One lie could save them. The brilliant prequel to The Boy Who Saw, a gripping thriller from Sunday Times bestseller Simon Toyne, featuring the enigmatic Solomon Creed.A strangerSolomon Creed is an outsider with an unknown past, travelling through a remote part of Texas. He doesn’t look for trouble – but trouble finds him.A familyAt a roadside diner, he runs into a worn-down family whose ancestral land and home is about to be auctioned. But when Solomon suspects it’s worth a lot more than they think he decides to take things into his own hands.A secretAs Solomon races to find hard evidence of the land’s true value, he uncovers a dark truth – hidden for generations – that changes everything. But how far is he willing to go to save a family from potential ruin? And how far will others go to stop him?

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    The tables turn when Marjorie is able to subdue Raul and keep him tied up in her fireplace. When Terry and Patricia, Marjorie's roommates, come home, they are shocked and begin discussing how to handle the situation: call the police or take matters into their own hands?

     Billie Page. IndyCar racing’s darling. To the outside world, she seems put together. Determined. Serious. Only she and the ones close to her know the truth. Billie’s a failure. She works every day to change that, to strengthen her mind and her body for the grueling demands of her job. Everything is about racing. It has to be. It’s all she has left. Then a woman makes her laugh. Krysta Ekert lives life on the whims of the wind. She doesn’t know where her next paycheck will come from and doesn’t care. She does what she wants, when she wants it, and asks for forgiveness rather than permission. The moment she meets Billie Page she knows whose bed she’ll be sleeping in that night and it’s not her own. When Krysta is hit by a car, her accident binds the women together in a way neither of them could have predicted. It’s dangerous for both to stay—Billie may lose her career, Krysta her independence—but leaving becomes less and less of an option the longer they wait. Will they find a way to make it work? Can one really have it all? Heartwarming and often humorous, Rocky Road is an emotional look at two women searching for happiness in all the wrong places and discovering how much more life offers when you open your heart.

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    Nine parallel lives, interlocked by four infidelities, one missing person and a mysterious stiletto, are woven through a fragmented series of confessionals and interrogations that gradually reveal a darker side of human nature.

    It's a still a mystery, and a much debated topic, among theater enthusiasts as to why "Merrily We Roll Along" flopped, especially since Sondheim's other productions, which include "Into the Woods," "Follies," "Sweeney Todd," and "A Funny Thing Happened on the Way to the Forum," have been so endearing and extraordinarily successful. In this Kindle Single, Pogrebin muses on why the show didn't get off the ground at the same time that she takes the reader on passionate, introspective journey, examining the importance of this very special moment in her life.Abigail Pogrebin is the author of Stars of David: Prominent Jews Talk About Being Jewish (Broadway Books 2007), and One And The Same: My Life as an Identical Twin and What I've Learned About Everyone's Struggle to Be Singular (Doubleday 2009). Pogrebin has written for many national publications, and has produced for Mike Wallace at "60 Minutes." She lives in New York City with her husband and two children.

    When an oil rig drills too deep under the Gulf of Mexico it breaks the capstone separating our world from the UnderRealms - home to monsters, daemons and dark magiks. The nightmares of our long ago come flooding back into the world where they are met by automatic weapons fire, heating seeking missiles (they're hell on dragons, don'tcha know) and one drunken, dissolute son of a bitch called Dave. But this is not Dave's story. This is the story of the poor bastards who had to put up with him while he saved the world and acted like a jerk.

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    Take your first step into a much larger world with this prologue and begin your journey to save Humanity from an overpowering enemy. Enlist in Star Force today and see why the series has over 50,000 sales to date.

    Released from prison after serving time for killing the man who murdered his wife, John Henry Trapp returns to his mountain home, where his enemies are waiting to put him six feet under.

     She learned how to be strong again and break the shackles her old life had hobbled her with. While Paya is out making waves in London, Lenore is assigned as the driver for the contractor, McGrath, who is renovating a building for the Flotilla, which will allow people who had fallen upon hard times to have a place to call their own. The problem? Lenore finds McGrath to be the most infuriating, cocky, and egotistical woman on the planet. They mix like oil and water and Lenore wants nothing more than to throw a match on the mixture and be done with the woman. She just can’t figure out what it is that boils her blood around McGrath, though apparently all of her smug and smiling friends have an inkling… The Flotilla series is a spinoff of the bestselling London Harmony series.