Chronicling his abusive childhood, his near-fatal addiction to Life, his excruciating time in rehab, and the ultimate triumph of his true nature, this long-awaited autobiography finally reveals the inner story of one of the most troubling, and troubled, figures in history. For the first time, Death reveals his affairs with the living, his maltreatment at the hands of the Four Horsemen of the Apocalypse, the ungodly truth behind the infamous “Jesus Incident,” and the loneliness of being the End of All Things. Intense, unpredictable, and instantly engaging, Death: A Life is not only a story of triumph against all odds, but also a tender, moving tale of unconditional love in a universe that, despite its profound flaws, gave Death the fiery determination to carve out a successful existence on his own terms. DEATH was born in Hell, the only son of Satan and Sin. He was educated in the Palace of Pandemonium and the Garden of Eden. Since before the Dawn of Time, he has ushered souls into the darkness of eternity. This is his first book.

    Arthur is raised in an enchanted world of smoke and mirrors where the only unshifting truth is his father’s and his beloved twin sister’s deep and abiding love for the works of William Shakespeare—a love so pervasive that Arthur becomes a writer in a misguided bid for their approval and affection.Years later, Arthur’s father, imprisoned for decades and nearing the end of his life, shares with Arthur a treasure he’s kept secret for half a century: a previously unknown play by Shakespeare, titled The Tragedy of Arthur. But Arthur and his sister also inherit their father’s mission: to see the play published and acknowledged as the Bard’s last great gift to humanity. . . .Unless it’s their father’s last great con.By turns hilarious and haunting, this virtuosic novel—which includes Shakespeare’s (?) lost King Arthur play in its five-act entirety—captures the very essence of romantic and familial love and betrayal. The Tragedy of Arthur explores the tension between storytelling and truth-telling, the thirst for originality in all our lives, and the act of literary mythmaking, both now and four centuries ago, as the two Arthurs—Arthur the novelist and Arthur the ancient king—play out their individual but strangely intertwined fates.A New York Times Notable Book • A New Yorker Reviewers’ Favorite of the Year • A Wall Street Journal Best Novel of the Year • A San Francisco Chronicle Best Book of the Year • A Chicago Tribune Favorite Book of the Year • A Library Journal Top Ten Book of the Year • A Kirkus Reviews Best Book of the Year • One of Salon’s five best novels of the year

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    Wrapped in a spiritual atmosphere that expresses the yearnings of Kerouac to find himself, "Tristessa", translated by Jorge García- Robles, a specialist in the beat generation, is the story of the strange loving relationship that the author had with Esperanza, as well as the significant description of the atmosphere that surrounded it, which depicts some key places of Mexico City back then.Hero of the beat generation, the creator of a model of life that would be followed by thousands of young people in the entire world, a sui generis mystic, "Tristessa", which until recently was not known in Spanish and that was published in English, is one of his fresher and better achieved works. Tristessa es el nombre con el que Kerouac bautizó a Esperanza Villanueva, una joven mexicana católica, prostituta y adicta a ciertas drogas, de quien se enamoró durante una de sus estancias en México, país que visitaba con frecuencia, a mediados de los años cincuenta. Tristessa, en la traducción de Jorge García- Robles, especialista en la generación beat, es el relato de la extraña relación amorosa que tuvo con Esperanza, así como la significativa descripción del ambiente que la rodeaba, en la que aparecen retratos de algunos lugares clave de la Ciudad de México: Plaza Garibaldi, Niño Perdido, la colonia Roma. Escritor «al rojo vivo», como lo calificó Henry Miller, héroe de la generación beat, creador de un modelo de vida que seguirían miles de jóvenes en todo el mundo, místico sui géneris, Tristessa, que hasta hace poco no se conocía en español y que se publicó en inglés apenas hace diez años, es una de sus obras más frescas y mejor logradas.

    Although frightened, eighteen-year-old Betsy Russell (an ancestor to actor Kurt Russell) of Menotomy Village, Massachusetts, wants to be prepared in case of attack by British troops. Her father, prosperous farmer Jason, is the fourth generation of Russells on this land yet their very rights as British Colonials are being stripped away one by one. Will the King of England take their land as well? Tensions are growing here in the countryside west of Boston and the outbreak of battle seems a certainty. Jason desperately wants to protect his family his wife, children and grandchildren and their future. Betsy makes every attempt to be prepared for the worst. But not even the American militia could have predicted the bloody massacre that was about to occur right on the Russells' doorstep. If Betsy loses everything she holds dear, are the rights of all the Colonists endangered? Fields of the Fatherless is based on a true story.

