In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

     FREE FALL: A Troubleshooters Short Story. What should be an easy HAHO training jump for SEAL Team Sixteen goes wrong, forcing Navy SEAL Izzy Zanella to do what he does best: Improvise. At thirty thousand feet. (About 12,000 words or 50 pages) HOME FIRE INFERNO: A Troubleshooters Short Story. Navy SEAL Dan Gillman's wife, Jenn, goes into early labor while stranded in the California desert, as he, Izzy Zanella, and most of Team Sixteen are mission ready, overseas. Meanwhile, left behind with a recent knee injury and faced with impending surgery and rehab, Chief Jay Lopez decides that the timing might be exactly right for a romantic interlude with a pretty fifth grade teacher . . . Hijinks definitely ensue. (12,000 words or about 50 pages) Free Fall and Home Fire Inferno are the first and second stories in a connected trilogy of Troubleshooters shorts and novellas that concludes with Ready to Roll.

    

    Dick's tales of twisted perceptions and false realities have shaped modern SF and provided the inspiration for numerous blockbuster movies.'For everyone lost in the endlessly multiplicating realities of the modern world, remember: Philip K. Dick got there first' TERRY GILLIAMIn The Three Stigmata of Palmer Eldritch mankind is offered a permanent shared illusory world when industrialist Eldritch introduces the alien drug Chew-Z.In Martian time-Slip Arnie Kott and his plumbing union control the entire water supply on Mars. But Arnie is poisoning the lives of everyone around him.Do Androids Dream of Electric Sheep?, Dick's grim vision of a bounty hunter stalking renegade replicants through a devastated future was made into the film Blade Runner.Ubik crosses the boundaries of life, death and reality with the story of Glen Runciter. He is dead. Or is he? As reality warps for those he left behind nothing is certain anymore.A Scanner Darkly is, perhaps uncharacteristically for Dick, about the dangers of drug use, drawing a future plagued by an almost hallucinatory level of drug-induced violence.Philip K. Dick (1928-82), was born one of twins; his sister died in infancy. He lived most of his life in California and wrote more than fifty books in a career of prodigious productivity and achievement. The films Blade Runner, Total Recall, Minority Report and Paycheck are all based on his stories.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Life has had a pleasant predictability to it for Lizzy. That is until a tall, black-haired, dark eyed man shows up in a black sports car, touches her hand and leaves a burn mark. His name is Gerwulf Grimoire, also known as Wulf. And he wants what Lizzy has: knowledge. Almost simultaneously comes another man, a different man, but this one just as dangerous in his own way. His name is Diesel. And he wants several things Lizzy has, only one of them being knowledge. Unbeknownst to Lizzy, she has the ability to find "empowered objects." Turns out, a collection of stones that represent the seven deadly sins have made their way to Marblehead. Nothing bad can happen if the stones are all separated. But if they are grouped together, they have the power to unleash hell on earth. Wulf wants them. Diesel wants to stop him. And Lizzy is the key to all of it. Can Lizzy stay one step ahead of two men who both want her…both body and soul? Can she juggle her job at Dazzle's bakery and still get the muffins out in time every morning? Can she stop the end of the world from occurring? For Elizabeth Tucker, cupcakes, 4 a.m. alarm clock settings, and Armageddon are all in a day's work….

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    First published in 1937.

    In Nishkriti (Deliverance), the strong-willed Shailaja, the youngest daughter-in-law in a joint family, is made an outcast as a result of a misunderstanding; much later, her elders realize their mistake, just in time to save the family from disintegration.

    Will Anderson, a flinty old rancher, has a huge herd of cattle ripe for market when his regular hands, inflamed by gold fever, desert him. In desperation, he hires the only "men" available for the perilous 400 mile drive - a pack of scraggly schoolboys. Through skill and harsh discipline, Wil Anderson whips them from greenhorns into seasoned cowhands. But before the long drive is over, the boys discover that the price they must pay for manhood is a terrible one- murder and revenge! the stunning, heartbreaking climax of this extraordinary story will surprise you - and perhaps even sock you.

    His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature.   Here, in two career-spanning volumes, are 186 unforgettable stories, from "Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to "The Full Glass” (2008), the author’s toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.

    Finn's Hotel is a luminous and often funny work, and it reveals Joyce's creative process during the transition between Ulysses and Finnegans Wake.

    Her first, "Make Someone Happy," did indeed make many people happy, and so, due to popular demand, she has put together a second volume, which includes “The Book of Homer,” a tribute to her beloved dog who recently died. "Still Happy," like "Make Someone Happy," exemplifies Berg’s gift, as the Boston Globe said, “in her ability to find the extraordinary in the ordinary, the remarkable in the everyday.”

    Defending this system is idealistic security officer Leo Demidov, a war hero who believes in the iron fist of the law. But when a murderer kills at will and Leo dares to investigate, the State's obedient servant finds himself demoted and exiled. Now, with only his wife at his side, Leo must fight to uncover shocking truths about a killer--and a country where "crime" doesn't exist.THE SECRET SPEECH:Soviet Union, 1956. It is a period of wrenching change. Stalin is dead, and a regime once held together by fear is beginning to fracture, creating a lawless society where the police have become the criminals and the criminals take vengeance against them. A series of murders now has all of Moscow on edge, and no one--no matter how powerful or connected--seems safe. With his new and secretive homicide department, Leo Demidov investigates--only to find that he, his wife, and his two adopted daughters may be in grave danger. For Leo is a former state security officer who arrested and condemned many of his fellow citizens, and despite all his efforts to atone for his past, he cannot escape the long shadow of his former career. To save his family, Leo must make a desperate choice and face an impossible journey that may bring his redemption...or shatter their fragile future.

    This is kind of literature which is the link between dastaan and novel. It was written almost 175 years ago but still found attractive and appreciated by critics. Although the language used is obsolete even then reader can find it interesting. There is brief vocabulary given at the end to help reader understand some old terms. Fasan e Ajaib had great influence on other books of its era and writers of that time tried to wrote books in its style. It was originally written in 1824 but published after 19 years in 1843 from Matba e Khusni Lakhnau.