Lewis's The Lion, the Witch, and the Wardrobe, covering such topics as symbols, hidden meanings, and missed details from each chapter.

     Every follower of Jesus in the Gospels had a not-so-great “before”: A brash fisherman. A pious religious leader. A demon-possessed woman. A thieving tax collector. Christ’s love saw beyond their brokenness and forgave. Jesus revolutionized the lives of those who followed Him. And He’s still doing it today. Each of the forty devotions in The Chosen contains a Scripture, a unique look into a Gospel story, suggestions for prayer, and questions that lead you further in your relationship with Christ. See Jesus through the eyes of those who knew him best, and explore the backstories of people like Mary Magdalene, Peter, Matthew, Nicodemus, and more. It’s hard to relate to the sinless Son of God, but we can all identify with the sinners. You too can be transformed: Jesus sees past your "before" to the person He is creating you to be.

    Covering fiction, poetry, science and science fiction, memoir, travel writing, biography, children’s books, history, and more, 1,000 Books to Read Before You Die ranges across cultures and through time to offer an eclectic collection of works that each deserve to come with the recommendation, You have to read this. But it’s not a proscriptive list of the “great works”—rather, it’s a celebration of the glorious mosaic that is our literary heritage. Flip it open to any page and be transfixed by a fresh take on a very favorite book. Or come across a title you always meant to read and never got around to. Or, like browsing in the best kind of bookshop, stumble on a completely unknown author and work, and feel that tingle of discovery. There are classics, of course, and unexpected treasures, too. Lists to help pick and choose, like Offbeat Escapes, or A Long Climb, but What a View. And its alphabetical arrangement by author assures that surprises await on almost every turn of the page, with Cormac McCarthy and The Road next to Robert McCloskey and Make Way for Ducklings, Alice Walker next to Izaac Walton.  There are nuts and bolts, too—best editions to read, other books by the author, “if you like this, you’ll like that” recommendations , and an interesting endnote of adaptations where appropriate. Add it all up, and in fact there are more than six thousand titles by nearly four thousand authors mentioned—a life-changing list for a lifetime of reading.

    It is Luther's response to Desiderius Erasmus's "Diatribe on Free Will, " written in his direct and unique style, combining deep spirituality with humor. Luther writes powerfully about man's depravity and God's sovereignty. The crucial issue for Luther concerned what ability free will has, and to what degree it is subject to God's sovereignty. For Luther, this key issue of free will is directly connected to God's plan of salvation. Is man able to save himself, or is his salvation entirely a work of divine grace? This work is vital to understanding the primary doctrines of the Reformation and will long remain among the great theological classics of Christian history.

    Ambiguity, according to Empson, includes "any verbal nuance, however slight, which gives room for alternative reactions to the same piece of language." From this definition, broad enough by his own admission sometimes to see "stretched absurdly far," he launches into a brilliant discussion, under seven classifications of differing complexity and depth, of such works, among others, as Shakespeare's plays and the poetry of Chaucer, Donne, Marvell, Pope, Wordsworth, Gerard Manley Hopkins, and T. S. Eliot.

    Boyd adds another counterintuitive and provocative thesis to his corpus. While conservative scholars and pastors have struggled for years to show that the Bible is without errors, Boyd considers this a fool's errand. Instead, he says, we should embrace the mistakes and contradictions in Scripture, for they show that God chose to use fallible humans to communicate timeless truths. Just as God ultimately came to save humanity in the form of a human, God chose to impart truth through the imperfect medium of human writing. Instead of the Bible's imperfections being a reason to attack its veracity, these "problems" actually support the trustworthiness of Christian Scripture. Inspired Imperfection is required reading for anyone who's questioned the Bible because of its contradictions.

    From Spenser's The Fairie Queene to Wells's The Time Machine to Murakami's 1Q84 it explores the timeless and captivating features of fiction's imagined worlds including the relevance of the writer's own life to the creation of the story, influential contemporary events and philosophies, and the meaning that can be extracted from the details of the work. With hundreds of pieces of original artwork, illustration and cartography, as well as a detailed overview of the plot and a "Dramatis Personae" for each work, Literary Wonderlands is a fascinating read for lovers of literature, fantasy, and science fiction.

