In turns sad, troubled and angry, her voice has always been one of great empathy, knowing, as she says, “the only mercy is memory.” In this, her 12th book of poetry, the National Book Award-winner speaks to the tenuous relationship between mothers and daughters, the debilitating power of cancer, the open wound of racial prejudice, the redemptive gift of story-telling. “September Song,” a sequence of seven poems, featured on National Public Radio, presents a modern-day Orpheus who, through her grief, attempts to heart-intelligently respond to the events of September 11th. The last sequence of poems—a tightly-woven fabric of caveats and prayers—was initially written in the 1970s, then revised and reshaped in the last few years.Lucille Clifton is an award-winning poet, fiction writer and author of children’s books. Her most recent poetry book, Blessing the Boats: New and Selected Poems 1969–1999 (BOA), won the 2000 National Book Award for Poetry. Two of Clifton’s BOA poetry collections, Good Woman: Poems and a Memoir 1969–1980 and Next: New Poems, were chosen as finalists for the Pulitzer Prize in 1988, while Clifton’s The Terrible Stories (BOA) was a finalist for the 1996 National Book Award. Clifton has received fellowships from the NEA, an Emmy Award from the American Academy of Television Arts and Sciences, the Shelley Memorial Prize and the Charity Randall Citation. She is a Distinguished Professor of Humanities as St. Mary’s College in Maryland. She was appointed a Fellow of The American Academy of Arts and Sciences, and elected as Chancellor of The Academy of American Poets in 1999. She lives in Columbia, MD.

    Fans of Before We Were Yours, Wives of War and Diney Costelo will be utterly swept away by this heartbreaking – yet beautifully hopeful – World War Two page-turner.England, 1941: Life has always been cruel to Ethel. Raised in an orphanage by a merciless mistress, she never knew the meaning of love. And now she has fallen for the one man she who is forbidden to her – Karl, a German held captive in the local prisoner of war camp. He might be the enemy, but he has her heart.When Ethel discovers she’s pregnant, she is labelled a traitor and shunned by all. The love of her life is torn away from her, but she vows to protect their precious daughter. She gives birth as bombs rain down, to the sound of ear-splitting shrieks and explosions in the distance. But then the planes fly over the house, and the unthinkable happens…A baby girl lies in the rubble, surrounded by broken glass and crumbled brick. The odds are against her, until a woman, Lily, picks up the child from the wreckage. Will she be saved from her mother’s fate or will she forever be a helpless orphan?

    Each of the teens in these 50 original poems, written using a variety of poetic forms, will be recognizable to the reader as the universal emotions, ideas, impressions, and beliefs float across the pages in these gracefully told verses.Also included are the author’s footnotes on the various types of poetic forms used throughout to help demystify poetry and showcase its accessibility, which makes this a perfect classroom tool for teachers as well as an inspiration to readers who may wish to try their own hand at writing.

    From author Terry Kay."A deftly shaped and vivid book...a tender and bracing tale of an octogenarian fighting to live a connected and purposeful life." ―The New York Times"A hauntingly beautiful story about love, family and relationships...I found it all such a moving experience, a lovely enduring tribute to love." ―The Most Reverend Desmond M. Tutu"Terry Kay is a perfect writer for those who love to read. His prose contains music and passion and fire. His work is tender and heartbreaking and memorable." ―Pat Conroy, New York Times best-selling authorThe elderly Sam Peek is still mourning the death of his beloved wife when a mysterious white dog appears. Seen only by Sam, White Dog becomes a part of Sam's grief. Though it's unclear if White Dog is real or phantom, the creature eases Sam's sorrow, brings him closer to his family, and helps him reconcile with his own mortality.Bestselling author Terry Kay brings Northeast Georgia to life through his elegant prose, and the thought-provoking themes of family, love, and loss will make readers come back to this touching story again and again.Also an Emmy Award-winning Hallmark Hall of Fame movie starring Hume Cronyn and Academy Award-winner Jessica Tandy.

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    We know much of poetry ever was and ever shall be elegiac. Jane Mead’s poem could be neither more literal nor nearer the verge of appearing a little too perfect for this world. As the laundry room floods and the grape harvest gets done; as Michoacan waits for another time, her beautiful, practical mother is dying. Ashes are scattered in the pecan groves of her own Rincon, her own corner of the world, and the poet, in elementary script, draws a sustaining record of the only feeling worth the struggle, and she cannot, will not, does not fuck it up." — C.D. WrightJane Mead's fifth collection candidly and openly explores the long process that is death. These resonant poems discover what it means to live, die, and come home again. We're drawn in by sorrow and grief, but also the joys of celebrating a long life and how simple it is to find laughter and light in the quietest and darkest of moments.…This year I have disappearedfrom the harvest routine—the pickers throwing their traysunder the vines, grape hooksflying, the heavy bunches flying—pickers running to the running tractorswith trays held high above their headsand the arc of dark fruit falling heavily into the half-ton bins.The hornets swarming in the diesel-filled air.Jane Mead is the author of four collections of poetry, most recently Money Money Money | Water Water Water (2014). Her poems appear regularly in journals and anthologies, and she's the recipient of a Guggenheim Foundation Fellowship, a Whiting Writers Award, and a Lannan Foundation Completion Grant. She teaches at the low-residency MFA program at Drew University and farms in Northern California.

    Back then, everyone was sad; now they're just ready for Sarah to get over it and move on.But Sarah's not ready to move on. She can't stop reliving what happened, struggling with guilt, questioning the meaning of life, and missing her best friend. Her grades are plummeting, her relationships are falling apart, and her normal voice seems to have been replaced with a snark box. Life just seems random: no pattern, no meaning, no rules - and no reason to bother.In a last-ditch effort to pull it together, Sarah befriends Jamie's twin brother Emmett, who may be the only other person who understands what she's lost. And when she gets a job working for the local eccentric who owns a Christmas tree farm, she finally begins to understand the threads that connect us all, the benefit of giving people a chance, and the power of love.Source: http://www.jjjohnsonauthor.com

    Awake chronicles Laux's coming to terms with a childhood darkened by violence and sexual abuse--a struggle at once to embrace and to forgive the past.

    Teenage romance should be difficult, but not this difficult. Boys like Toby should cause trouble but not this much. The moon should glow gently over children safe in their beds. Uncles in their rockers should be kind. Teachers should guide and inspire. Manatees should laze and palm trees sway and snakes keep to their shady spots under the azalea thickets. The air shouldn’t smell like a swamp. The stars should twinkle. Shelby should be her own hero, the first hero of Citrus County. She should rescue her sister from underground, rescue Toby from his life. Her destiny should be a hero’s destiny.