With her second novel, she once again charts that terrain in a novel that also explores the significant impact of history on individual lives. In Sonata for Miriam, two events occur that will change composer Adam Anker's life forever. Embarking on a journey that ranges from New Zealand to Poland, and then Sweden, Anker not only uncovers his parents' true fate during World War II, but he also finally faces the consequences of an impossible choice he was forced to make twenty years before-a choice that changed the trajectory of his life.

    When Here was published in Poland, reviewers marveled, “How is it that she keeps getting better?” These twenty-seven poems, as rendered by prize-winning translators Clare Cavanagh and Stanislaw Baranczak, are among her greatest work. Whether writing about her teenage self, microscopic creatures, or the upsides to living on Earth, she remains a virtuoso of form, line, and thought. From the title poem: I can’t speak for elsewhere, but here on Earth we’ve got a fair supply of everything. Here we manufacture chairs and sorrows, scissors, tenderness, transistors, violins, teacups, dams, and quips . . . Like nowhere else, or almost nowhere, you’re given your own torso here, equipped with the accessories required for adding your own children to the rest. Not to mention arms, legs, and astonished head.

    In the summer of 1939, Renia and her sister Elizabeth (née Ariana) were visiting their grandparents in Przemysl, right before the Germans invaded Poland.Like Anne Frank, Renia recorded her days in her beloved diary. She also filled it with beautiful original poetry. Her diary records how she grew up, fell in love, and was rounded up by the invading Nazis and forced to move to the ghetto in Przemsyl with all the other Jews. By luck, Renia's boyfriend Zygmund was able to find a tenement for Renia to hide in with his parents and took her out of the ghetto. This is all described in the Diary, as well as the tragedies that befell her family and her ultimate fate in 1942, as written in by Zygmund on the Diary's final page.Renia's Diary is a significant historical and psychological document. The raw, yet beautiful account depicts Renia's angst over the horrors going on around her. It has been translated from the original Polish, with notes included by her surviving sister, Elizabeth Bellak.

    Three years later, in the small town of Żółkiew, life for Jewish 15-year-old Clara Kramer was never to be the same again. While those around her were either slaughtered or transported, Clara and her family hid perilously in a hand-dug cellar. Living above and protecting them were the Becks.Mr. Beck was a womaniser, a drunkard and a self-professed anti-Semite, yet he risked his life throughout the war to keep his charges safe. Nevertheless, life with Mr. Beck was far from predictable. From the house catching fire, to Beck's affair with Clara's cousin, to the nightly SS drinking sessions in the room just above, Clara's War transports you into the dark, cramped bunker, and sits you next to the families as they hold their breath time and again.Sixty years later, Clara Kramer has created a memoir that is lyrical, dramatic and heartbreakingly compelling. Despite the worst of circumstances, this is a story full of hope and survival, courage and love.

    Not a propitious time and place for a Jewish child to be born.One memory that has been etched indelibly in my mind is the sight of the Nazi army marching toward Russia. Our house was located on the main road leading to the Russian frontier. Day and night they marched - soldiers, trucks, tanks, and more soldiers, in a never ending line - an invincible force. I remember my father, holding me in his arms, saying to my mother, "Who is going to stop them? Certainly not the Russians." One night, my father had a dream. In this dream he saw what he had to do: where to build the bunker, how to build it, and even its dimensions.He would build a bunker under a wooden storage shed behind the house. It would be covered with boards, on top of which would be placed soil and bits of straw which would render it invisible. In order to camouflage the entrance, he would construct a shallow box and fill it with earth and cover it with straw so that it would be indistinguishable from the rest of the earthen floor. Air would be supplied through a drain pipe buried in the earth. This was to be our Noah's Ark that would save us from the initial deluge. It took my father about three weeks to finish the job. When he was done, he took my mother and sister into the shed and asked them if they could find the trap door. When they could not, he was satisfied.My mother prepared dry biscuits, jars of jam made out of beets, some tinned goods such as sardines, some sugar and salt. We placed two buckets in the bunker. One bucket was filled with water, the other bucket was empty and would serve as the latrine. We also took down some blankets, a couple of pillows and some warm clothing. We were ready.For three long years, starting in 1941 when the Nazis started the deportations and mass killings, we hid in secret bunkers, dug in fields, under sheds, or constructed in barn lofts. It seems that the only way that a Jew could survive in wartime Poland was to become invisible. So we became invisible Jews.

    The fully updated guide includes unique cutaways, floor plans, and reconstructions of the must-see sights, plus street-by-street maps of cities and towns. DK's insider travel tips and essential local information will help you discover the best of this country region-by-region, from local festivals and markets to day trips around the countryside. Detailed listings will guide you to hotels, restaurants, bars, and shops for all budgets, while practical information will help you to get around by train, bus, or car. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that brighten every page, "DK Eyewitness Travel Guide: Poland" truly shows you this destination as no one else can.

