The disappointed blob and its resigned "oh no" has become a recognizable slogan, tapping into the current internet zeitgeist of self-conscious pessimism to hilarious and heartbreaking effect.  Now in this alternately funny and gloomy collection, oh no brings together all the series’ greatest hits as well as dozens of never-before-seen comics. With exciting material for established fans and newcomers alike, oh no will have something for everyone. Because, after all, we are all the disappointed blob; the disappointed blob is us.

    Not just once or twice, but seven dozen times. Each death a new demise, from the comic to the grim to the absurd to the transcendent and back again. With text by Jesse Ball and Brian Evenson complimented by Lilli Carré's macabre, gravestone-rubbing-style art, Henry King's ends are brought to a vivid life.

    In this mock autobiographical collection his mischievous drawings capture life's anxieties and ambitions from the mundane to the surreal. Here, at last, is The Truth about beer, doctors, shadow puppets, lunch, dolphins, boredom, and supernatural forces. Seductively strange and addictively amusing, this edgy little book welcomes the uninitiated and rewards the faithful.

    And it's nothing like co-ed club hockey back in Georgia. For one?There's checking. It's a story about hockey and friendship and bros and trying to find yourself during the best four years of your life.

    As is the case with many teens looks can be deceiving.  When he's not at school or riding the metro, he is at the local comic shop cosplaying as his favorite Japanese animation character Peepo Choo!  A hardcore fan, Milton knows every line from the Peepo Choo animation by heart.  He can happily replicate the Peepo Dance with ease, and genuinely believes the world depicted in this cartoon is "the real" Japan.On the other side of the Pacific lives Reiko.  A teenage model on the rise, she also has another side of her.  Reiko is a feminist working hard to someday move overseas to a place where she could be treated equally and fairly by men and women.  In Japan, Reiko feels she is a teenage sex object, and after a number of interactions with young Americans in Tokyo she begins to believe that her American dream is going to be painfully similar to her worst Japanese nightmares.Chance would bring the two teens together. But in this case fate comes in the form of the underworld! "Now that Smith is producing works for a Japanese audience under the editorial guidelines of Kodansha--doing what Paul Pope in the 1990s ultimately could not do--it's going to be fascinating to see how his already amazing talents change and grow."--Jason Thompson, ComiXology

    When transfer student Jane is forced to move from the confines of Metro City to Suburbia, she thinks her life is over. But there is the lunch room at the reject table she finds her tribe: three other girls named Jane. Main Jane encourages them to form a secret art gang and paint the town P.L.A.I.N. - People Loving Art In Neighborhoods. But can art attacks really save the hell that is high school?

    Plastic surgery, a different wardrobe, a smouldering look, have given her confidence and a new and thrilling power to attract, which she uses recklessly. Often just for the fun of it.People are drawn to Tamara Drewe, male and female. In the remote village where her late mother lived Tamara arrives to clear up the house. Here she becomes an object of lust, of envy, the focus of unrequited love, a seductress. To the village teenagers she is 'plastic-fantastic', a role model. Ultimately, when her hot and indiscriminate glances lead to tragedy, she is seen as a man-eater, a heartless marriage wrecker, a slut.First appearing as a serial in the Guardian, in book form Tamara Drewe has been enlarged, embellished and lovingly improved by the author.

    For all you fellow agonizers, fretters, and nervous wrecks, this book is for you. Read it and weep...with laughter

    Within its pages, he serialized the groundbreaking Ed the Happy Clown, revealing a macabre universe of parallel dimensions. Thanks to its wholly original yet disturbing story lines, Ed set the stage for Brown to become a world-renowned cartoonist. Ed the Happy Clown is a hallucinatory tale that functions simultaneously as a dark roller-coaster ride of criminal activity and a scathing condemnation of religious and political charlatanism. As the world around him devolves into madness, the eponymous Ed escapes variously from a jealous boyfriend, sewer monsters, the Royal Canadian Mounted Police, and a janitor with a Jesus complex. Brown leaves us wondering, with every twist of the plot, just how Ed will get out of this scrape. The intimate, tangled world of Ed the Happy Clown is definitively presented here, repackaged with a new foreword by the author and an extensive notes section, and is, like every Brown book, astonishingly perceptive about the zeitgeist of its time.

    The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of world's largest newspaper the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in 40 countries.Moomin Book One is the first volume of Drawn & Quarterly publishing plan to reprint the entire strip drawn by Jansson before she handed over the reigns to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century.The Moomins are a tight-knit family — hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

    It's an acknowledged bit of wisdom that authors all learn at one time or another: Don't let your publisher write the promotional material. Words like "countless millions," "knee-slapping hilarious," and "cult following" are found peppering one's sacred book jacket like pigeon droppings on a statue of the Virgin Mary...which naturally is how I think of my work.The truth is that the only "cult following" my comic strip had when this book appeared consisted of my mother. Bless her heart, she still reads it daily. She'll hand the funny page to me, point to it, scrunch her eyes together and say, "Honey, what were you trying to say here?" If opus spits watermelon seeds at Milo, she'll say to me, "So this is a sort of comment on the watermelon industry?" So you see, to my publisher and to my mother, I remain a victim of unrealistic expectations.In the meantime, please accept my apologies for the way Opus is drawn within this volume. I had no experience drawing birds in 1982 and you will notice that his beak tends to randomly shrink or expand. To this day, my mother thinks it symbolically represented the changing fortunes of my bachelor love life. Maybe it did, Mom, and maybe it didn't.Berke BreathedAugust 1987

    This book follows the promising first date of Kim and Bruce who hook up to have a dysfunctional boyfriend-girlfriend relationship. Their friends offer help and advice along the way. Featuring vengeful, sarcastic, and hopeless love cartoons, anyone who has been in a relationship or is trying to find one for Valentine's Day will surely get a laugh out of this book.

    Follow Gert, a forty year old woman stuck in a six year old's body who has been trapped in the magical world of Fairyland for nearly thirty years. Join her and her giant battle-axe on a delightfully blood-soaked journey to see who will survive the girl who HATES FAIRYLAND.Collecting: I Hate Fairyland 1-5

    A special part 2 collection of hilarious tales about Tinkle's best-loved comic character - Suppandi, the goof, whose antics leave his bosses bothered and bewildered.

     This graphic novel recounts the spiritual odyssey of philosopher Bertrand Russell. In his agonized search for absolute truth, he crosses paths with thinkers like Gottlob Frege, David Hilbert & Kurt Gödel, & finds a passionate student in Ludwig Wittgenstein. But his most ambitious goal—to establish unshakable logical foundations of mathematics—continues to loom before him. Thru love & hate, peace & war, he persists in the mission threatening to claim both his career & happiness, finally driving him to the brink of insanity. This story is at the same time a historical novel & an accessible explication of some of the biggest ideas of mathematics & modern philosophy. With rich characterizations & atmospheric artwork, it spins the pursuit of such ideas into a satisfying tale. Probing, layered, the book throws light on Russell’s inner struggles while setting them in the context of the timeless questions he tried to answer. At its heart, Logicomix is a story about the conflict between ideal rationality & the flawed fabric of reality.