Before long, something must be done before they eat the Poppers out of house and home!A classic of American humor, this story of a gentle housepainter and his high stepping penguins has delighted children for generations.

    In the days before the War Between the States, in the days before the Trail of Tears, Bok Chitto was a boundary. On one side of the river lived the Choctaws. On the other side lived the plantation owners and their slaves. If a slave escaped and made his way across Bok Chitto, the slave was free.Thus begins Crossing Bok Chitto, told by award-winning Choctaw storyteller Tim Tingle and brought to life with the rich illustrations of Jeanne Rorex Bridges.Martha Tom, a young Choctaw girl, knows better than to cross Bok Chitto, but one day--in search of blackberries--she disobeys her mother and finds herself on the other side. A tall slave discovers Martha Tom. A friendship begins between Martha Tom and the slave's family, most particularly his young son, Little Mo. Soon afterwards, Little Mo's mother finds out that she is going to be sold. The situation seems hopeless, except that Martha Tom teaches Little Mo's family how to walk on water to their freedom.Choctaw storyteller Tim Tingle blends songs, cedar flute, and drum with tribal lore to bring the lore of the Choctaw Nation to life in lively historical, personal, and traditional stories. His collection of stories Walking the Choctaw Road was selected as the Oklahoma Book of the Year.Artist Jeanne Rorex Bridges traces her heritage back to her Cherokee ancestors. Crossing Bok Chitto is her first fully illustrated book.

    But what did he make it into after that? And after that?As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat, while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing.

    With paintings that capture all the beauty of Appalachia in authentic detail, this tender story about a resourceful mountain girl's special coat will touchreaders with its affirming message of love and friendship.

    Using the art-deco style of the period, Rachel Isadora not only captures the poignancy and yearning of a youthful talent, but in page after page of striking art seems to convey the very sound of music.

    It was 1861 in Linn County, Kansas, and Jeff was elated at the prospect of fighting for the North at last.In the Indian country south of Kansas there was dread in the air; and the name, Stand Watie, was on every tongue. A hero to the rebel, a devil to the Union man, Stand Watie led the Cherokee Indian Nation fearlessly and successfully on savage raids behind the Union lines. Jeff came to know the Watie men only too well.He was probably the only soldier in the West to see the Civil War from both sides and live to tell about it. Amid the roar of cannon and the swish of flying grape, Jeff learned what it meant to fight in battle. He learned how it felt never to have enough to eat, to forage for his food or starve. He saw the green fields of Kansas and Okla-homa laid waste by Watie's raiding parties, homes gutted, precious corn deliberately uprooted. He marched endlessly across parched, hot land, through mud and slashing rain, always hungry, always dirty and dog-tired.And, Jeff, plain-spoken and honest, made friends and enemies. The friends were strong men like Noah Babbitt, the itinerant printer who once walked from Topeka to Galveston to see the magnolias in bloom; boys like Jimmy Lear, too young to carry a gun but old enough to give up his life at Cane Hill; ugly, big-eared Heifer, who made the best sourdough biscuits in the Choctaw country; and beautiful Lucy Washbourne, rebel to the marrow and proud of it. The enemies were men of another breed - hard-bitten Captain Clardy for one, a cruel officer with hatred for Jeff in his eyes and a dark secret on his soul.This is a rich and sweeping novel-rich in its panorama of history; in its details so clear that the reader never doubts for a moment that he is there; in its dozens of different people, each one fully realized and wholly recognizable. It is a story of a lesser -- known part of the Civil War, the Western campaign, a part different in its issues and its problems, and fought with a different savagery. Inexorably it moves to a dramatic climax, evoking a brilliant picture of a war and the men of both sides who fought in it.

    There she initiates a gradual transformation, brightening the bakery and bringing smiles to customers' faces with the flowers she grows. But it is in a secret place that Lydia Grace works on her masterpiece, which she hopes will be powerful enough to make even Uncle Jim smile. Colored by a Depression-era setting, The Gardener introduces readers to a winsome young heroine, whose generosity will reward all who meet her. The Gardener is a 1997 New York Times Book Review Notable Children's Book of the Year and a 1998 Caldecott Honor Book.

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    That's how Katie Takeshima's sister, Lynn, makes everything seem. The sky is kira-kira because its color is deep but see-through at the same time. The sea is kira-kira for the same reason and so are people's eyes. When Katie and her family move from a Japanese community in Iowa to the Deep South of Georgia, it's Lynn who explains to her why people stop on the street to stare, and it's Lynn who, with her special way of viewing the world, teaches Katie to look beyond tomorrow, but when Lynn becomes desperately ill, and the whole family begins to fall apart, it is up to Katie to find a way to remind them all that there is always something glittering -- kira-kira -- in the future.

    Minli's mother, tired of their poor life, chides him for filling her head with nonsense. But Minli believes these enchanting stories and embarks on an extraordinary journey to find the Old Man of the Moon and ask him how her family can change their fortune. She encounters an assorted cast of characters and magical creatures along the way, including a dragon who accompanies her on her quest. Source: Jacket flap

    One day on a walk through Paris (a "twelve little girls in two straight lines" kind of walk), Madeline slips and falls off a bridge right into the Seine. Everyone feared she would be dead, "But for a dog / That kept its head," saving her from a "watery grave." What choice do Madeline and the girls have but to take the heroic pooch home, feed her biscuits, milk, and beef, and name her Genevieve? Sadly, when Lord Cucuface gets wind of the new dog, he decrees that no dogs will be allowed in the "old house in Paris that was covered with vines," and kicks Genevieve out on the street. Madeline vows vengeance, and the girls scour Paris looking for the pup: "They went looking high / and low / And every place a dog might go. / In every place they called her name / But no one answered to the same." As we've come to expect from Bemelmans, all's well that ends well chez Clavel, and young readers will be tickled by this heartwarming, quirky dog story with a surprise finale. (Ages 4 to 8) --Karin Snelson

    But no one excited her as much as Bellini, who walks the clothesline with the grace and ease of a bird. When Mirette discovers that fear has kept him from performing for years, she knows she must repay him for the kindness he has shown her -- and show him that sometimes a student can be the greatest teacher of all.

    A Southern folktale in which kind Blanche, following the instructions of an old witch, gains riches, while her greedy sister makes fun of the old woman and is duly rewarded.

    The Zemachs have interpreted the folk tale which the play dramatized, recognizable as a version of the widespread Rumpelstiltskin story. Its main themes are familiar, but the character and details of this picture book are entirely Cornish, as robust and distinctive as the higgledy-piggledy, cliff-hanging villages that dot England's southwestern coast from Penzance to Land's End.The language spoken by the Christmas players was a rich mixture of local English dialect and Old Cornish (similar to Welsh and Gaelic), and something of this flavor is preserved in Harve Zemach's retelling. Margot Zemach's pen-and-wash illustrations combine a refined sense of comedy with telling observation of character, felicitous drawing with decorative richness, to a degree that surpasses her own past accomplishments.Duffy and the Devil is a 1973 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1974 National Book Award Finalist for Children's Books, and the winner of the 1974 Caldecott Medal.

    After living with his unhappy and uptight aunt and uncle for eight years, he decides to run--and not just run away, but run. This is where the myth of Maniac Magee begins, as he changes the lives of a racially divided small town with his amazing and legendary feats.