. Still, the stubborn Maple, hardened from her own personal loss, resists involvement until she learns that Veronica is pregnant with Lola’s grandchild, an heir to the Brentwood estate. To make good on her promise to Lola, Maple vows to help Veronica. With the assistance of Michael, a handsome and savvy PI, they journey up and down the East Coast, dodging the authorities, a shady lawyer, a cold-hearted hit man, and the powerful widow, Mrs. Brentwood. As Maple’s bitterness about spending her last days saving Veronica dissipates and her friendship with Michael develops, she realizes that on the way to death, she’s found something she’s never had—life. (PLEASE NOTE: This is the Author's Women's Fiction Debut. It is NOT a Romance. Further, this book touches on serious subjects that may affect more sensitive readers.)

    Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world. Raised by a pair of capricious drifters who waste their lives on failed dreams, she longs for stability and rootedness. Different in nearly every way, Ruth and Dana share a need to make sense of who they are and to find their places in a world in which neither has ever truly felt she belonged. They also share a love for Dana's wild and beautiful older brother, Ray, who will leave an indelible mark on both their hearts. Told in the alternating voices of Ruth and Dana, The Good Daughters follows these "birthday sisters" as they make their way from the 1950s to the present. Master storyteller Joyce Maynard chronicles the unlikely ways the two women's lives parallel and intersect—from childhood and adolescence to first loves, first sex, marriage, and parenthood; from the deaths of parents to divorce, the loss of home, and the loss of a beloved partner—until past secrets and forgotten memories unexpectedly come to light, forcing them to reevaluate themselves and each other. Moving from rural New Hampshire to a remote island in British Columbia to the '70s Boston art-school scene, The Good Daughters is an unforgettable story about the ties of home and family, the devastating force of love, the healing power of forgiveness, and the desire to know who we are.

    They ended up together by the hands of fate aligning things just so. Three years into their marriage, they have a wonderful little boy, and as the three of them embark on their first vacation as a family, Violet can’t help thinking that she can’t believe her luck. Life is good.So no one is more surprised than she when Finn leaves her at the beach—just packs up the hotel room and disappears. And takes their son with him. Violet is suddenly in her own worst nightmare, and faced with the knowledge that the man she’s shared her life with, she never really knew at all.Caitlin and Finn have been best friends since way back when, but when Finn shows up on Caitlin’s doorstep with the son he’s wanted for kidnapping, demands that she hide them from the authorities, and threatens to reveal a secret that could destroy her own family if she doesn’t, Caitlin faces an impossible choice.Told through alternating viewpoints of Violet, Finn and Caitlin, Almost Missed You is a powerful story of a mother’s love, a husband’s betrayal, connections that maybe should have been missed, secrets that perhaps shouldn’t have been kept, and spaces between what’s meant to be and what might have been.