When Ellen turns nineteen Holland makes an announcement: she may marry only the man who can correctly name the species of each of the hundreds of gum trees on his property. Ellen is uninterested in the many suitors who arrive from around the world, until one afternoon she chances on a strange, handsome young man resting under a Coolibah tree. In the days that follow, he spins dozens of tales set in cities, deserts, and faraway countries. As the contest draws to a close, Ellen and the stranger's meetings become more erotic, the stories more urgent. Murray Bail's rich narrative is filled with unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus is a shimmering love story that affirms the beguiling power of storytelling itself.

    With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.

    Elvis on an epic time-travel journey - the Presliad. Buddhavision - a network bigger than God (and more powerful, too). Nasty nuclear leftovers. Naughty sex habits. Dalai Dan (the 153rd reincarnation of the Lama of that ilk) and Barry, the talkative Time Sprout. Even with all this excitement, you wouldn't think a backwater planet like Earth makes much of a splash in the galatic pond.But the soap opera called The Earthers is making big video bucks in the intergalactic ratings race. And alien TV execs know exactly what the old earth drama needs to make the off-world audience sit up and stare: a spectacular Armageddon-type finale. With a cast of millions - including you! DON'T TOUCH THAT DIAL - IT'S GONNA BE A HELLUVA SHOW!

    It was first published in October 1957 by Bantam Books (catalogue number A1672) and already reprinted a month later. It includes the following stories (magazines in which the stories originally appeared given in parentheses):"Pilgrimage to Earth" (Playboy 1956/9; also known as "Love, Incorporated")"All the Things You Are" (Galaxy 1956/7)"Trap" (Galaxy 1956/2)"The Body" (Galaxy 1956/1)"Early Model" (Galaxy 1956/8)"Disposal Service" (Bluebook 1955/1)"Human Man's Burden" (Galaxy 1956/9)"Fear in the Night" (Today's Woman 1952)"Bad Medicine" (Galaxy 1956/7)"Protection" (Galaxy 1956/4)"Earth, Air, Fire and Water" (Astounding 1955/7)"Deadhead" (Galaxy 1955/7)"The Academy" (If 1954/8)"Milk Run" (Galaxy 1954/9)"The Lifeboat Mutiny" (Galaxy 1955/4)

    He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.

    He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.~from the back cover

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    She’s looking at me. I can see the love in her eyes for me. Then a huge crash. She’s flung out of the window. I’m thrown out too. A pool of blood. Her eyes are still on me . . . but now it’s a death stare. I am Daman and I wake up to this nightmare. Every. Single. Day. Waking up from a long coma, Daman learns that he was in a massive car crash with a girl who vanished soon after the accident, leaving him for dead. Strangely, all he remembers is a hazy face, her hypnotic eyes, and her name—Shreyasi. To come to terms with his memory lapse he starts piecing together stories about himself and Shreyasi from his dreams, which he then turns into a hugely popular blog. When he’s offered a lucrative publishing deal to convert his blog pieces into a novel, he signs up immediately. However, he gives in to editorial pressure and agrees to corrupt the original edgy character of Shreyasi. Big mistake. From then on Daman is stalked and threatened by a terrifying beauty who claims to be Shreyasi and who will stop at nothing to make him pay for being a sell-out. Before Daman fights back, he needs to know: Is she really who she claims to be? What does she want from him now? What if he doesn’t do what she wants him to? The Girl of My Dreams is definitely not your usual love story.

    Mrs. Miniver's adventures have charmed millions. This edition, published on the fiftieth anniversary of the book's orginal publication in the U.S., features a new introduction by Greer Garson, who won the Academy Award as best actress for her role as Mrs. Miniver.

    Oliver Twist, published in 1838 and set in London's Victorian underworld, is a novel of social protest, a morality tale and detective story. The orphan Oliver, Viper Fagan, Bill Sykes, and the Artful Dodger are some of the most memorable characters in all of literature. A Tale of Two Cities, published in 1859, is Dickens's great novel of the French Revolution. In it he brings to life a time of terror and treason, when a starving populace rose in fury to overthrow a corrupt and decaying regime. the human story within the Revolution is the duality of the heart, embodied by two of his greatest characters: Charles Darnay and Sidney Carton.Great Expectations, published in 1861, is the story of Pip and the mysterious fortune which falls into his lap. It is both comic and tragic, filled with memories of childhood fairy tales with a twist. One of Dickens' greatest achievements, it is a novel, as Graham Greene comments, filled with secret prose giving us, "the sense of a minds peaking to itself with no one to listen." A Christmas Carol, published in 1843, is his most beloved story, as much a part of Christmas as mistletoe and carolers. Ebenezer Scrooge, Tiny Tim, Bob Crachit and the Ghosts of Christmas Past, Present, and Future all occupy a special place in our hearts and memories.(front flap)

    "Filled with warmth and humor, sadness and tenderness, songs and poems, Lake Wobegon Days is an unforgettable portrait of small-town American life, of why 'we are what we are' and why 'smart doesn't count for much."

    in the 1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her first hand experiences in the L.A. cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

    David Swift, a professor at Columbia University, is called to the hospital to comfort his mentor, a physicist who's been brutally tortured. Before dying, the old man wheezes "Einheitliche Feldtheorie." The Theory of Everything. The Destroyer of Worlds. Could this be Einstein's proposed Unified Theory--a set of equations that combines the physics of galaxies with the laws of atoms? Einstein never succeeded in discovering it. Or did he? Within hours of hearing his mentor's last words, David is running for his life. The FBI and a ruthless mercenary are vying to get their hands on the long-hidden theory. Teaming up with his old girlfriend, a brilliant Princeton scientist, David frantically works out Einstein's final theory to reveal the staggering scope of its consequences. With publishers around the world snapping up rights in twenty-two countries, the book has already become a global phenomenon, and the dynamic characters and gripping plot will keep readers compulsively turning the pages until the very end.

    Unconventional in both style and content, it shattered the myths of small town American life. A collection of epitaphs of residents of a small town, a full understanding of Spoon River requires the reader to piece together narratives from fragments contained in individual poems."

    In the first story a young wife and mother receives release from the unbearable pain of losing her three children from a most surprising source. In another, a young woman, in the aftermath of an unusual and humiliating seduction, reacts in a clever if less-than-admirable fashion. Other stories uncover the “deep-holes” in a marriage, the unsuspected cruelty of children, and how a boy’s disfigured face provides both the good things in his life and the bad. And in the long title story, we accompany Sophia Kovalevsky—a late-nineteenth-century Russian émigré and mathematician—on a winter journey that takes her from the Riviera, where she visits her lover, to Paris, Germany, and, Denmark, where she has a fateful meeting with a local doctor, and finally to Sweden, where she teaches at the only university in Europe willing to employ a female mathematician. With clarity and ease, Alice Munro once again renders complex, difficult events and emotions into stories that shed light on the unpredictable ways in which men and women accommodate and often transcend what happens in their lives.Dimensions --Fiction --Wenlock edge --Deep-holes --Free radicals --Face --Some women --Child's play --Wood --Too much happiness