With writing that is both immediate and deeply steeped in its time, Anthony Quinn recreates wartime Liverpool.

    Once renowned for his radical designs, Otto now spends his days communing with nature and writing eccentric letters to old friends (which he doesn't mail). But Otto's comfortable life is rudely interrupted when he learns that his most significant and revolutionary building, Marlowe House, a 1960s tower block estate in South London is set to be demolished.Otto is outraged. Determined to do everything in his power to save the building, he reluctantly agrees to take part in a television documentary, which will mean returning to London for the first time in twenty-five years to live for a week in Marlowe House. Once Otto becomes reacquainted with the city he called home for most of his life, his memories begin to come alive. And as he mines his past and considers life moving forward—for himself and his building—Otto embarks on a remarkable journey that will change everything he ever thought he knew.

    . . but sometimes, it's her destiny. When strangers sweep in to save Shiloh Wallace’s rural West Virginia town, she soon realizes her humdrum "human" life will never be the same. The unnerving telepathic event rocks the suspicious high school senior with questions that leaves her desperately seeking the truth. With freak occurrences mounting at every turn, Shiloh finds herself barreling down an unimaginable path that ultimately leads to her destiny. She is a Talisman, an elemental supernatural being who can wield powers drawn from ancient stones that grant her abilities beyond her wildest dreams. Now, along with the aid of her newfound mentors, Shiloh must come to grips with accepting the illustrious Diamond Wand of Adamas as her fate, while saving her town and those she loves from an evil Talisman hell-bent on destroying everything that stands in his way of claiming her coveted diamond as his own.

    He identifies a “global style” of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. More than any art, today’s global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the “art-architecture complex” provides invaluable insight into broader social and economic trajectories in urgent need of analysis.From the Trade Paperback edition.