World War I was already appalling in its brutality, but it had until then been fought on the battlefield and by rules long agreed by convention. Suddenly those rules were abandoned when Germany forever altered the way war would be fought. On April 22, at Ypres, German canisters spewed poison gas at French and Canadian soldiers in their trenches; on May 7, the German submarine, U-20, without warning, torpedoed the passenger liner Lusitania, killing 1,198 civilians; and on May 31, a German zeppelin began the first aerial bombardment of London and its inhabitants. Each of these actions violated rules of war carefully agreed to at the Hague Conventions of 1898 and 1907 and were deliberately breached by Germany in an attempt to spread terror and force the Allies to surrender. While that failed, the psychological damage caused by these attacks far outweighed the casualties. The era of weapons of mass destruction had dawned.While each of these momentous events has been chronicled in histories of the war, celebrated historian Diana Preston links them for the first time, revealing the dramatic stories and the personalities behind them through the eyes of those who were there--whether making the decisions to use the weapons or experiencing their horrifying effect in the trenches, on board the Lusitania or on the streets of London. Placing the attacks in the context of the centuries-old debate over what constitutes "just war," Preston shows how, in their aftermath, the other combatants felt the necessity to develop extreme weapons of their own. In our current time of terror, when weapons of mass destruction are once again implemented and threatened and wartime atrocities abound in a very different kind of conflict, the vivid story of their birth is of great relevance.

    Alan Clark quoted a German general's remark that the British soldiers were 'lions led by donkeys'. But he made it up.Indeed, many established 'facts' about 1914-18 turn out to be myths woven in the 1960s by young historians on the make. Gordon Corrigan's brilliant, witty history reveals how out of touch we have become with the soldiers of 1914-18. They simply would not recognize the way their generation is depicted on TV or in Pat Barker's novels.Laced with dry humour, this will overturn everything you thought you knew about Britain and the First World War. Gordon Corrigan reveals how the British embraced technology, and developed the weapons and tactics to break through the enemy trenches.

    I ran for about 70 yards carrying with me all the Lewis gun things I had brought up and dropped breathless into a shell hole headlong onto a German who had been dead for months.’Harold Drinkwater was not supposed to go to war. He was told he was half an inch too short. But, determined to fight for king and country, he found a battalion that would take him and was soon on his way to the trenches of the Somme. As the war dragged on, Harry saw most of the men he joined up with killed around him. But, somehow, he survived.Soldiers were forbidden from keeping a diary so Harry wrote his in secret, recording the horrendous conditions and constant fear, as well as his pleasure at receiving his officer's commission, the joy of his men when they escaped the trenches for the Italian Front and the trench raid for which he was awarded the Military Cross. Harry writes with such immediacy it is easy to forget that a hundred years have passed. He is by turns wry, exhausted, annoyed, resigned and often amazed to be alive. Never before published, Harry's War is a moving testament to one man's struggle to keep his humanity in the face of unimaginable violence.

    Tracing their fates, Nicholson shows how the single woman of the inter-war years had to depend on herself and, in doing so, helped change society.

     Subaltern on the Somme is a record of his daily life, and ranges across different aspects of his war in the trenches - including fear, shellfire, drunkenness, mud, frustration and his views about his fellow officers and British army commanders. Subaltern on the Somme is for anybody who wonders what trench warfare was like for a junior officer.

    At stake were not only the reputations of two historians but the record of history itself.

    Describes the lives of Jews living in Spain as Catholics.

    Originally constructed in 1921 to hold one of the thousands of unidentified American soldiers lost in World War I, it now also contains unknowns from World War II and the Korean and Vietnam Wars, and receives millions of visitors each year who pay silent tribute.When the first Unknown Soldier was laid to rest in Arlington, General John Pershing, commander of the American Expeditionary Force in WWI, seleted eight of America's most decorated, battle-hardened veterans to serve as Body Bearers. For the first time O'Donnell portrays their heroics on the battlefield one hundred years ago, thereby animating the Tomb by giving voice to all who have served. The Body Bearers appropriately spanned America's service branches and specialties. Their ranks include a cowboy who relived the charge of the light brigade, an American Indian who heroically breached mountains of German barbed wire, a salty New Englander who dueled a U-boat for hours in a fierce gunfight, a tough New Yorker who sacrificed his body to save his ship, and an indomitable gunner who, though blinded by gas, nonetheless overcame five machine-gun nests. Their stories slip easily into the larger narrative of America's involvement in the conflict, transporting readers into the midst of dramatic battles during 1917-1918 that ultimately decided the Great War.Celebrated military historian and bestselling author Patrick O'Donnell illuminates the saga behind the creation of the Tomb itself and recreates the moving ceremony during which it was consecrated and the eight Body Bearers, and the sergeant who had chosen the one body to be interred, solemnly united. Brilliantly researched, vividly told, The Unknowns is a timeless tale of heeding the calls of duty and brotherhood, and humanizes the most consequential event of the twentieth century, which still casts a shadow a century later.

