A nurse who steps inside a church to light them. A gunshot emptied in a man’s head in the creaking stillness before dawn, that the nurse says she didn’t hear. It’s 1947 in the snowbound, war-scarred City of London, where Pandora’s Box just got opened in the ruins, City Police has a vice killing on its hands, and a spooked councilor hires a shamus to help spare his blushes. Like the Buddha says, everything is connected. So it all can be explained. But that’s a little cryptic when you happen to be the shamus, and you’re standing over a corpse.

    To Dusty it's the chance she's been looking for: a spectacular case to revive her flagging career.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    A wartime promise. A quest for the truth. Heather Morris meets Jane Harper in a gripping, page-turning mystery.No matter how far you run, the past will always find you.Juliet's elderly grandparents are killed in their Adelaide home. Who would commit such a heinous crime - and why? The only clue is her grandfather Karl's missing signet ring.When Juliet's estranged sister, Lily, returns in fear for her life, Juliet suspects something far more sinister than a simple break-in gone wrong. Before Juliet can get any answers, Lily vanishes once more.Juliet only knew Karl Weiss as a loving grandfather, a German soldier who emigrated to Australia to build a new life. What was he hiding that could have led to his murder? While attempting to find out, Juliet uncovers some disturbing secrets from WWII that will put both her and her sister's lives in danger ...Gripping. Tense. Mysterious. Inheritance of Secrets links the crimes of the present to the secrets of the past and asks how far would you go to keep a promise?'The perfect combination of great historical fiction and a thriller ... highly recommend' Better Reading'Captures the imagination from the first page' SA Weekend'A tense compelling read; think Jane Harper's The Dry meets Heather Morris's The Tattooist of Auschwitz ... fast-paced story-telling with plenty of heart-stopping moments. If you want to lose yourself for several hours, this is a wonderful book to do it in.' Nadia L King'A layered family drama of mysteries and long held loyalties' The Blurb

    He should know. Hazel's father is Jack Nash, the host of America's favorite conspiracy TV show, The House of Secrets.Even as a child, she loved hearing her dad's tall tales, especially the one about a leather book belonging to Benedict Arnold that was hidden in a corpse.Now, years later, Hazel wakes up in the hospital and remembers nothing, not even her own name. She's told she's been in a car accident that killed her father and injured her brother. But she can't remember any of it because of her own traumatic brain injury. Then a man from the FBI shows up, asking questions about her dad - and about his connection to the corpse of a man found with an object stuffed into his chest: a priceless book that belonged to Benedict Arnold.Back at her house, Hazel finds guns that she doesn't remember owning. On her forehead she sees scars from fights she can't recall. Most important, the more Hazel digs, the less she likes the person she seems to have been.Trying to put together the puzzle pieces of her past and present, Hazel Nash needs to figure out who killed this man - and how the book wound up in his chest. The answer will tell her the truth about her father, what he was really doing for the government - and who Hazel really is.Mysteries need to be solved. Especially the ones about yourself.

    However, a week later, Adam vanishes, leaving their baby daughter on the doorstep. The following year, Grace returns to the tiny village of Roseby. She is desperate for answers, but it seems the slumbering village is unwilling to give up its secrets. As Grace learns more about the locals and the area’s superstitions and folklore, strange dreams begin to trouble her. Are the villagers hiding something, or is she becoming increasingly paranoid? Only as snowfall threatens to cut them off from the rest of the world does Grace begin to understand how close the threat lies, and that she and her daughter may be in terrible danger if she cannot get them away in time. Praise for Beneath the Shadows 'Something for everyone: mystery, romance and mortal danger' Kirkus Reviews 'Sara Foster overtly appropriates the tone, atmosphere and themes of classics from Wuthering Heights to Rebecca, delivering a modern gothic that has the charm and suspense of Susan Hill's ghost stories.'―Saturday Age 'Sara Foster slowly unravels the mystery in this highly engaging thriller… Secrets Grace uncovers in the cellar, not to mention the ghostly antics of the grandfather clock, further enhance this very readable novel's Gothic flavour' ―Canberra Times 'Loss, grief, abandonment, and search for truth are dark themes woven through Beneath the Shadows. Combining elements of mystery, psychological thriller, romance, and ghost story, the novel leaves readers guessing until the very end.―West Australian 'As winter snows start to cut them off from the world, Grace finds the answers lie in unsuspected places. Heart-stopping moments are ahead for her… and us.” ―Women's Day “If you’ve ever fantasised about leaving all the chaos of the city behind and opting for a more peaceful existence in a small town, you might think again after reading Beneath the Shadows… Full of intrigue and wonderfully dark descriptions of ghosts that haunt the moors.―Good Reading Magazine

