David Murphy was supposed to be his carer, instead he lifted his victims from their beds in the dead of night, and Tom was powerless to stop it.Tom endured years of horrific abuse which led to years of silence and self-torture. He grew up to be a troubled man, stumbling through care homes, schools, borstal and eventually prison. The damage that was done to him in those early years had destroyed his life.Then, one day, Tom read a newspaper article which unlocked the terrible memories he'd kept hidden for over forty tormented years. And a painful battle for justice began...

    The details of her cruelty were so sickening they shocked the country. Alloma Gilbert was one of Spry's young victims, left at her mercy for 11 brutal years. This is her story.

    Vulnerable yet tough, she eventually ended up a victim of commercial sexual exploitation. It took time and incredible resilience, but finally, with the help of a local church community, she broke free of her pimp and her past. Three years later, Lloyd arrived in the United States to work with adult women in the sex industry and soon founded her own nonprofit— GEMS, Girls Educational and Mentoring Services—to meet the needs of other girls with her history. She also earned her GED and won full scholarships to college and a graduate program. Today Lloyd is executive director of GEMS in New York City and has turned it into one of the nation's most groundbreaking nonprofit organizations. In Girls Like Us, Lloyd reveals the dark, secretive world of her past in stunning cinematic detail. And, with great humanity, she lovingly shares the stories of the girls whose lives she has helped—; small victories that have healed her wounds and made her whole. Revelatory, authentic, and brave, Girls Like Us is an unforgettable memoir.

    The result is "To the End of June," an unforgettable portrait that takes us deep inside the lives of foster children at the critical points in their search for a stable, loving family.The book mirrors the life cycle of a foster child and so begins with the removal of babies and kids from birth families. There's a teenage birth mother in Texas who signs away her parental rights on a napkin only to later reconsider, crushing the hopes of her baby's adoptive parents. Beam then paints an unprecedented portrait of the intricacies of growing up in the system--the back-and-forth with agencies, the shuffling between pre-adoptive homes and group homes, the emotionally charged tug of prospective adoptive parents and the fundamental pull of birth parents. And then what happens as these system-reared kids become adults? Beam closely follows a group of teenagers in New York who are grappling with what aging out will mean for them and meets a woman who has parented eleven kids from the system, almost all over the age of eighteen, and all still in desperate need of a sense of home and belonging.Focusing intensely on a few foster families who are deeply invested in the system's success, "To the End of June" is essential for humanizing and challenging a broken system, while at the same time it is a tribute to resiliency and offers hope for real change.

    "It was simple, heartwarming, painful, and lovely, all in perfect doses." -Writer's Digest Nelson writes and readers respond... "A Modern Day To Kill A Mockingbird." "Inspiring. Remarkable." "It touched me in a way that I didn't know books could." "Friendship, heartbreak, life, and death. This novel has it all." "A story bound to make an impact in literary circles." "The characters were so compelling that they literally brought me to tears." "Simply put: brilliant!" "Heartbreaking and beautiful."

    They keep out of the way of the authorities and remain undetected. Until, that is, rumours of a ghost bring some prominent figures into the caverns they call home. Among them, a young Arthur Conan Doyle, on the cusp of a new investigation, and Scotland’s first female doctor, Sophia Jex-Blake.As Zinnie becomes caught up in a world brimming with intrigue, can she help the budding detective find answers while also protecting the sisters she holds so dear?

    But when Precious, pregnant with a second child by her father, meets a determined and highly radical teacher, we follow her on a journey of education and enlightenment as Precious learns not only how to write about her life, but how to make it her own for the first time.

    The object of his affections, Nena St. Claire, is the daughter of the owner—a man who ruled his ranch with an iron fist and would do whatever it took to keep Nena and Jim apart. Against the wishes of her family, Nena marries Jim, and after her father dies, she sacrifices everything—including her family—to keep the ranch alive. Now their three grown children have lives of their own and want nothing to do with Nena. She was never the mother they needed. When cancer strikes and Nena is given a devastating diagnosis, can Jim reconcile the family before it is too late?