    Indeed, many view religion in general, and Christianity in particular, as unfounded and unreasonable.Norman Geisler and Frank Turek argue, however, that Christianity is not only more reasonable than all other belief systems, but is indeed more rational than unbelief itself. With conviction and clear thinking, Geisler and Turek guide readers through some of the traditional, tested arguments for the existence of a creator God. They move into an examination of the source of morality and the reliability of the New Testament accounts concerning Jesus. The final section of the book deals with a detailed investigation of the claims of Christ. This volume will be an interesting read for those skeptical about Christianity, as well as a helpful resource for Christians seeking to articulate a more sophisticated defense of their faith.

    John Ruskin, the famous art critic, didn't believe that ladies could paint before he met Lilias, he changed his mind after he met her, and believed that if she would give her life to painting she could become the greatest painter of the nineteenth century. Ruskin believed that if she would devote herself to art "she would be the greatest living painter and do things that would be immortal. " - he was unhappy that she was spending so much time on the streets of London, helping with the YWCA when he thought she ought to be painting. Lilias, however, decided to give up her career in art in order to serve God. She always remained a good friend of Ruskin's though, and they wrote many letters when she was in Algeria. She also wrote several books - beautifully illustrated by herself, including: Parables of the Cross (1894), Parables of the Christ-Life (1899), and a book for Sufi Muslims The Way of the Sevenfold Secret.

    In Holy the Firm she writes about a moth consumed in a candle flame, about a seven-year-old girl burned in an airplane accident, about a baptism on a cold beach. But behind the moving curtain of what she calls "the hard things -- rock mountain and salt sea," she sees, sometimes far off and sometimes as close by as a veil or air, the power play of holy fire.This is a profound book about the natural world -- both its beauty and its cruelty -- the Pulitzer Prize-winning Dillard knows so well.

    S. Lewis, J. R. R. Tolkien, Madeleine L'Engle, Charles Williams, G. K. Chesterton, John Buyan, Dante and others is examined in this introductory volume to Christian mythopoeia.

    It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness.This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.

    I could never myself believe in God, if it were not for the cross. . . . In the real world of pain, how could one worship a God who was immune to it? With compelling honesty John Stott confronts this generation with the centrality of the cross in God's redemption of the world -- a world now haunted by the memories of Auschwitz, the pain of oppression and the specter of nuclear war. Can we see triumph in tragedy, victory in shame? Why should an object of Roman distaste and Jewish disgust be the emblem of our worship and the axiom of our faith? And what does it mean for us today? Now from one of the foremost preachers and Christian leaders of our day comes theology at its readable best, a contemporary restatement of the meaning of the cross. At the cross Stott finds the majesty and love of God disclosed, the sin and bondage of the world exposed. More than a study of the atonement, this book brings Scripture into living dialogue with Christian theology and the twentieth century. What emerges is a pattern for Christian life and worship, hope and mission. Destined to be a classic study of the center of our faith, Stott's work is the product of a uniquely gifted pastor, scholar and Christian statesman. His penetrating insight, charitable scholarship and pastoral warmth are guaranteed to feed both heart and mind.

    Jacobs pursues this challenging task by alternating largely theoretical, theological chapters—drawing above all on Augustine and Mikhail Bakhtin—with interludes that investigate particular readers (some real, some fictional) in the act of reading. Among the authors considered are Shakespeare, Cervantes, Nabakov, Nicholson Baker, George Eliot, W.H. Auden, and Dickens. The theoretical framework is elaborated in the main chapters, while various counterfeits of or substitutes for genuinely charitable interpretation are considered in the interludes, which progressively close in on that rare creature, the loving reader. Through this doubled method of investigation, Jacobs tries to show how difficult it is to read charitably—even should one wish to, which, of course, few of us do. And precisely because the prospect of reading in such a manner is so offputting, one of the covert goals of the book is to make it seem both more plausible and more attractive.

    She crafts a fresh approach that exposes the real-world impact of ideas in philosophy, science, art, literature, and film--voices that surround us in the classroom, in the movie theater, and in our living rooms.A former agnostic, Pearcey offers a persuasive case for historic Christianity as a holistic and humane alternative. She equips readers to counter the life-denying worldviews that are radically restructuring society and pervading our daily lives. Whether you are a devoted Christian, determined secularist, or don't know quite where you stand, reading Saving Leonardo will unsettle established views and topple ideological idols. Includes more than 100 art reproductions and illustrations that bring the book's themes to life.