As one half of the legendary Lennon-McCartney songwriting duo, he helped transform popular music, moving from the simplistic pop of "Love Me Do" to the avant-garde symphonics of "A Day in the Life" to generation-binding anthems such as "Hey, Jude" and "Let It Be." Along the way the Beatles ascended from the dank basements of working-class Liverpool to heights of fame and wealth no previous entertainer could ever have imagined. McCartney's own ambitions fueled much of the group's progress. But even as he steered himself from childhood tragedy to his meeting with John Lennon to the gestation of the Beatles and their rise to international acclaim, the same appetites that drove the group to its greatest creative and commercial heights also served to tear the band members apart. Still, McCartney's career didn't end with the Beatles' breakup. Nor, for that matter, did the bonds between the Beatles. And in this definitive biography, Peter Ames Carlin examines McCartney's entire life, casting new light not just on the Beatles era, but also on his years with Wings and his thirty-year relationship with his first wife, Linda McCartney. He takes us on a journey through a tumultuous couple of decades in which Paul struck out on his own as a solo artist, reached the top of the charts with a new band, and once again drew hundreds of thousands of screaming fans to his concerts. Carlin presents McCartney as a musical visionary, capable of crafting pop gems such as "Band on the Run" and "Maybe I'm Amazed." But he also reveals a layered and often conflicted figure, as haunted by his legacy -- and particularly his relationship with John Lennon -- as he was inspired by it. Built on years of research and fresh, revealing interviews with friends, bandmates, and collaborators spanning McCartney's entire life, Carlin's lively biography captures the many facets of Paul McCartney and paints a vivid portrait of one of our era's living legends.

    If you don't know what you want, I'll do it for you."Few record producers possess the musical facility to back up such a bold promise, but in over forty-plus years behind the glass, Todd Rundgren has willed himself into becoming a not only a rock guitar virtuoso, an accomplished lead vocalist and vocal arranger and visionary keyboard player, not to mention a serviceable drummer. But arguably, Rundgren's greatest instrument of all is the recording studio itself. After learning his craft with Nazz, Rundgren engineered The Band's Stage Fright album and soon became the producer of a string of noteworthy albums for Sparks, Grand Funk, The New York Dolls, Badfinger, Hall & Oates, Meat Loaf, Patti Smith Group, Cheap Trick, The Psychedelic Furs and XTC. Meanwhile, Rundgren played almost every instrument on his solo albums such as Something/Anything?, A Wizard A True Star and Hermit Of Mink Hollow while collaborating on a series of albums by his band, Utopia. A Wizard A True Star: Todd Rundgren In The Studio by Paul Myers is a fascinating and authoritative trip through the land of flickering red lights inhabited by a studio wizard - and true star - who has rarely enjoyed a proper victory lap along the many trails that he has blazed. Researched and written with the participation and cooperation of Rundgren himself.

    At that point, we will be at the same distance in time from 1970 as 1970 was from 1920, the year Al Jolson's ‘Swanee’ was the bestselling record and Gustav Holst composed The Planets.The Beatles continue to occupy a position unique in popular culture. They have entered people's minds in a way that did not occur before, and has not occurred since. Their influence extended way beyond the realm of music to fashion, politics, class, religion and ethics. Countless books have doggedly catalogued the minutiae of The Beatles. If you want to know the make of George Harrison's first car you will always be able to find the answer (a second hand, two-door, blue Ford Anglia 105E Deluxe, purchased from Brian Epstein's friend Terry Doran, who worked at a dealership in Warrington). Before she met John Lennon, who was the only Beatle Yoko Ono could name, and why? Ringo. Because ‘ringo’ means ‘apple’ in Japanese. All very interesting, but there is, as yet, no book about The Beatles that combines the intriguing minutiae of their day-to-day lives with broader questions about their effect – complicated and fascinating – on the world around them, their contemporaries, and generations to come.Until now. Craig Brown's 1-2-3-4: The Beatles in Time is a unique, kaleidoscopic examination of The Beatles phenomenon – part biography, part anthropology, part memoir, by turns humorous and serious, elegiac and speculative. It follows the unique “exploded biography” form of his internationally bestselling, Ma'am Darling: 99 Glimpses of Princess Margaret.

    In this bestselling biography, Laura Jackson reveals the reality behind Queen's flamboyant frontman and lead singer, as she looks behind his unique brand of showmanship to discover who Freddie Mercury really was.Featuring exclusive interviews with some of those closest to Freddie right up until his tragic death, original Queen members and many others -- including new and intimate stories from Tim Rice, Richard Branson, Cliff Richard, Bruce Dickinson, Mike Moran, Wayne Eagling, Zandra Rhodes and Susannah York -- this is the definitive biography of one of rock's greatest legends.

