She knows that she really likes working in cafes and that, most likely, she does not love her boyfriend Patrick. But Lou doesn't know what's going to lose his job and that in the near future she will need all the strength to overcome the problems piled on her. Will Traynor knows what hit him, the motorcyclist took away his desire to live. And he knows exactly what needs to be done to put an end to all this. But he doesn't know that Lou will soon burst into his world in a riot of colors. And they both don't know that will forever change the lives of each other.

    From high-class hookers to 7/7 survivors these monologues paint a revelatory picture of Britain as it is today. After rave reviews at the 2008 Edinburgh Festival and in New York, "Eight" opened in London's West End in July 2009.

    The mysterious artifact they've been tasked to retrieve isn't sitting in some museum in Florida; it's buried in the Lost City of El Dorado hidden in the darkest jungles of Brazil. As if trekking through a jungle where everything wants to kill you--including cannibals--wasn't dangerous enough, they also have to deal with a ruthless archaeologist who will stop at nothing to find the Lost City and a pair of Nazis hellbent on bringing the power and the glory of the artifact back to the Führer himself. Unless Simon and Elizabeth can find El Dorado and the artifact first, history will be forever changed, and not for the better. 'Cause, ya know, Nazis.

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    The constant theme she receives from all of these divine entities and loved ones is this: Love never ends; fear exists only in this world.In her new book The Love Never Ends: Messages from the Other Side, Sunny shares a selection of true and amazing stories from her experience as a psychic medium and intuitive. These encounters with the other side prove without a doubt that the universe is full of love.Sunny shows readers how to: find and follow their personal spiritual path learn to listen to their own inner truth and intuition recognize and own their natural spiritual gifts cultivate a spiritual connection with loved ones who have passed on Readers will learn how to overcome the biggest obstacle to seeing Love as the central force in the universe: their own lack of self-love. Through her inspirational stories and teachings, Sunny reminds readers that even in moments of adversity, we are not alone; our angels, guides, and loved ones who have crossed over are here to help us.

    His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile.”—Edward Albee“An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged.”—GuardianWinner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story.Will Eno has been called “a Samuel Beckett for the Jon Stewart generation” (New York Times)—he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Oh, the Humanity and other good intentions, The Flu Season, Tragedy: a tragedy, and Intermission.

    A short critical essay which considers the significance of the title.

    and Richard Loeb -- abducted and killed fourteen-year-old Bobby Franks, horrifying a nation. Never the Sinner is John Logan's brilliant documentary play about the infamous Leopold and Loeb case, known in its time as the "crime of the century" and still one of the most notorious.Leopold and Loeb were richer than most, and smarter. They knew every hot topic of the day, from Freud to Nietzsche; they were also lovers. Considering themselves Nietzsche's "supermen, " they decided to commit the "perfect murder, " just for the thrill of it. But they proved to be considerably less than supermen, and within a matter of hours police questioners cracked their alibis. In the ensuing sensational trial, they were defended by the legendary Clarence Darrow, who got them life sentences rather than the expected execution.

    Powerful, absorbing storytelling that is perfect for fans of saga by Dilly Court, Rosie Goodwin and Maggie Hope.

    levels a small town in Kansas and rips apart the commercial airliner flying overhead. The wife and child of Oliver Wells are among the thousands reported dead. Authorities blame the tragedy on an accident at a fertilizer plant not up to code. A year later, still grappling with his depression, Oliver is accosted by a mysterious stranger who offers another answer: A FARMER CAUSED THE EXPLOSION. AN EXPLOSION BORN OF THOUGHT. A THOUGHT SO PERFECT AND DIVINE IT'S SAID TO MIRROR WHAT GOD THOUGHT TO CONCEIVE THE UNIVERSE. Thrust into a hidden world of conspirators and luminaries who would do anything to attain the farmer's knowledge, Oliver finds himself in a race to confront the man who killed his family. To do so, he must test the limits of his sanity... AND UNLOCK THE POWER OF THE GOD THOUGHT FOR HIMSELF."

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    Six cities. A thousand stories.Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.

    Now, I'll do it for him.' As founding cast members of hit television show Gogglebox, Leon and June won the hearts of a nation with their warm humour and unending love for each other. When Leon sadly died at Christmas 2017, Gogglebox viewers were bereft, calling for a state funeral for our national treasure. In this touching memoir she looks back at all of the laughter and love they have shared together; letting us in on the secrets to a truly happy marriage in this wonderful celebration of two lives well lived.Together for 63 years, coming to terms with life without Leon has been a difficult process for June. But the many treasured memories of their marriage will never leave her. From when, aged 18, she first laid eyes on Leon at teacher training college in 1955; their journey to marry when their parents disapproved; happy recollections of 1960s Liverpool; to building a loving home and family together before finding fame as pensioners. Firm favourites of Gogglebox, they were loved for their gentle teasing, Leon's cheeky gags and humorous rants, and June's unerring patience and caring touch. Leon and June have experienced their fair share of highs and lows, but they always got through everything together. As Leon always said, 'As long as June's here, I'm all right.'

    A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.