Never fallen in love. Moved from city to city by her father’s unrelenting job, it’s too hard to care for someone. Trust in anything. The pain of leaving always hurts too much. But she’ll soon learn to trust, to love.Twice.Drew and Shane have been best friends through everything. The painful death of Shane's dad. The bitter separation of Drew's parents. Through sleepaway camps and family heartache, basketball games and immeasurable loss, they've always been there for each other.When Stevie meets Drew and Shane, life should go on as normal.But a simple coin toss alters the course of their year in profound and unexpected ways.Told in dual timelines, debut author Jennie Wexler delivers a heartbreaking and hopeful novel about missed opportunities, second chances, and all the paths that lead us to where we are.

    She knows she won't be home for long; she's got every intention (and a three-point plan) to win back everything she thinks she's lost.Meanwhile, Miles Hoffman--aka "The Prince of Sea Point"--has also returned home to prove to his mother that he's capable of taking over the family business, and he's promised to help his childhood best friend, Ziggy Miller, with his own financial struggles at the same time. Kate, Miles, and Ziggy converge in Sea Point as the town faces an identity crisis when a local developer tries to cash in on its potential. The summer swells, and white lies and long-buried secrets prove as corrosive as the salt air, threatening to forever erode not only the bonds between the three friends but also the landscape of the beachside community they call home.Full of heart and humor--and laced with biting wit--Rock the Boat proves that even when you know all the back roads, there aren't any shortcuts to growing up.

    They ended up together by the hands of fate aligning things just so. Three years into their marriage, they have a wonderful little boy, and as the three of them embark on their first vacation as a family, Violet can’t help thinking that she can’t believe her luck. Life is good.So no one is more surprised than she when Finn leaves her at the beach—just packs up the hotel room and disappears. And takes their son with him. Violet is suddenly in her own worst nightmare, and faced with the knowledge that the man she’s shared her life with, she never really knew at all.Caitlin and Finn have been best friends since way back when, but when Finn shows up on Caitlin’s doorstep with the son he’s wanted for kidnapping, demands that she hide them from the authorities, and threatens to reveal a secret that could destroy her own family if she doesn’t, Caitlin faces an impossible choice.Told through alternating viewpoints of Violet, Finn and Caitlin, Almost Missed You is a powerful story of a mother’s love, a husband’s betrayal, connections that maybe should have been missed, secrets that perhaps shouldn’t have been kept, and spaces between what’s meant to be and what might have been.

    Shy, quiet, and bookish, she’s glad when she lands a summer job as a nanny for the daughter of a local doctor. A respectable job, Mary Jane’s mother says. In a respectable house.The house may look respectable on the outside, but inside it’s a literal and figurative mess: clutter on every surface, IMPEACHMENT: Now More Than Ever bumper stickers on the doors, cereal and takeout for dinner. And even more troublesome (were Mary Jane’s mother to know, which she does not): The doctor is a psychiatrist who has cleared his summer for one important job—helping a famous rock star dry out. A week after Mary Jane starts, the rock star and his movie star wife move in.Over the course of the summer, Mary Jane introduces her new household to crisply ironed clothes and a family dinner schedule, and has a front-row seat to a liberal world of sex, drugs, and rock-and-roll (not to mention group therapy). Caught between the lifestyle she’s always known and the future she’s only just realized is possible, Mary Jane will arrive at September with a new idea about what she wants out of life, and what kind of person she’s going to be.

    She’s driven, energetic, and a positive thinker. She has a great career working for famed self-help guru Ian Fortune, she lives in a cute studio apartment in Manhattan, and her family is supportive and loving (albeit a little kooky). Her life is perfect. Absolutely wonderful. Except for one tiny little thing.After a decade of disastrous relationships and an infertility diagnosis, Gemma doesn’t want a Mr. Right (or even a Mr. Right Now), she just wants a baby.And all she needs is an egg, some sperm, and IVF.So Gemma makes a New Year’s resolution: have a baby.Josh Lewenthal is a laid back, relaxed, find-the-humor-in-life kind of guy. The polar opposite of Gemma. He’s also her brother’s best friend. For the past twenty years Josh has attended every Jacobs’ family birthday, holiday, and event – he’s always around. Gemma knows him. He’s nice (enough), he’s funny (-ish), he’s healthy (she thinks) and he didn’t burn any ants with a magnifying glass as a kid. Which, in Gemma’s mind, makes him the perfect option for a sperm donor.So Gemma wants to make a deal. An unemotional, businesslike arrangement. No commitments, just a baby.To Gemma’s surprise, Josh agrees.They have nothing in common, except their agreement to make a baby and their desire to keep things businesslike.But the thing about baby-making…it’s hard to keep it businesslike, it’s nearly impossible to keep it unemotional, and it’s definitely impossible to keep your heart out of the mix. Because when you’re making a baby together, things have a way of starting to feel like you’re making other things too – like a life, and a family, and love. And when the baby-making ends, you wish that everything else didn’t have to end too.

