King Kong as she's known on the courts falls hard, but will it be because of the person who wants to kill her or for love?

    The people, including five comic characters abandoned or greatly diminished in the later play, "Uncle Vanya," for which Chekhov borrowed his own characters and material, do not allow themselves to be daunted. This translation of The Wood Demon was produced by the Mark Taper Forum as a classics lab workshop production in 1992...

    A time for joy. A time for tears. A time for reflection. A time for hope.And a time for miracles.This Christmas season Dave and Karen Brenner have welcomed a stranger into their lives. A stranger who may change their lives forever.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    After a full weekend of celebrating her birthday, she goes to work thinking it will be just another typical workday. That thought comes to a crashing halt when she flips the “Closed” sign to “Open” and finds an elderly mustachioed man standing at the door.Gordon LeVitt, Attorney at Law drops a bombshell that will flip Cassie’s life upside down. The man that she believed to be her father for the last thirty-three years is not really her father, and her recently deceased biological father Collin Masterson has named her as an heir in his Last Will and Testament. The catch: Her presence is required at the reading.Cassie heads to Masterson, West Virginia and has a blow-out that sends her car careening off the side of the road. With her heart racing in her chest, she is relieved when the most gorgeous creature she’s ever seen stops to help and then Cassie does something she has never done in her life—make mad passionate love with a complete stranger named Eelyn M. Carmichael who has agreed to drop Cassie off for her appointment.After Mr. LeVitt’s introductions, Cassie gets an even bigger shock when Eelyn comes strolling into the room and takes a seat next to Lenora, her father’s widow. Feeling sick to her stomach and thinking her world is crashing down, Cassie does the only thing she can—she runs with no intention of looking back. The one thing Cassie forgets is that things are seldom what they seem and Eelyn M. Carmichael has already made up her mind that Cassie Reynolds is not going to be the one who got away because some things that happen in the now, can and do last forever.

     Rose Mistletoe runs her family's flower shop on Christmas Parade, and loves every minute of her job. So when the Parade comes under acquisition by a redevelopment company, Rose forms a protest group against the bid. But business tycoon Nick Grimsby is determined to make her sell up. His company is planning to knock down the parade of traditional shops and build a block of exclusive apartments instead. And it seems the sexy billionaire will go to any lengths to get her shop. As Christmas approaches and Nick dangles the proverbial mistletoe, can Rose resist his powerful allure? Given how gorgeous he looks in a tuxedo, the answer is probably no. But she's not going to make it easy for him! Because Rose has secret plans of her own ... Warning! This romcom novella contains jokes, oodles of romance, festive wreaths, mistletoe, holly, and a sprinkling of paper hats. Another quirky romcom in the popular 'Oddest Little Shop' series from Beth Good. Titles can be read in any order.

    

    When she’s called back to the sprawling Double R cattle ranch and her ailing father, Tess is thrown back into the world she had nearly forgotten since the death of her brother two years earlier.Unsettling memories boil to the surface for Tess, and her only pleasant distraction is the new cook Claire Redman and her son Jack. However, there is more facing Professor Rawlins than dealing with the memory of her brother or her attraction to Claire. Tess must figure a way to save the Rawlins’s five thousand acres of rich grassland. It has thrived for five generations, when her great-grandfather started the dynasty in the 1880s; now she may lose it all to an unscrupulous land developer.Set in the foothills of the Bitterroots, Tess and Claire find themselves in the fight of their lives—for love and the sea of grass.

    She just wants to be in love. Sound simple? Well, there's a catch. She wants to be deeply in love with someone who is also deeply in love with her. Jenny must face the past and the present when she discovers her lover's infidelity and her first love walks back into her life. Her life becomes even more complicated when old feelings surface for her first love -- the woman who broke her heart as a teenager, then entered the church and became "Sister Rachel". In her third published book, Mavis Applewater brings to the printed page a perfect combination of heat and romance, with just the right amount of adventure.

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    It is filled with dozens of humorous tales of musician antics and concert meltdowns. Outsiders are rarely allowed such access, but at last you can have your own personal tour of the mystical and magical realm of professional orchestras and the people who play in them. "Real Men Don't Rehearse" was written by Justin Locke, who spent 18 seasons as a professional freelance double bassist in Boston. He played with the Boston Symphony and the Boston Pops, as well as for ballets, operas, and Broadway shows. He is also well known in the symphonic world as the author of "Peter VS. the Wolf" and "The Phantom of the Orchestra," which are internationally acclaimed programs for orchestra family concerts. This is the perfect gift for your favorite music lover! This is a book no musical library should be without!

    The only problem is, her mouth-watering novels always leave you hungry for more. So, because you asked for it, more is exactly what's on the menu today!As a special treat, our gal-loving gourmet has whipped up a baker's dozen of scrumptious short stories - each one filled with your favorite characters and settings from her critically acclaimed bestsellers, In Every Port, Touchwood, Paperback Romance, Car Pool, Painted Moon, Wild Things, Embrace in Motion, Watermark, Making Up for Lost Time, and Unforgettable. Stories so rich with romance, we bet you can't read just one!

    

    

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.