But as the festive season draws closer, Laurel begins to wonder if Christmas on Skopelos can ever live up to the cosy Yorkshire Christmases she spent with her beloved grandmother, Marnie. And with a travel writer arriving to review the Villa, Laurel needs a touch of festive sparkle - and a little help from some old friends... With critics to impress, Greek feasts to cook, and an ABBA-themed winter wedding on the horizon, can Laurel throw the perfect Christmas for everyone? And will she find her own romance underneath the mistletoe...? Escape to Greece this Christmas for this joyous sequel to My Mamma Mia Summer.

    It is a riveting commentary on the way we live now by a spectacular prose artist.Ann Beattie published her first short story in The New Yorker in 1972. Twenty-eight years later, she received the 2000 PEN/Malamud Award for Excellence in Short Fiction. She is, as the Washington Post Book World said, "one of our era's most vital masters of the short form." The eleven stories in her new work are peopled by characters coming to terms with the legacies of long-held family myths or confronting altered circumstances -- new frailty or sudden, unlikely success. Beattie's ear for language, her complex and subtle wit, and her profound compassion are unparalleled. From the elegiac story "The Famous Poet, Amid Bougainvillea," in which two men trade ruminations on illness, art, and servitude, to "The Big-Breasted Pilgrim," wherein a famous chef gets a series of bewildering phone calls from George Stephanopoulos, Perfect Recall comprises Beattie's strongest work in years. It is a riveting commentary on the way we live now by a spectacular prose artist.

    His major inspiration and invention was cosmic horror: the idea that life is incomprehensible to human minds and that the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. He has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fictions featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of Enlightenment, Romanticist, and Christian humanism. Lovecraft's protagonists usually achieve the mirror-opposite of traditional gnosis and mysticism by momentarily glimpsing the horror of ultimate reality. Although Lovecraft's readership was limited during his life, his reputation has grown over the decades, and he is now commonly regarded as one of the most influential horror writers of the 20th century, exerting widespread and indirect influence, and frequently compared to Edgar Allan Poe.

    Two roughneck hockey players are kicked off the team and forced to join the drama club. A young bartender at a party of coastal aristocrats has to deal with the surreal request to put a rich old coot out of his misery. Can a father defend his family if the diver helping to free the tangled propeller of their boat turns out to be a real threat?With humor, a piercing eye, and a sense that danger often lies just around the corner, Robinson gives us a variety of vivid characters, wealthy and poor, delinquent and romantic, while illuminating the mythic, universal implications of so-called ordinary life. These stories are at once classic and modern; taken together, they bring the good news that an important, compassionate new voice in American fiction has arrived.

    The Lost Coast is a six-part novella, written to accompany the six episodes of the second season of Homecoming, an audio series starring Catherine Keener, David Schwimmer, and Oscar Isaac.The two works are designed to be read in alternating installments - Episode One of the podcast, then Chapter One of the book, then Episode Two, and so on - but other sequences are probably fine too.

    But is it a mistake, where does the money come from, and can Kitkat get through New Year's Day without its owner asking for the money back?This is a 7,000-word short story.

    With his unflinching attention to emotional detail, Redhill proves once again to be "a writer of considerable humanity and insight" (A.L. Kennedy) .

    But his reason for choosing this career was even less common, perhaps even unique. This story was first published in BEDLAM'S EDGE, Aug 2005.

    Each story is accompanied by a ghastly illustration from the mind of Andy Sciazko... the kind of illustrations that will disturb you in the best way possible.

    As he tries to get back, he finds something he wasn't expecting, something that points toward everything he thought he knew about the world and said, “No, it isn't like that at all.” He had a choice: pretend he hadn’t seen it, or spend the rest of his life trying to understand it. The ripples from the choice he made would, over the next two generations, spread as far as the other side of the world, and maybe, just maybe, even farther than that.This story is, however, only partly about Private Dawson. At another level, this is the story of a present-day 18-year-old boy's freshman year in college. And on a much deeper level, this is a story about what happens when you stare into Nietzsche's abyss, and the abyss does more than just stare back at you. Whether there are even more levels than that is for the reader to determine.Life is improvisational theater. You're given a name and a situation, but where the scene goes after that is up to you and the other players. The other players in this story represent every hue of the moral spectrum, from saint to sociopath, but each of them has a part to play. The props for this play include bells and pillows and bayberry candles, bullets and fireworks and plaid flannel shirts. Come on in, find your seat, and let’s cue the curtain. You’re going to enjoy this.

    Francesca, Kelly, and Kelly's teenage sister Amanda are only meant to spend several hours at the pool together, while their professor parents finish up an afternoon of work at their lush, Oregon college. The younger girls are caught up in hair braiding and Marco Polo, but Amanda is poised on the cusp of an adult realm bursting with cruel secrets. When the girls run into a beautiful, anxious woman and her toddler, Amanda starts to act in ways that may well transform an unremarkable day into a dark turning point in all their lives. By turns enchanting and terrifying, and always bursting with vivid emotion, “Frito Lay” brings us deep into our own childhood memories, reminding us that the dark and sinister were never quite as far away as we might have believed.

    Or at least that's his reputation. Some reputations are deserved, some not. Or perhaps Tymon's notoriety is a means toward quite a different end.

    Here's what you'll find in this issue:"Jenny's House" is a great place to play, but an unexpected playmate makes for a dark session of show-and-tell.Three kids seek to steal from a traveling carnival and get more than they bargained for in "A Lullaby for Caliban"In "The Last Nephew", Nephew yearns to be free of Uncle's depredations, but when Uncle leaves his pocket watch behind one night, it gives him the key to his escape.Crossing "The Cornfield" is harrowing on the best of winter nights, but this night, Jack turns to see eyes in the darkness, and knows that something is following him...In "The Ginger Men", mother is baking a special ingredient into a treat for father, an ingredient that gives her pie dough a life of its own. Featuring stories by Ada Hoffmann, Julie Jansen, Mark Onspaugh, Mike Trier, and Elizabeth Twist.Be sure to check out the other volumes in this ongoing anthology series, and watch for new volumes coming soon!

    

    A mysterious lump on her throat is making it hard. Handsome Dr. Jeremy Nelson is making it harder.