    Emmy Lake is Doing Her Bit for the war effort, volunteering as a telephone operator with the Auxiliary Fire Services. When Emmy sees an advertisement for a job at the London Evening Chronicle, her dreams of becoming a Lady War Correspondent seem suddenly achievable. But the job turns out to be typist to the fierce and renowned advice columnist, Henrietta Bird. Emmy is disappointed, but gamely bucks up and buckles down. Mrs Bird is very clear: Any letters containing Unpleasantness—must go straight in the bin. But when Emmy reads poignant letters from women who are lonely, may have Gone Too Far with the wrong men and found themselves in trouble, or who can’t bear to let their children be evacuated, she is unable to resist responding. As the German planes make their nightly raids, and London picks up the smoldering pieces each morning, Emmy secretly begins to write letters back to the women of all ages who have spilled out their troubles. Prepare to fall head over heels with Emmy and her best friend, Bunty, who are spirited and gutsy, even in the face of events that bring a terrible blow. As the bombs continue to fall, the irrepressible Emmy keeps writing, and readers are transformed by AJ Pearce’s hilarious, heartwarming, and enormously moving tale of friendship, the kindness of strangers, and ordinary people in extraordinary times.

    Why should she care if Harlan springs a new “friend” on her? After all, Jackie has everything she ever wanted: a loving husband and a thriving career. Still, she can’t help but be curious about Harlan’s latest. Nasira Amari is graceful, smart, and young. Worse, she’s the new member of Jackie’s research team. For five years, Harlan enforced rules limiting his relationship with Jackie. With Nasira he’s breaking every single one. Why her? Fixated by the couple, Jackie’s curiosity becomes obsession. But she soon learns that nothing is quite what it seems, and that to her surprise—and peril—she may not be the only one who can’t let go.

    When she was eight years old, Lily Decker somehow survived the auto accident that killed her parents and sister, but neither her emotionally distant aunt nor her all-too-attentive uncle could ease her grief. Dancing proves to be Lily's only solace, and eventually she receives a "scholarship" to a local dance academy--courtesy of a mysterious benefactor.Grown and ready to leave home for good, Lily changes her name to Ruby Wilde and heads to Las Vegas to be a troupe dancer, but her sensual beauty and voluptuous figure land her work instead as a showgirl performing everywhere from Les Folies Bergere at the Tropicana to the Stardust's Lido de Paris. Wearing costumes dripping with feathers and rhinestones, five-inch heels, and sky-high headdresses, Ruby may have all the looks of a Sin City success story, but she still must learn to navigate the world of men--and figure out what real love looks like.With her uncanny knack for understanding the hidden lives of women, Elizabeth J. Church captures both the iconic extravagance of an era and the bravery of a young woman who dances through her sadness to find connection, freedom, and, most important, herself.Advance praise for All the Beautiful Girls"A riveting novel, at once raw and tender, of a woman's struggle to heal the wounds of a devastating childhood . . . Elizabeth J. Church makes us feel Ruby Wilde's pain and root for her to survive. This is a heartbreaking story, passionately told."--Ellen Feldman, author of Next to LovePraise for Elizabeth J. Church's The Atomic Weight of Love"Oh, what an incandescent debut! Church follows one extraordinary woman who is brave to enough to challenge the times, take defiant wing, and chart her own extraordinary flight path. The Atomic Weight of Love is so engrossing I couldn't wait to read another page, and so alive I never wanted the story to end."--Caroline Leavitt, author of Is This Tomorrow"A tightly crafted novel."--The New York Times Book Review"Exquisite . . . the beautifully written story of a woman who must negotiate the tricky terrain of love, responsibility, ambition, and sacrifice. . . . It shows the impossible choices women faced--and still face--between family and self."--Tara Conklin, author of The House Girl"What does love require of us? How does one strike a balance between compromise and self-fulfillment? In her debut novel, Church writes to these issues in a style that is thoughtful and elegant. . . . Church hits the mark in this emotionally driven debut."--Library Journal"A striking story of a woman forced to choose between the future she desires or the path society insists she take." --Harper's Bazaar "An elegant glimpse into the evolution of love and womanhood."--Kirkus Reviews

    She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos—days before her thirtieth birthday. Right on time.But then a virus that felt worlds away has appeared in the city, and on the eve of their departure, Finn breaks the news: It’s all hands on deck at the hospital. He has to stay behind. You should still go, he assures her, since it would be a shame for all of their nonrefundable trip to go to waste. And so, reluctantly, she goes.Almost immediately, Diana’s dream vacation goes awry. The whole island is now under quarantine, and she is stranded until the borders reopen. Completely isolated, she must venture beyond her comfort zone. Slowly, she carves out a connection with a local family when a teenager with a secret opens up to Diana, despite her father’s suspicion of outsiders.Diana finds herself examining her relationships, her choices, and herself—and wondering if when she goes home, she too will have evolved into someone completely different.

