Thirteen years apart.Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago. If you have any knowledge of Olivia Shaw's whereabouts or any relevant information, please contact... I've spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow. Whoever stole me was never found. But since I was taken, there hasn't been another girl. And now there is.

    On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.An astonishingly soulful exploration of complicity and masquerade, Reprieve combines the psychological tension of classic horror with searing social criticism to present an unsettling portrait of this tangled American life.

    Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do, nothing else to watch, under the harsh sun. She’s bored. Terribly bored. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children.Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. She immediately becomes entwined in the glamorous foreigners’ lives. They offer excitement, and perhaps an escape from the promise of a humdrum future.When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions, and Viridiana has some of her own about the identity of her new acquaintances. Sharks may be dangerous, but there are worse predators nearby, ready to devour a naïve young woman who is quickly being tangled in a web of deceit.Silvia Moreno-Garcia is one of the most exciting voices in fiction, and with her first crime novel, UNTAMED SHORE, she crafts a blazing novel of suspense with an eerie seaside setting and a literary edge that proves her a master of the genre.

    When her parents disappeared seven years ago while driving her best friend home, Tress lost everything. She might still be a Montor, but the entire town shuns her now that she lives with her drunken, one-eyed grandfather at what locals refer to as the “White Trash Zoo,” – a wild animal attraction featuring a zebra, a chimpanzee, and a panther, among other things. Felicity Turnado has it all – looks, money, and a secret that she’s kept hidden. She knows that one misstep could send her tumbling from the top of the social ladder, and she’s worked hard to make everyone forget that she was with the Montors the night they disappeared. Felicity has buried what she knows so deeply that she can’t even remember what it is… only that she can’t look at Tress without having a panic attack.But she’ll have to.Tress has a plan. A Halloween costume party at an abandoned house provides the ideal situation for Tress to pry the truth from Felicity – brick by brick – as she slowly seals her former best friend into a coal chute. With a drunken party above them, and a loose panther on the prowl, Tress will have her answers – or settle for revenge.In the first book of this duology, award-winning author Mindy McGinnis draws inspiration from Edgar Allan Poe and masterfully delivers a dark, propulsive mystery in alternating points of view that unravels a friendship... forevermore.

    But after being diagnosed with a terminal brain tumor he finds himself with a gun to his temple, ready to pull the trigger. Then the doorbell rings.A stranger makes him a proposition: why not kill two deserving men before dying? The first target is a criminal, and the second is a man with terminal cancer who, like Ted, wants to die. After executing these kills, Ted will become someone else's next target, like a kind of suicidal daisy chain. Ted understands the stranger's logic: it's easier for a victim's family to deal with a murder than with a suicide. However, after killing his targets, Ted's reality begins to unravel. KILL THE NEXT ONE, an immersive psychological thriller from an exciting new voice.

    Paul Wilson's fiction from the FREAK SHOW anthology. The events here take place a year after the Oddity Emporium's encounter with Repairman Jack in ALL THE RAGE, with an extra ten-thousand words of new characters and new subplots that weave the story into the Adversary Cycle.Description:"It will be a long trip, brothers and sisters," Oz said as he walked among the members of his troupe. "Long in distance and in days."And perhaps it is good that we make a full circuit of this country - better yet if we could make a circuit of the globe - for it will allow us a chance to see it and remember it as it was - if we care to."He let his gaze range over them as he allowed the words to sink in.All the important ones were here. The special ones, the ones like him. Three-eyed Carmella sat with melon-headed Leshane Burns, flashing sidelong glances at George Swenson who sat alone; the bovine Clementine also sat alone, but not necessarily by choice; woody-skinned Bramble sat near green-skinned Haman who appeared to be staring at the closed tent flap while the eyeless Gerald Gaines stared at nothing yet saw everything; Delta Reid coiled around her chair as Janusch waved his stalked eyes. Others sat scattered about. The troupe had no unity yet. They were not yet a team. But by the end of this tour they would be. They'd be family. The troupe. The freak show. People with green skin, white skin, furry skin, reptile hide, no eyes, extra eyes, no digits, extra digits, people with visions, with no vision, with one face, with two faces. A gathering to give many a towner nightmares for life. But to Oz they were beautiful. Because they were kin. Brother and sister were not forms of address he took lightly. Truly kin. For they shared a common parent, a third parent that had left an indelible imprint on their genes.The Otherness. Each had been touched by the Otherness.And so begins a hunt . . . for the pieces of a Device, a Contraption, a Thing-a-ma-jig. Call it what you will, it has power . . . it straddles the worlds - the one we know and another we cannot see.