    As the Irish people prepare to welcome President John F. Kennedy to the land of his ancestors, a German national is murdered in a seaside guesthouse. Lieutenant Albert Ryan, Directorate of Intelligence, is ordered to investigate. The German is the third foreigner to die within a few days, and Minister for Justice Charles Haughey wants the killing to end lest a shameful secret be exposed: the dead men were all Nazis granted asylum by the Irish government in the years following World War II.A note from the killers is found on the dead German's corpse, addressed to Colonel Otto Skorzeny, Hitler's favorite commando, once called the most dangerous man in Europe. The note simply says: "We are coming for you."As Albert Ryan digs deeper into the case he discovers a network of former Nazis and collaborators, all presided over by Skorzeny from his country estate outside Dublin. When Ryan closes in on the killers, his loyalty is torn between country and conscience. Why must he protect the very people he fought against twenty years before? Ryan learns that Skorzeny might be a dangerous ally, but he is a deadly enemy.

    Moments later, two bodies are found in a nearby church, each with a gruesome calling card from their killer. Detective Nic Costa is one of the first on the scene. A cop who barely looks his twenty-seven years, Nic soon meets a woman who will dominate both his thoughts—and his investigation. A cool, beautiful professor of early Christianity, Sara Farnese was in the Vatican Library on that fateful day, a witness to her colleague’s outburst and grotesque death. And as more bodies are found, her role becomes even more baffling…because each victim had intimately known Sara, a woman whose history becomes more lurid and unfathomable with each revelation. Until the case takes a sudden, strange turn—and the secrets of a woman, a killer, and a city begin to unravel…with devastating consequences….

    Not after he hit his wife and ended up in gaol. A lifetime of careful parental love wiped out in a moment.But when retired teacher Vernon hears that Caleb is being regularly visited and savagely bashed by a local criminal as the police stand by, he knows he has to act. What has his life been as a father if he turns his back on his son in his hour of desperate need? He realises with shame that he has failed Caleb. But no longer.The father of the man bashing Caleb is head of a violent crime family. The town lives in fear of him but Vernon is determined to fix things in a civilised way, father to father. If he shows respect, he reasons, it will be reciprocated. But how wrong he is. And what hell has he brought down on his family?Reading like a morality tale Western but in a starkly beautiful Australian setting, Snake Island is a propulsive literary thriller written with great clarity and power. It will take you to the edge and keep you there long after the final page is turned.

    An elderly couple commit suicide on the terrace of their favorite café. An unidentified white male is stabbed to death in the street.For Sydney homicide detective Harry Belltree, not long out of the military and a grueling tour of Afghanistan, these three deaths appear to be just another day at the office. Until, that is, he identifies the stabbing victim as his own brother-in-law Greg, and journalist Kelly Pool suggests there's a link between the three incidents. It seems Greg and the old couple had ties to the same man, a corrupt money man with a murky past and friends in both high places and low.Harry Belltree can't get officially involved in Greg's murder, but he's not going to leave it in the hands of others. That's when he goes off-grid to investigate the links between these deaths. That's when things start to get dangerous.

    An impossible crime. A murderer on the loose.A body is discovered deep in a cave beneath the Yorkshire Dales. Leading the investigation into the mysterious death are experienced DCI Jim Oldroyd and his partner DS Carter, a newcomer from London.The deceased is Dave Atkins, well known throughout the village but not well liked. While there is no shortage of suspects, the details of the crime leave Oldroyd and Carter stumped. How did Atkins’s body end up in such a remote section of the cave? When someone with vital information turns up dead, it becomes clear that whoever is behind the murders will stop at nothing to conceal their tracks.Oldroyd and his team try to uncover the truth, but every answer unearths a new set of questions. And as secrets and lies are exposed within the close-knit community, the mystery becomes deeper, darker and more complex than the caves below. Revised edition: Previously published as The Body in Jingling Pot, this edition of The Body in the Dales includes editorial revisions.

