He traces an intimate history of the Dunedin Sound—that distinctive jangly indie sound that emerged in the seventies, heavily influenced by punk—and the record label Flying Nun.As well as the pop culture of the seventies, eighties and nineties, Carter writes candidly of the bleak and violent aspects of Dunedin, the city where he grew up and would later return. His childhood was shaped by violence and addiction, as well as love and music. Alongside the fellow musicians, friends and family who appear so vividly here, this book is peopled by neighbours, kids at school, people on the street, and the other passing characters who have stayed on in his memory.We also learn of the other major force in Carter’s life: sport. Harness racing, wrestling, basketball and football have provided him with a similar solace, even escape, as music.Dead People I Have Known is a frank, moving, often incredibly funny autobiography; the story of making a life as a musician over the last forty years in New Zealand, and a work of art in its own right.

    Novel About My Wife is narrated by Tom Stone as he searches through the mysteries his wife has left him with. The reader is left to discover what dark thing has come between him and his beloved partner.Tom Stone is, as well as being cheerfully neurotic, madly in love with his wife Ann, an Australian in self-imposed exile in London. Pushing forty and newly pregnant, they buy their first house in Hackney. It seems they are moving into a settled future, despite spiralling money troubles. But Ann is dogged by a local homeless man whose constant presence comes to feel like a terrible omen. As her pregnancy progresses Ann finds solace in her new friendship with Kate, a woman Tom is both repelled by and peculiarly drawn to. Their home is beset with vermin, smells and strange noises. Is this normal for London, or is the measure of normality in this city actually mad?Novel About My Wife is Tom’s effort to understand this woman he has been so blindly in love with, and to peel back the past to see where the real threats in their lives were hiding. It is an investigation of guilt, love, forgiveness, and the perils of forgetting.She wasn’t one of those women who hate their feet, who hate their bodies, the kind who turn the sight of their ass in broad daylight into a state secret. (God, you just find yourself dying for a glimpse, you’ll do anything to get it, hover outside the bathroom door, hide under a table, pull back the sheets when she’s sleeping. Then because of all the mystery you end up, when you’re finally feasting your eyes, thinking, ‘hey, maybe she has got something to worry about.’) Ann didn’t care. Her body was open for viewing. It was one of the ways she distracted you from what was inside her head.--from Novel About My Wife

    Before the traditional New Zealand male hung up his sheep shears for good, Polly wanted to see this vanishing species with her own eyes. Venturing into the land of giant kauri trees and smaller kiwi birds, she explores the country once inhabited by fierce Maori who carved their enemies’ bones into cutlery, bushwhacking pioneers, and gold miners who lit their pipes with banknotes—and comes face-to-face with their surprisingly tame descendants. So what had become of the mighty Kiwi warrior? As Polly tears through the countryside at seventy-five miles an hour, she attempts to solve this mystery while pub-crawling in Hokitika, scaling the Southern Alps, and enduring a hair-raising stay in a mining town where the earth has been known to swallow houses whole. And as she chronicles the thrills and travails of her extraordinary odyssey, Polly’s search for the elusive Kiwi comes full circle—teaching her some hilarious and surprising lessons about motorcycles, modern civilization, and men.

    It is an account of death, but also an affirmation of life. Tangi describes simply and sincerely, the Maori values placed on life; and on aroha, love and sympathy for each other.

    But Clifford's words have too much life in them to be ignored, and start to permeate his family's world. This book tells the story of three generations of the Stilton family.

    A shrewd mission-educated Maori, Coates/Kooti, perceived as a thorn in the colonial flesh, escapes imprisonment and returns to Poverty Bay with a small band of followers. Kooti becomes the ruthless leader of a considerable native army, his Bible studies leading him to see himself and his people as latter-day Israelites. The story of what follows is told through the eyes of Captain Fairweather, a British army officer turned artist, an eminently humane man whose attempts to mend relations between natives and settlers meet with signal failure; while his wryly professional view of the beleaguered colony changes after a brutal attack on the half-Maori women he loves and her family. All main characters in this strange but true novel are historical and the tragic climax occurred in 1869 with the execution of a harmless and uncomprehending young Maori - an example.

    Summer has come, and those who can have left the bay for the allure of the far away city. Among them is Harry's mother, who has left behind a case of homemade ginger beer and a vague promise of return.Harry and Cal are too busy enjoying their holidays, playing in the caves and the old abandoned slaughterhouse, to be too concerned with her absence. When their older cousin-the beautiful, sophisticated Caroline-comes from the city to stay with the Bairds, Harry is besotted. With their friend Dibs Kelly, the boys and Caroline spend the long summer days exploring the bay and playing games.But Harry is very protective of Caroline and jealous of the attention she receives from other men. And what looked to be a pleasurable summer is overshadowed by certain 'accidents' in the old slaughterhouse and a general air of suspicion and distrust.There was a simple country boy who lived on the edge of the world, and his name was Harry Baird. That is not the whole story.First published in 1968, Sydney Bridge Upside Down has long been considered a New Zealand literary masterpiece. Published now for the first time in Australia, this brilliant tale, told in an entirely distinctive voice, deserves a place on the bookshelf alongside period classics like Wake in Fright and My Brother Jack.