      L.A. is no place for widows. This is what forty-four-year-old Hannah Bernal quickly discovers after the tragic death of her handsome and loving husband, John. Misery and red-rimmed eyes are little tolerated in the land of the beautiful. But life stumbles on: Hannah’s sweet three-year-old daughter, Ellie, needs to be dropped off at her overpriced preschool, while Hannah herself must get back to work in order to pay the bills on “Casa Sugar,” the charming Spanish-styled bungalow they call home.   Fortunately, Hannah has her “Grief Team” for emotional support: earth mother and fanatical animal lover Chloe, who finds a potential blog post in every moment; aspiring actress Aimee, who has her cosmetic surgeon on speed dial; and Jay, Hannah’s TV producing partner, who has a penchant for Mr. Wrong. But after a series of mishaps and bizarre occurrences, one of which finds Hannah in a posh Santa Monica jail cell, her friends start to fear for her sanity. To make matters worse, John left their financial affairs in a disastrous state. And when Hannah is dramatically fired from her latest producing gig, she finds herself in danger of losing her house, her daughter, and her mind.   One night, standing in her backyard under a majestic avocado tree, in the throes of grief, Hannah breaks down and asks, “Why?” The answer that comes back—Why not?—begins an astounding journey of discovery and transformation that leads Hannah to her own truly extraordinary life after death.

    Carol wasn’t just Katy’s mom, but her best friend and first phone call. She had all the answers and now, when Katy needs her the most, she is gone. To make matters worse, their planned mother-daughter trip of a lifetime looms: two weeks in Positano, the magical town Carol spent the summer right before she met Katy’s father. Katy has been waiting years for Carol to take her, and now she is faced with embarking on the adventure alone.But as soon as she steps foot on the Amalfi Coast, Katy begins to feel her mother’s spirit. Buoyed by the stunning waters, beautiful cliffsides, delightful residents, and, of course, delectable food, Katy feels herself coming back to life.And then Carol appears—in the flesh, healthy, sun-tanned, and thirty years old. Katy doesn’t understand what is happening, or how—all she can focus on is that she has somehow, impossibly, gotten her mother back. Over the course of one Italian summer, Katy gets to know Carol, not as her mother, but as the young woman before her. She is not exactly who Katy imagined she might be, however, and soon Katy must reconcile the mother who knew everything with the young woman who does not yet have a clue.

    Burned one too many times by ex-boyfriends, Darby has lost all belief in the happily-ever-after that the fairy-tale princess promised her. She's sworn off love, Prince Charmings, and happy endings and she's happy about it. Really. Or at least she was…until she met Jake, her gorgeous neighbor and the manager of her favorite restaurant. But Darby has rules about dating, ones she's culled from her years spent with so-called “princes,” and starting something with Jake would break all of them.Charming, fun, and unwilling to give up on her, Jake doesn’t fit any of the profiles Darby has created from her case studies of ex-princes-gone-bad. Finally presented with her own Prince Charming, can Darby take a chance on a happily-ever-after?Full of wit and sarcastic humor, Cinderella Screwed Me Over proves that sometimes the perfect love, like a perfect pair of shoes, is just within your grasp.

    All’s fair in love and business. The de la Rosa family and their wedding planning business have been creating happily ever afters in the Washington, DC area for years, making even the most difficult bride’s day a fairytale. But when their parents announce their retirement, the sisters—Marisol, Janelyn, and Pearl—are determined to take over the business themselves. But the sisters quickly discover that the wedding business isn’t all rings and roses. There are brides whose moods can change at the drop of a hat; grooms who want to control every part of the process; and couples who argue until their big day. As emotions run high, the de la Rosa sisters quickly realize one thing: even when disaster strikes—whether it’s a wardrobe malfunction or a snowmageddon in the middle of a spring wedding—they’ll always have each other. Perfect for fans of the witty and engaging novels of Amy E. Reichert and Susan Mallery, The Key to Happily Ever After is a fresh romantic comedy that celebrates the crucial and profound power of sisterhood.