    For instance, Huckabee tells how being forced to pick up pecans from the trees in his yard taught him the value of hard work. (“We were told that if we wanted to eat that night and sleep in a bed instead of in the yard, we’d pick up the pecans.”) Years later he learned the real meaning of love after watching a friend care for his dying wife who could no longer recognize him. (“He loved her not because he enjoyed it or found pleasure in it, but because he had promised that he would never leave her until death parted them. And here he was, keeping that promise, faithful to the end.”) Like his bestseller A Simple Christmas, Dear Chan­dler, Dear Scarlett isn’t about politics. It’s a deeply personal, heartfelt, inspirational book that can be enjoyed by anyone. As Huckabee writes: “Although my advice comes from my personal experience and I’m writing with my grandkids in mind, I hope any parent, grandparent, child, or grandchild can take away some­thing valuable from these letters. I’ll try not to be too obnoxious, but don’t worry, if you ever sit next to me on a plane, I’ll still be happy to show you all the photos of Chandler and Scarlett I have on my phone.”

    In this follow-up to her heartbreaking debut, Such a Pretty Girl, Laura Wiess once again spins a shattering tale of the tragedies that befall young women who are considered society's Leftovers.Blair and Ardith are best friends who have committed an unforgivable act in the name of love and justice. But in order to understand what could drive two young women to such extreme measures, first you'll have to understand why. You'll have to listen as they describe parents who are alternately absent and smothering, classmates who mock and shun anyone different, and young men who are allowed to hurt and dominate without consequence. You will have to learn what it's like to be a teenage girl who locks her bedroom door at night, who has been written off by the adults around her as damaged goods. A girl who has no one to trust except the one person she's forbidden to see. You'll have to understand what it's really like to be forgotten and abandoned in America today.Are you ready?

    A little girl name Rosie is creating miracles in the lives of its residents using the wondrous power of love. Because of Rosie, Cleston, a wood craftsman, finds his gift rekindled; Helen, an Alzheimer's patient, instictively trusts the little girl; Jake, the war veteran, begins to feel whole again; Ina, who, though blind, helps people see the beauty all around; and, most importantly, Bessie.Rosie and Bessie become inseparable best friends. Through Bessie, Rosie learns some invaluable life lessons, including Home is a place where you're surrounded by love. Just before Christmas, when the woman who had taught her so much about living speaks of dying, Rosie learns what true love and beauty and friendship really mean.

    Featuring over 30 pages of vivid, computer-generated art, there's plenty to keep them interested in addition to the awesome message inside.There's no better way to tell them that you love them!

    Soon, the conquerors themselves came, and Kien led Mai, her little brother, and her grandfather on a desperate voyage to a new land.

    It tells of Violet Farr and her loveless marriage, her wild, unfathomable son and his illegitimate son, all of them bound together in a repeating pattern of exile and homecoming, rejection and, finally, acknowledgement and love. As Elizabeth Buchan wrote in the London Times, "Jennifer Lash is a Lawrentian in so far as she mines her material for the blood and thunder roaring between spouses, and between parents and children."

    While Colonel Tom physically and emotionally batters his family, Ma’am escapes the turmoil with alcohol. Their children, Percy, Sis and Oops, with no adult guidance, learn to sidestep their family minefields alone. Percy longs for a loving relationship with his father but is unwilling to compromise his aspirations of owning a motorcycle repair shop to win his father’s love. Sis wants a strong mother who will stand up to her abusive husband but finds herself in an abusive marriage, as well. Baby Oops escapes the chaos by teaching herself to read at three and retreating to her own world where abuse and parental neglect can’t reach her. Siblings Percy and Sis forge a loving bond that will sustain them through the most poignant and tragic of circumstances. Whether it’s eating an entire chocolate cake in one sitting, playing Cuss Scrabble, double dating to the drive-in movie, or stealing their father’s car to hotrod in the wee hours, the brother and sister find unbridled joy in their friendship, despite the dysfunction swirling around them. Told with captivating grit, humor, and insight, this tale of family discord carries the Albemarles through decades of turbulence until tragedy teaches them to forgive and understand by GETTING THE IMPORTANT THINGS RIGHT.