    A shy girl with no family, Maria knows she's lucky to have landed in the sewing room of the royal household. Before World War I casts its shadow, she catches the eye of the Prince of Wales, a glamorous and intense gentleman. But her life takes a far darker turn, and soon all she has left is a fantastical story about her time at Buckingham Palace. Decades later, Caroline Meadows discovers a beautiful quilt in her mother's attic. When she can't figure out the meaning of the message embroidered into its lining, she embarks on a quest to reveal its mystery, a puzzle that only seems to grow more important to her own heart. As Caroline pieces together the secret history of the quilt, she comes closer and closer to the truth about Maria. Page-turning and heartbreaking, The Forgotten Seamstress weaves together past and present in an unforgettable journey. This free ebook preview includes the first four chapters.

    In her introduction to the novel, See writes that Lily, the narrator, was born in 1823 -- "the third year of Emperor Daoguangs reign."The novel begins in 1903, when Lily is 80 years old. During her lifetime, Lily lives through the reigns of four emperors: Emperor Daoguang (1820-1850); Emperor Xianfeng (1850-1861); Emperor Tongzhi (1861-1875); and Emperor Guangxu (1875-1908).

    To make up for that missed final conversation - and in the hopes of impressing beautiful nurse Sophie - he engages in some good-willed acts of deception- posing as the neglectful relatives of lonely old people in the Peggy Day Aged Cared Home. But when he meets Tamara, a frail and sick 76-year-old with a son she hasn't seen in twelve years, who will really be deceiving who? The Good Son is a story about people fulfilling each other's needs, sometimes unexpectedly. It is about love and fear and relationships, and how we treat the elderly people in our lives. And it is about the difference between blood relatives and the families that we make by choice rather than by birth. And, like all good stories, it involves a road trip.

    Introducing Ashley Keller, career girl turned stay-at-home mom who's trying to navigate the world of Pinterest-perfect, Facebook-fantastic and Instagram-impressive mommies but failing miserably. When Ashley gets the opportunity to participate in the Motherhood Better boot camp run by the mommy-blog-empire maven she idolizes, she jumps at the chance to become the perfect mom she's always wanted to be. But will she fly high or flop? With her razor-sharp wit and knack for finding the funny in everything, Bunmi Laditan creates a character as flawed and lovable as Bridget Jones or Becky Bloomwood while hilariously lambasting the societal pressures placed upon every new mother. At its heart, Ashley's story reminds moms that there's no way to be perfect, but many ways to be great.

    It was also the first to introduce a full democracy. Between those events, and in the century that followed the franchise, the movements and the conflicts of human history have been played out more intensively and more rapidly in New Zealand than anywhere else on Earth. This title tells that story in all its colour and drama. The narrative that emerges is an inclusive one about men and women, Maori and Pakeha. It shows that British motives in colonizing New Zealand were essentially humane; and that Maori, far from being passive victims of a "fatal impact", coped heroically with colonization and survived by selectively accepting and adapting what Western technology and culture had to offer. The latter part of the book reveals how an insulated and dependent British colony transformed itself into an independent nation, open to and competing with technological and cultural influences sweeping the globe.

    Sometimes, it is Hemi, a man who was laid off from his job and realizes that this situation affords him the opportunity to reconnect with the land, his culture and his family. Other times, Toko is the narrator. Toko is Hemi's adopted son and is physically handicapped. However, he also has a sixth sense and can see events before they occur. Mostly, though, the story is told by Roimata, Hemi's wife and Toko's adoptive mother. She relates the growing concern the Maori have about developers coming into their land, and their quiet, concerted efforts to rebel. She details their successes and many painful failures in a sparse, simple prose. The book does not really have a true resolution; instead, Patricia Grace outlines the cultural differences that exist in New Zealand, and the uses and abuses of power, and how it can affect a people.

    Accessible and simple - this is McLauchlan's 'personal' take on our history.

    Off the coast of Kapiti, English trader John Stewart seeks to trade with Te Rauparaha, setting off a train of events that forever change the course of New Zealand history.Narrated by two English sailors on board Stewart's ship, these events are also eerily resonant of a more distant memory, stretching back into mythology, of the charismatic leader Wulf and an ancient lament. History, it seems, may be repeating itself.Wulf, Hamish Clayton's inventive, brilliant first novel, explores a subject little covered in New Zealand fiction, and marks the emergence of a startlingly assured, exciting new voice.