    The correspondence presents a remarkable and profoundly moving portrait of five idealistic youths caught up in the cataclysm of war. Spanning the duration of the war, the letters vividly convey the uncertainty, confusion, and almost unbearable suspense of the tumultuous war years. They offer important historical insights by illuminating both male and female perspectives and allow the reader to witness and understand the Great War from a variety of viewpoints, including those of the soldier in the trenches, the volunteer nurse in military hospitals, and even the civilian population on the home front. As Brittain wrote to Roland Leighton in 1915, shortly after he arrived on the Western Front: "Nothing in the papers, not the most vivid and heartbreaking descriptions, have made me realize war like your letters." Yet this collection is, above all, a dramatic account of idealism, disillusionment, and personal tragedy as revealed by the voices of four talented schoolboys who went almost immediately from public school in Britain to the battlefields of France, Belgium, and Italy. Linking each of their compelling stories is the passionate and eloquent voice of Vera Brittain, who gave up her own studies to enlist in the armed services as a nurse. As World War I fades from living memory, these letters are a powerful and stirring testament to a generation forever shattered and haunted by grief, loss, and promise unfulfilled.

    In The Righteous, distinguished historian Sir Martin Gilbert, through extensive interviews, explores the courage of those who-throughout Germany and in every occupied country from Norway to Greece, from the Atlantic to the Baltic-took incredible risks to help Jews whose fate would have been sealed without them. Indeed, many lost their lives for their efforts.Those who hid Jews included priests, nurses, teachers, neighbors and friends, employees and colleagues, soldiers and diplomats, and, above all, ordinary citizens. From Greek Orthodox Princess Alice of Greece, who hid Jews in her home in Athens, to the Ukrainian Uniate Archbishop of Lvov, who hid hundreds of Jews in his churches and monasteries, to Muslims in Bosnia and Albania, many risked, and lost, everything to help their fellow man.

    soldiers to Europe—a unique war history that offers a fresh, compelling look at this epic time.When war broke out in Europe in August 1914, the new German luxury ocean liner SS Vaterland was interned in New York Harbor, where it remained docked for nearly three years—until the United States officially entered the fight to turn the tide of the war. Seized by authorities for the U.S. Navy once war was declared in April 2017, the liner was renamed the USS Leviathan by President Woodrow Wilson, and converted into an armed troop carrier that transported thousands of American Expeditionary Forces to the battlefields of France.For German U-Boats hunting Allied ships in the treacherous waters of the Atlantic, no target was as prized as the Leviathan, carrying more than 10,000 Doughboys per crossing. But the Germans were not the only deadly force threatening the ship and its passengers. In 1918, a devastating influenza pandemic—the Spanish flu—spread throughout the globe, predominantly striking healthy young adults, including soldiers.Peter Hernon tells the ship’s story across multiple voyages and through the experiences of a diverse cast of participants, including the ship’s captain, Henry Bryan; General John Pershing, commander of the American Expeditionary Force; Congressman Royal Johnson, who voted against the war but enlisted once the resolution passed; Freddie Stowers, a young black South Carolinian whose heroism was ignored because of his race; Irvin Cobb, a star war reporter for the Saturday Evening Post; and Elizabeth Weaver, an army nurse who saw the war’s horrors firsthand; as well as a host of famous supporting characters, including a young Franklin Delano Roosevelt.Thoroughly researched, dramatic, and fast-paced, The Great Rescue is a unique look at the Great War and the diverse lives it touched.

    But the wonderful development, however, in a few months, of a large, heterogeneous collection of men into a solid, keen, self-sacrificing unit, was but another instance of the way in which war improves the character and temperament of man. It was entirely new for men who were formerly in a regiment, full of traditions, to find themselves in the[...].

    Here is the reality of modern warfare (World War I) not only as it appears to British soldiers, but to soldiers on all the fronts where conditions were the same.The author sees himself as a chronicler, not arguing why things should not have happened, but faithfully describing many of the things he saw, and narrating the facts as he found them.

    A Writer at War – based on the notebooks in which Grossman gathered raw material for his articles – depicts the crushing conditions on the Eastern Front, and the lives and deaths of soldiers and civilians alike. It also includes some of the earliest reportage on the Holocaust. In the three years he spent on assignment, Grossman witnessed some of the most savage fighting of the war: the appalling defeats of the Red Army, the brutal street fighting in Stalingrad, the Battle of Kursk (the largest tank engagement in history), the defense of Moscow, the battles in Ukraine, and much more.Historian Antony Beevor has taken Grossman’s raw notebooks, and fashioned them into a narrative providing one of the most even-handed descriptions – at once unflinching and sensitive – we have ever had of what he called “the ruthless truth of war.”From the Hardcover edition.

    He is separated from his family as they are swept up in the government’s mass deportation of Armenians into internment camps. Gradually realizing the unthinkable—that they are all being driven to their deaths—he fights, through starvation and thirst, not to lose hope. Just before killing squads slaughter his caravan during a forced desert march, Stepan manages to escape, making a perilous six-day trek to the Euphrates River carrying nothing more than two cups of water and one gold coin. In his desperate bid for survival, Stepan dons disguises, outmaneuvers gendarmes, and, when he least expects it, encounters the miraculous kindness of strangers.The Hundred-Year Walk alternates between Stepan’s saga and another journey that takes place a century later, after his family discovers his long-lost journals. Reading this rare firsthand account, his granddaughter Dawn MacKeen finds herself first drawn into the colorful bazaars before the war and then into the horrors Stepan later endured. Inspired to retrace his steps, she sets out alone to Turkey and Syria, shadowing her resourceful, resilient grandfather across a landscape still rife with tension. With his journals guiding her, she grows ever closer to the man she barely knew as a child. Their shared story is a testament to family, to home, and to the power of the human spirit to transcend the barriers of religion, ethnicity, and even time itself.