    From a stunning new literary talent, you won't be able to put down this novel about a mother's love for her children - it will break your heart.'With visceral prose and a tense narrative arc that unfolds over just three days, speeding towards a dramatic conclusion .... Sheerwater is a propulsive read with an acute emotional core ... likely to hold appeal for readers of both literary and crime fiction, and fans of writers such as Emily Maguire, Emma Viskic and Sofie Laguna.' Bookseller + PublisherAva and her two young sons, Max and Teddy, are driving to their new home in Sheerwater, hopeful of making a fresh start in a new town, although Ava can't help but keep looking over her shoulder. They're almost at their destination when they witness a shocking accident - a light plane crashing in the field next to the road. Ava stops to help, but when she gets back to the car, she realises that somehow, among the smoke, fire and confusion, her sons have gone missing ...From a substantial new Australian writing talent, Sheerwater is tense, emotional, unforgettable. Perfect for readers of Mark Brandi's Wimmera and Stephanie Bishop's The Other Side of the World, this is a beautifully written, propulsive, gut-wrenching and unputdownable novel - an aching, powerful story of the heroic acts we are capable of in the name of love.'Sheerwater is that rare gift of a book that balances gorgeous, glittering language with breathless pace. Leah Swann writes with devastating honesty ... This is an extraordinary novel - I tore through it, captivated by the imagery and the setting, desperately hoping for a happy ending.' Rebecca Starford, author of Bad Behavior'Heart-in-mouth story ... Swann's language is sinewy and pointed; the book is trim and every sentence is necessary...a complex and horribly believable story with tremendous flair.' The Age'Sheerwater is a haunting story built on conflict. Freedom and control, tenderness and violence, hope and fear, love and hate. It shows the strength of a mother's love and the yearning for something more ... This novel is full of beautifully gripping prose and deeply powerful emotions told through sublime pacing. I found it triggered a peculiar mix of wanting to dwell in the darkly emotive prose while needing to urgently push through it to find resolution. It will be one of those books that lingers in your mind, the memory of which may even be mistaken for a story read in the news.' Booktopia'Sheerwater is compelling reading ... There is an urgency in the writing that makes you read on because you must know what the conclusion is - no matter which way it goes ... This is an extraordinary literary debut; the writing is beautifully evocative and the intertwining narratives of the main characters seamless. It's tender, it's suspenseful and you'll be wanting to see so much more from Leah Swann - I ignored everything for a day to rip through the pages and loved every minute of it.' Better Reading

    And safer. But soon her crime-writer ex-boyfriend turns up in town to promote his new novel, in which a woman is found dead — murdered — in a country lake. Hours later, Brigitte watches the police pull a body from the water near her Gippsland home.Her husband, a country cop now, is at the scene, though it’s not his investigation; he’s only helping the Melbourne Homicide Squad. But there’s something he’s not telling Brigitte.With her personal life spiralling out of control once more, and fearing her family is in danger, who can Brigitte turn to? And what if she makes the wrong choice?'Dead in the Water' is about trying to escape the cycle of trauma. It delves into the darkness beneath the surface of fear, betrayal, and revenge, to find a glimmer of hope.

    Now, in 1979, she returns to the past with the story of Allie Burns, an investigative journalist whose stories lead her into world a corruption, terror, and murder.She's on the hunt for a killer story . . .1979. It's the winter of discontent, and Allie Burns is chasing her first big scoop. One of few women in the newsroom, she needs something explosive for the boys' club to take her seriously.Soon Allie and fellow reporter Danny Sullivan are making powerful enemies with their investigations - and Allie won't stop there. When she discovers a terrorist threat close to home, she devises a dangerous plan to make her name.But Allie is a woman in a man's world . . . and putting a foot wrong could be fatal.The first novel in McDermid's newest series, 1979 is an atmospheric journey into the past with intriguing insight into the present, and the latest addition to McDermid's crime pantheon.