    The club's electrifying live scene soon translated to vinyl, and Factory Records went on to become the most innovative and celebrated record label of the next 30 years. Factory introduced the listening public to bands such as Joy Division, whose Unknown Pleasures was the label's first album release, New Order, Durutti Column, and Happy Mondays. Propelled onwards by cultural entrepreneur Tony Wilson, Factory always sought new ways to energize the popular consciousness, such as the infamous Hacienda nightclub, which enjoyed a checkered 15-year history after opening in 1982. Factory's reputation as a cultural hub was also bolstered by its fierce commitment to its own visual identity, achieved through the iconic sleeve designs and campaigning artwork of Peter Saville. However, the lofty reputation of Factory's artistic ventures only sporadically translated into commercial success, and when London Records pulled out of a 1992 takeover bid because of the absence of contracts, the fate of Factory Communications Ltd. was sealed. But the label's downfall has done nothing to quell interest in the Factory legend, as films such as 24-Hour Party People and Control attest. Despite this perennial interest, the definitive, authentic story of Factory Records has never been told until now. This is the most complete, authoritative, and thoroughly researched account of how a group of provincial anarchists and entrepreneurs saw off bankers, journalists, and gun-toting gangsters to create the most influential record label of modern times.

    Pitched somewhere between Almost Famous and Withnail & I, this title presents a document of this most fascinating and troubling of decades - a story of inspiration, success and serious burn out.

    He has never granted a writer access to his inner life – until now. Based on six years of interviews with more than three hundred of Young’s associates, and on more than fifty hours of interviews with Young himself, Shakey is a fascinating, prodigious account of the singer’s life and career. Jimmy McDonough follows Young from his childhood in Canada to his cofounding of Buffalo Springfield to the huge success of Crosby, Stills, Nash and Young to his comeback in the nineties. Filled with never-before-published words directly from the artist himself, Shakey is an essential addition to the top shelf of rock biographies.

    It's just me." -- Brian May With these words, the author announces the first book ever to be published about the legendary rock band Queen by a member of the band. And certainly the first book of its kind in the world. It's a unique collection of original, highly personal snapshots of Queen in Three Dimensions, from the band's inception in the early '70s right up to the present day, accompanied by the exclusive recollections of founding member and lead guitarist, Brian May. Brian's typically honest account of his experiences within and without the band, including many extreme highs and lows, bravely opens the door to his feelings, beliefs and motivations on this trip though an extraordinary life. This book will entrance millions of Queen fans; but it will also inspire anyone who wonders what they might learn from a man who used his intellect, musical talent, and ability to make the transition from college boy to rock star in just a few years, and then go on building creatively for the next forty! The book is illustrated with over 300 photographs, the majority actually taken by Brian, and mostly in 3-D. These shots of Freddie Mercury, John Deacon, Roger Taylor, and Brian himself, on and off stage all round the world, spring into life when viewed with Brian's patented OWL viewer (supplied free with the book). Through the eyes of Brian's camera you are transported back in time to experience Queen's miraculous 46-year journey as if you were actually there whether in a dressing room, in a car, on a plane, or on stage at Madison Square Garden. The three dimensional stereoscopic images (the precursor of Virtual Reality) immerse and engage you in the atmosphere of the moment as no flat 2-D picture ever could.

    Now, at last, Norman turns his formidable talent to the Beatle for whom being a Beatle was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, Norman presents the comprehensive and most revealing portrait of John Lennon ever published.This masterly biography takes a fresh and penetrating look at every aspect of Lennon's much-chronicled life, including the songs that have turned him, posthumously, into a near-secular saint. In three years of research, Norman has turned up an extraordinary amount of new information about even the best-known episodes of Lennon folklore—his upbringing by his strict Aunt Mimi; his allegedly wasted school and student days; the evolution of his peerless creative partnership with Paul McCartney; his Beatle-busting love affair with a Japanese performance artist; his forays into painting and literature; his experiments with Transcendental Meditation, primal scream therapy, and drugs. The book's numerous key informants and interviewees include Sir Paul McCartney, Sir George Martin, Sean Lennon—whose moving reminiscence reveals his father as never seen before—and Yoko Ono, who speaks with sometimes shocking candor about the inner workings of her marriage to John.“[A] haunting, mammoth, terrific piece of work.” -New York Times Honest and unflinching, as John himself would wish, Norman gives us the whole man in all his endless contradictions—tough and cynical, hilariously funny but also naive, vulnerable and insecure—and reveals how the mother who gave him away as a toddler haunted his mind and his music for the rest of his days.

