He’d like nothing more than to fly away to a palm tree with his beloved sister, Aggie. But when Aggie is purchased by twelve-year-old Fritz, and Alastair is adopted by elderly dance-enthusiast and pie-baker Albertina Plopky, the future looks ready to crash-land.In-between anxiously plucking his feathers, eating a few books, and finding his own poetic voice, Alastair plots his way to a family reunion. But soon he’s forced to choose between the life he’s always dreamed of and admitting the truth: that sometimes, the bravest adventure is in letting go.

    The first serious academic study of lycanthropy and "blood-lust" written in English, this book draws upon a vast body of observation, myth, and lore.

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    A wish. And a little drop of hope. Times are tough. Jobs are scarce and miracles are in short supply. But something strange is happening in If Only, Ohio. An old well has suddenly, impossibly, begun to grant wishes. And three sixth graders are the only ones who know why. Ernest Wilmette believes a good deed makes magic happen. Ryan Hardy thinks they should just mind their own business. Lizzy MacComber believes in facts, not fairy tales. Of course, you don't have to believe in wishes to make one. As more wishes are made, the well's true secret gets harder and harder to keep. Ernest, Ryan, and Lizzy know they can't fix the world. But in their own little corner of it, they can give everyone a little hope... one wish at a time.

    A group of storytellers banded together to chronicle the tsunami of evil that ensued. Their scribblings depicted events so horrific, the manuscript was hidden away.Now, dear reader, you seem to have stumbled upon it.And you have opened it.You must reap what you have sown.Come, step into the pages. See firsthand what hell is capable of.Of course, just know, you won’t last long enough to scream.

    In this singular study, Amanda Adams uses poetic language and invokes a wide range of representations and disciplines — from literature, poetry, and mythology to anthropology and folklore — to reclaim this icon of female power for modern readers. Beginning with Melusina, the bathing mermaid par excellence, Adams describes the seductive sirens and their honeyed songs, the powerful Arctic sea goddess Sedna, and the long-haired rusalki of Russian lore, among other legendary mermaids. As she tells their stories, she considers the womanly, passionate, rage-filled, and seductively sweet sides of the mermaid and how those traits reflect the lives and moods of women who live on drier shores. In discovering mermaids and their stories, the author presents a striking narrative of uncovering the unusual, the beautiful, and the extraordinary in her own life.

    And in these retellings from acclaimed writer and scholar Philip Freeman, classic tales from Greek and Roman mythology find new life and inspire aspiring writers, artists, and musicians. Adapted from the lengthier Oh My Gods and specially tailored to a younger audience, these irresistible stories of philandering gods, flawed heroes, and tragic lovers portray the fundamental aspects of humanity and are filled with entertaining drama and valuable insights.

    I’m your pig,” she says. The day Flora spots a team of sled dogs is the day she sets her heart on becoming a sled pig. Before she knows it, she’s on board a ship to Antarctica for the most exhilarating—and dangerous—adventure of her life. This poignant novel of a purposeful pig is sure to become a favorite with any young readers who have ever dreamed of exploring the great beyond.

    Each story contains the common elements of the gothic tale--a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, and the impression of a descent into disintegration. Yet taken together, they reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world. Bringing together the work of such writers as Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Arthur Conan Doyle, Joyce Carol Oates, and Jorge Luis Borges, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.

    . . .It's New Year's Eve in Camelot, where King Arthur, Queen Guinevere, and all their good Knights wait breathlessly for an extravagant feast to begin. Suddenly, a strange and frightening Knight bursts into the hall — a giant of a man, green from head to toe, who mockingly challenges the Court to a shocking game. Only the chivalrous Sir Gawain dares to take on the hideous Green Knight. But over the unexpected course of his test,will Gawain prove as brave and honest as he'd like to believe? Welcome to a medieval world full of sword fights and shape-shifting, monsters and magic, and timeless characters both gallant and wonderfully human. Written anonymously in the fourteenth century, Sir Gawain and the Green Knight is retold in its entirety by Michael Morpurgo in a lively and accessible narration that captures all the tale's drama and humor. Vivid illustrations by the celebrated Michael Foreman infuse this classic tale with the sights and colors of dragons, swords, and medieval pageantry.

    To Master Thief Fin, an orphan from the murky pirate world of the Khaznot Quay, the Map is the key to finding his mother. To suburban schoolgirl Marrill, it's her only way home after getting stranded on the Pirate Stream, the magical waterway that connects every world in creation. With the help of a bumbling wizard and his crew, they must scour the many worlds of the Pirate Stream to gather the pieces of the Map to Everywhere--but they aren't the only ones looking. A sinister figure is hot on their tail, and if they can't beat his ghostly ship to find the Map, it could mean the destruction of everything they hold dear! Heart-pounding escapades and a colorful cast of characters will have readers setting sail through this wholly original and unforgettable tale.

    A whole family sat for hours around the fire in the middle of the room. That fire gave the only light. Shadows flitted in the dark corners. Smoke curled along the high beams of the ceiling. The children sat on the dirt floor close by the fire. The grown people were on a long narrow bench that they had pulled up to the light and warmth. Everybody's hands were busy with wool. As the family worked in the red fire-light, the father told of the kings of Norway, of long voyages to strange lands, of good fights. And in farmhouses all through Iceland these old tales were told over and over until everybody knew them and loved them. Men who could sing and play the harp were called "skalds," and they called their songs "sagas." Eventually these stories were written down on sheepskin or vellum so that we can enjoy them today. We follow the fortunes of Harald from the time he is acknowledged by his father as a baby and given his own thrall at the cutting of his first tooth, through his exploits as a viking adventurer, to his crowning as King of Norway. It is when Harald is King of Norway that population pressures at home and eagerness for adventure and booty from other lands combine to drive some of the bolder Vikings to set forth from their native land. Sailing ever westward across the Atlantic, they hop along the chain of islands that loosely connects Norway with America-Orkneys and Shetlands, Faeroes, Iceland, and Greenland. It is from link to link of this chain that the characters in our story sail in search of home and adventure. Discoveries are made by accident. Ships are driven by the wind into unknown ports, resulting in landings and settlements in Iceland, Greenland, and America. The crude courage of these men and strangeness of their adventures appeal strongly to children, while their love of truth, hardy endurance, and faithfulness to the promised word make them characters to emulate. Suitable for children ages 9 and up to read to themselves and for children as young as 6 as a read-aloud.

    Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time, giving rise to his loving descriptions of the Danish countryside. In contrast to such folklorists as the Brothers Grimm, Anderson’s tales are grounded in the real and often focus on the significance of small or overlooked things.Tinderbox --Little Claus and big Claus --Princess on the pea --Thumbelina --Traveling companion --Little mermaid --Emperor's new clothes --Steadfast tin soldier --Wild swans --Flying trunk --Nightingale --Sweethearts --Ugly duckling --Fir tree --Snow queen --Red shoes --Shepherdess and the chimney sweep --Shadow --Old house --Little match girl --Story of a mother --Collar --Bell --Marsh King's daughter --Wind tells of Valdemar Daae and his daughters --Snowman --Ice maiden --Wood nymph --Most incredible thing --Auntie toothache.

    People never do....Once, they lived in a big house with spectacular gardens and an army of servants.Once, they had a father and mother who loved them more than the sun and moon.But that was before their father disappeared into the woods and their mother disappeared into sorrow.This is the story of two sisters and the enchanted woods that have been waiting for them to break a set of terrible spells.Bestselling author-illustrator Emily Winfield Martin has created a world that sits on the border of enchantment, with characters who are grounded in real emotions that readers will recognize in themselves.

    The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.