    Fans of Wives of War, Lisa Wingate and Diney Costeloe will lose their hearts to this stunning World War Two novel. 1929: Four-year-old Etty and eight-year-old Dorothy are abandoned at Blakely Hall orphanage by their mother, never to see her again. With no other family to speak of, the sisters worship their beloved mam – confused and heartbroken to be deserted by her when they need her the most. 1940: Etty and Dorothy are finally released from the confines of Blakely Hall – but their freedom comes when the country is in the grip of World War Two and its terrors. Amidst a devastating backdrop of screaming air-raid sirens and cold nights huddled in shelters, the sisters are desperate to put their broken childhoods behind them. But trouble lies ahead. Dorothy must bid goodbye to her beloved husband when he’s sent to war and Etty must nurse a broken heart as she falls in love with the one man she can never be with. Etty and Dorothy survived the orphanage with the help of one another and neither sister can forget the awful betrayal of their mother, which has haunted them their whole lives. But when a shocking secret about their painful childhood comes to light, will the sisters ever be the same again?

    Then, at eighteen, a tragic accident destroyed her riding career and Harry, the beautiful horse she cherished. Now, twenty years later, Annemarie is coming home to her dying father's New Hampshire horse farm. Jobless and abandoned, she is bringing her troubled teenage daughter to this place of pain and memory, where ghosts of an unresolved youth still haunt the fields and stables—and where hope lives in the eyes of the handsome, gentle veterinarian Annemarie loved as a girl . . . and in the seductive allure of a trainer with a magic touch. But everything will change yet again with one glimpse of a white striped gelding startlingly similar to the one Annemarie lost in another lifetime. And an obsession is born that could shatter her fragile world.

    But everything he writes has something to do with smoking; X20 (the title refers to the number of cigarettes in a pack) is the result -- a crisp, funny, and devastatingly stylish debut from an extraordinary new talent.In the first throes of withdrawal, Simpson writes in tense fits and starts, obsessing over lost loves and how cigarettes both blessed and doomed these relationships. As his ability to concentrate without cigarettes improves day-by-day, he reexamines his friendship with Dr. Barclay, a scientist forever on the verge of developing a safe cigarette, and with Julian Carr, an old friend and now a flack for a cigarette company.In Thank You for Smoking, Christopher Buckley gave us the tobacco company flacks. In Cigarettes Are Sublime, Robert Klein took on the actual cigarettes. In X20, Richard Beard presents the smoker himself, facing the same dilemma millions of smoking and ex-smoking Americans face every day: Gregory's life has been shaped by, even built from, his relationship with cigarettes. What, without them, now?

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    From the moment Ian Emerson checks in, it’s clear he’s not going to be just another guest. She’d given up on ever finding love, but suddenly she’s longing for things she’s never wanted before.Ian’s kids are busy young adults and he's looking forward to spending quality time with them, so he books a week-long snowmobile trip in Maine before they head off to their mom's for Christmas. But when the beautiful woman checking them in sets his blood on fire, he knows this vacation is going to be more than he’d bargained for.There’s no denying the chemistry between them and as the clock ticks toward his checkout time, neither wants to say goodbye. Are they caught up in the holiday spirit, or is it love at first sight?Spend your holidays at the Northern Star Lodge in this standalone Christmas novella set in the world of the reader-favorite Kowalski Family series from New York Times Bestselling Author Shannon Stacey.

    So busy that she leaves little time for memories of her lost twin, Moira; her fractured family in Castine, Maine; and the music she left behind in the wake of tragedy nine years ago.Until a childhood relic and a series of anonymous notes resurrects her dreams, a lost language, and her most painful recollections; and prompts her to cross an ocean in search of ancient history. There, Maeve will learn new truths about her past, and come face to face with the one thing she truly fears. Only then can she choose between the safe life she's built for herself and one of risk, with bonds she knows can be both wrenchingly delicate and more enduring than time.

    Damon Flood was a scoundrel--a smooth, smilling, cynical devil, as devious and corrupt as Raphael was open and innocent. The day Raphael met Damon was the day he began his mysterious fall from grace. And the golden boy fell very fast and very far....

    He was born in an isolated home surrounded by a deep forest, never known to his father, kept secret from everyone but his mother, who barely accepts him. She is haunted by private demons and keeps many secrets—none of which she dreads more than the young son who adores her.   Only in the woods, among the wildlife, is Addison truly welcome. Only there can he be at peace. Until the day he first knows terror, the day when his life changes radically and forever . .

    When the firm of Meadows, Meade & Grindley hires Dougal Douglas (a.k.a. Douglas Dougal) to do "human research" into the private lives of its workforce, they are in no way prepared for the mayhem, mutiny, and murder he will stir up. "Not only funny but startlingly original," declared The Washington Post, "the legendary character of Dougal Douglas...may not have been boasting when he referred so blithely to his association with the devil." In fact this Music Man of the thoroughly modern corporation changes the lives of all the eccentric characters he meets, from Miss Merle Coverdale, head of the typing pool, to V.R. Druce, unsuspecting Managing Director.