    Unlike many forms of popular music, whose fans are fickle and transitory, metalheads tend to embrace their favorite bands and follow them over decades. Metal is not only a pastime for these people; it's a lifestyle and obsession that permeates every aspect of their being.The book will feature over 250 interviews conducted by renowned journalists Jon Wiederhorn and Katherine Turman over the past 25 years. The book will include candid and confessional commentary from late icons of the genre. In addition, the book will feature comprehensive interviews with established metal musicians discussing their often-traumatic upbringings, musical histories, battles with substance abuse, sexual exploits, plus expert analysis of the heavy metal scene from the '60s to the present. Industry insiders (managers, record label A&R people, family members, friends, scenesters, groupies, journalists, porn stars and tattoo artists) will provide additional insight.

    Eliot's. Now Charles Cross has cracked the code in the definitive biography Heavier Than Heaven, an all-access pass to Cobain's heart and mind. It reveals many secrets, thanks to 400-plus interviews, and even quotes Cobain's diaries and suicide notes and reveals an unreleased Nirvana masterpiece. At last we know how he created, how lies helped him die, how his family and love life entwined his art--plus, what the heck "Smells Like Teen Spirit" really means. (It was graffiti by Bikini Kill's Kathleen Hanna after a double date with Dave Grohl, Cobain, and the "over-bored and self-assured" Tobi Vail, who wore Teen Spirit perfume; Hanna wrote it to taunt the emotionally clingy Cobain for wearing Vail's scent after sex--a violation of the no-strings-attached dating ethos of the Olympia, Washington, "outcast teen" underground. Cobain's stomach-churning passion for Vail erupted in six or so hit tunes like "Aneurysm" and "Drain You.") Cross uncovers plenty of news, mostly grim and gripping. As a teen, Cobain said he had "suicide genes," and his clan was peculiarly defiant: one of his suicidal relatives stabbed his own belly in front of his family, then ripped apart the wound in the hospital. Cobain was contradictory: a sweet, popular teen athlete and sinister berserker, a kid who rescued injured pigeons and laughingly killed a cat, a talented yet astoundingly morbid visual artist. He grew up to be a millionaire who slept in cars (and stole one), a fiercely loyal man who ruthlessly screwed his oldest, best friends. In fact, his essence was contradictions barely contained. Cross, the coauthor of Nevermind: Nirvana, the definitive book about the making of the classic album, puts numerous Cobain-generated myths to rest. (Cobain never lived under a bridge--that Aberdeen bridge immortalized in the 12th song on Nevermind was a tidal slough, so nobody could sleep under it.) He gives the fullest account yet of what it was like to be, or love, Kurt Cobain. Heavier Than Heaven outshines the also indispensable Come As You Are. It's the deepest book about pop's darkest falling star. --Tim Appelo

    Sometimes it's dangerous. Instead of a sword, I hold a guitar in my hands. I'm in the same, rigid world but instead of Molotov cocktails, I've got a computer. It's a much more powerful weapon."Confessions Of A Heretic is the forthright and erudite memoir of the front man and driving force behind the Polish heavy-metal group Behemoth, currently at the top of their game following the release of their 2014 US Top 40 album The Satanist.Presented as a series of interrogations by friends and associates, the book reveals a complex man of great contrast--a health-conscious, highly personable intellectual known for his extreme views and even more extreme music--lifting the lid on everything from his clashes with the Polish Catholic church to appearing as a judge on the Polish edition of The Voice to his recent battle with leukemia.

    His car was found abandoned near the Severn Bridge, a notorious suicide spot, two weeks after Edwards had last been seen. The car’s location, and the tape in the deck—Nirvana's In Utero—suggested one conclusion. However, it almost seemed too obvious. In A Version of Reason, Rob Jovanovic unravels the complicated life and final days of Richey Edwards. Piecing together testimony from those close to Edwards, Jovanovic attempts to produce an authoritative account of what happened that day in 1995.

    He dreamt that music was a rich meadow of possibility, a liberating leap to a sparkling future, an industry of human happiness - and he wanted to be part of it. Thus began his 50-year love affair with rock and roll. From his time at the NME and Smash Hits to Radio One, Old Grey Whistle Test, Live Aid, Q, Select, Mojo and The Word magazines, he's been at the molten core of its evolution, and watched its key figures from a unique perspective. This funny and touching personal memoir maps out his eventful journey. It tells stories and settles scores. It charts the peaks and disappointments. It flags up surprising heroes and barbecues the dull and self-deluded. It puts a chaotic world to rights and pours petrol on the embers of a glorious industry now in spiralling decline.

    Offering a different perspective from the bestselling Slash, Adler chronicles his life with the band, and own intense struggle with addiction, as seen on Dr. Drew’s Celebrity Rehab and Sober House.