    Dedicated to the American Seventh Army, this work originally appeared in Polish in an edition of 10,000 numbered copies, unspecified numbers of which were bound in material cut from concentration camp stripes and from SS uniforms.The inspiration for writing a book which could tell the truth about Auschwitz came from the conditions in immediately-post-war Munich in which the authors found themselves, and was articulated by Janusz Nel Siedlecki in his 1994 memoir, Beyond Lost Dreams: "As the one common enemy disappeared, so vanished all moral rules and restraints. Individuals, as well as large groups, competed for food, recognition, and a better life. The polish people were divided into innumberable factions .... The survivors carried forth their banners of "martyrdom" and sowed the seeds of future legends. They wanted glory -- I wanted to bear witness for the tortured, gassed, burnt; for all the unknown, unnamed, already forgotten dead."The publication history of We Were in Auschwitz reflects both the physical chaos that followed the end of the war in Europe and the political situation in Poland and in the U.S. Having written the book in their requisitioned apartment in Munich, the authors neededAmerican permission to publish it. "There was no printing without an official permit, and no permit for anything unessential, " Siedlecki wrote in Beyond Lost Dreams, "Cigarettes opened the gates of Bruckmann, the famous printers of Munich. My crude camp-German clinched the deal at pre-war prices."According the Siedlecki, the book immediately met with mixed reaction: "Praise from the Polish Western press, but, for debunking the 'heroes, ' vicious threats from many ex-prisoners." Meanwhile, the group of authors started to disperse. Tadeusz Borowski returned to Poland in May 1946; Krystyn Olszewski also returned to Poland, while Siedlecki emigrated to England. Anatol Girs left Munich for the U.S. in 1947, bringing with him the remaining copies of the book with high hopes of selling them to the Polish-American community. However, this immigrant community was hostile to Borowski's association with the communist regime on his return to Poland. Unable to pay the cost of storing the copies he had brought, Girs was forced to destroy most of them, keeping only a few.

    As in Nothing to Declare, her celebrated travelogue of South America, Morris combines vivid portrayals of people and historical portraits of Soviet events with a more personal journey--her search for roots, family, and her ancestral home in the Ukraine.

    How should they, in turn, convey its knowledge to others? What are the effects of a traumatic past on its inheritors, and the second generation's responsibilities to its received memories?" As Eva Hoffman ponders the ambiguous consequences of the cultural preoccupation with the Holocaust and guides us through the poignant juncture at which living memory must be relinquished, she asks what insights can be carried from the past to the present, and urges us to transform potent family narratives into a fully informed understanding of a forbidding history.

    From Poland, John Paul’s longtime private secretary, Cardinal Stanislaw Dziwisz, rejoiced at the news. “I thank God that I will live to see the elevation to sainthood the person who I served with love to the last beating of his heart,” he stated. Abraham Foxman, as director of the Jewish organization the Anti-Defamation League, received four audiences with Pope John Paul. He spoke for John Paul’s numerous supporters when he said, “For many of us Pope John Paul is already a saint, this just formalizes it.”John Paul’s pontificate lasted nearly twenty-seven years, one of the longest in papal history. During that time he had an unprecedented amount of contact with the public, including Catholics, non-Catholics, and foreign leaders. He made 104 pastoral visits outside Italy, and 146 within. The Vatican estimates that more than 17.6 million pilgrims participated in his regular Wednesday general audiences alone. He made 38 official visits and met with government leaders on 984 different occasions.

    She lusts after Lev, a Russian man who frequents the Twin Palms nightclub down the block from Anya's apartment. It is Anya's wish to gain entrance to this seemingly exclusive club. How To Get Into the Twin Palms is a really funny and often moving book that provides a unique twist on the immigrant story, and provides a credible portrait of the city of Los Angeles, literally burning to the ground.

    An only child, she is named after her grandmothers, Isa and May, who were there at her birth and who have formed and influenced her in very different ways. Jealous of each other, they both want to be first in their granddaughter's affections. Isa has an edge, in that young Isamay looks like her, but Isa's reserved and elegant exterior hides startling surprises that could undermine her granddaughter's certainties. May, on the other hand, is plump, indomitable and opinionated, and it's from her that Isamay inherits her stubborn determination.Isamay, almost thirty, has never wanted children, but suddenly considers changing her mind. Her live-in lover, Ian (always mysterious about his own family history) is sure that he does not want a child.Engrossing, set in the present but with hooks into the past, this is an unusual story about grandmothers and their potentially powerful role in family life, about nature vs nurture, bloodlines and bridges across generations.

    He also happens to have been the author's grandfather. The book is based on the diaries that Marateck began keeping in 1905. That was when he decided to overthrow the Czar . . . The story is told in Marateck's voice, and is characterized by his remarkable humor and irony that contrasted with the circumstances and were key to his survival. It includes a rare, soldier's-eye view of a little-known war that changed the geopolitical status of several nations.

    There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family’s farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred–who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna’s and Callum’s love, as well as their friendship with Manfred–assuming any of them even survive. Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century’s greatest tragedies–while creating, perhaps, a masterpiece that will haunt readers for generations.

    They intend to destroy a German troop transport, but Gretl’s unscheduled train reaches the bomb first.Gretl is the only survivor. Though spared from the concentration camp, the orphaned German Jew finds herself lost in a country hostile to her people. When Jakób discovers her, guilt and fatherly compassion prompt him to take her in. For three years, the young man and little girl form a bond over the secrets they must hide from his Catholic family.But she can’t stay with him forever. Jakób sends Gretl to South Africa, where German war orphans are promised bright futures with adoptive Protestant families—so long as Gretl’s Jewish roots, Catholic education, and connections to communist Poland are never discovered.Separated by continents, politics, religion, language, and years, Jakób and Gretl will likely never see each other again. But the events they have both survived and their belief that the human spirit can triumph over the ravages of war have formed a bond of love that no circumstances can overcome.