    At the start of another pitiless winter, wolves have taken three children from the remote Alaskan village of Keelut, including the six-year-old son of Medora and Vernon Slone. Wolf expert Russell Core is called in to investigate these killings and discovers an unholy truth harbored by Medora before she disappears. When her husband returns home to discover his boy dead and his wife missing, he begins a maniacal pursuit that cuts a bloody swath across the frozen landscape. With the help of a local police detective, Core attempts to find Medora before her husband does, setting in motion a deadly chain of events in this “chilling, mysterious, and completely engaging novel” (Tim O’Brien) that marks the arrival of a major American writer.

    In the face of his impending institutionalization, he continually reinvents himself to escape the legal and mental health authorities and to save himself from a life of incarceration. But running turns out to be costly. Vincent's clients in the L.A. underworld lose patience, the hospital evaluator may not be fooled by his story, and the only person in as much danger as himself is the woman who knows his real name.

    I’ve put through a refund to your credit card for the full amount, minus $200 to replace the sheets. I couldn’t get the stain out despite professional laundering and bleaching. . .MirandaAll Dawn wanted was to stay in a beautiful beach house with her husband, to live like money’s no object, for just one long weekend. Then Miranda, the home’s owner, has to send an e-mail like this, full of lies and the suggestion that Dawn’s so dirty, she needs to throw out her sheets. Someone needs to teach Miranda a lesson.Beware of your "host"I wouldn’t leave a review on Getaway.com at all, if I didn’t feel it was my civic duty to warn others . . .DawnMiranda cannot believe her eyes. Yes, she may be a doctor’s wife, but she needs the rental money from the beach house desperately. Someone needs to teach this Dawn a lesson.Two very different women with one thing in common: Each one knows she’s right, and each is determined to win this battle of words and wills and (eventually) worse. Neither will yield, not before they’ve dredged up hidden secrets, old hurts, and painful truths that threaten to shatter the foundations of their lives.Because it’s never really just about the sheets, is it?This is not over.This is so not over.

    Several days later, Alison’s body is found in a remote spot on a nearby cay, and two local men – employees at the resort - are arrested. But the evidence is slim, the timeline against it, and the men are soon released. The story turns into national tabloid news, a lurid mystery that will go unsolved. For Claire and her parents, there is only the return home to broken lives.Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with Clive Richardson, one of the men originally suspected of murdering her sister. It is a moment that sets Claire on an obsessive pursuit of the truth - not only to find out what happened the night of Alison’s death but also to answer the elusive question: Who exactly was her sister? At seven, Claire had been barely old enough to know her: a beautiful, changeable, provocative girl of eighteen at a turbulent moment of identity formation.As Claire doggedly shadows Clive, hoping to gain his trust, waiting for the slip that will reveal the truth, an unlikely attachment develops between them, two people whose lives were forever marked by the same tragedy.

    Leave me alone or I will shoot you dead!" 1924. After six months in Hollywood, young British widow Emma Blackstone has come to love her new employer, glamourous movie-star Kitty Flint - even if her late husband's sister is one of the worst actresses she's ever seen. Looking after Kitty and her three adorable Pekinese dogs isn't work Emma dreamed of, but Kitty rescued her when she was all alone in the world. Now, the worst thing academically-minded Emma has to worry about is the shocking historical inaccuracies of the films Kitty stars in.Until, that is, Rex Festraw - Kitty's first husband, to whom she may or may not still be married - turns up dead in her dressing room, a threatening letter seemingly from Kitty in his pocket.Emma's certain her flighty but kind-hearted sister-in-law has been framed. But who by? And why? From spiteful rivals to jealous boyfriends, the suspects are numerous. But as Emma investigates, she begins to untangle a deadly plot - and there's something Kitty's not telling her . . .This gripping first in a brand-new series from NYT-bestselling author Barbara Hambly brings the sights and sounds of Hollywood to life and is a perfect pick for fans of female-fronted historical mysteries set in the roaring twenties.

    She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they're not alone after all.There's something in the woods that wasn't there before, something that makes strange cries in the night, something with sharp teeth and claws.When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.

    . . Eve Singer needs death. With her career as a TV crime reporter flagging, she’ll do anything to satisfy her ghoulish audience.The killer needs death too. He even advertises his macabre public performances, where he hopes to show the whole world the beauty of dying.When he contacts Eve, she welcomes the chance to be first with the news from every gory scene. Until she realizes that the killer has two obsessions.One is public murder. And the other one is her . . .

    Old money, old ties, old secrets. Marcie may have married into this world — but she’ll never be part of it.SOMETHING NEWThen Jason’s boss brings back a new wife from his trip to London. Young, attractive, reckless — nobody can take their eyes off Keisha. Including Marcie’s husband.SOMETHING YOU CAN NEVER, EVER UNDO…Some people would kill for the life Marcie has—what will she do to keep it?

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.