Their idyllic, brief childhood together is short lived ending in hardship and heartbreak. Finding themselves alone in the world, both boys struggle to self-educate. Against the odds, Matthew Gray builds a global business empire and Luke Mbeki travels to England, in self-imposed exile, entangling himself in the anti-apartheid movement. With their paths crossing intermittently, it is only when Nelson Mandela is released from prison that Luke returns home continuing his fight for freedom alongside his comrades. Matt’s all-consuming business life continues but betrayal strikes. Leaving everything behind, he escapes to another world – an artist colony.This incredibly powerful and moving story tells how each man struggles to survive in a country deep in the throes of violent change, with friendship and families being torn apart. Matt and Luke's friendship is unimaginably tested so how does it survive in such terrifying and perilous times?

    In return, the Blood family dedicated their lives, and their deaths to the protection of the town of Thorne. For many years, the town of Thorne was nothing more than a picturesque New England village. But in modern day, the town is enjoying a boom in real estate development. To satisfy the developers with enough land, the town has decided to break the Blood Contract. And the Bloods are not pleased. Not at all. Now, as Autumn moves ever on towards winter, the Aldermen and the people of Thorne are going to learn that there is a price for ignorance. And it’s higher than they could have ever imagined. The Blood Contract Trilogy Contains: 1. The Blood Contract 2. The Old World 3. Ghost Town

    When she lost her father, Major Brian O’Mara, USMC in the Second Battle of Fallujah, she thought she’d taken the worst life had to give. She never imagined she would lose her mother to cancer, six years later. The life of a military child prepared her for the challenges of relocating, but for the first time, she’d be doing it alone. Where do you go when you’re the last man standing? The solution came to her when she received an email with a real estate listing in County Clare, Ireland. Having inherited her parents’ rental properties, she knew the value of a diamond in the rough. A secluded cottage in the land of her ancestors was just the fresh start she needed. What she wasn’t prepared for was another buyer, after the deal had been struck. As she becomes intertwined with the people, the music, and the spirit of the small town, she understands that she’s finally found somewhere to belong. Michael O’Brien and the entire O’Brien clan are a force to be reckoned with, but she will not allow them to take her new home. Michael O’Brien is a local hero and rescue swimmer for the Irish Coast Guard. He has lived in the small coastal village of Doolin, in County Clare, all of his life. Emerging from the ashes of a failed marriage, and living with his parents, is not where he expected to be at the age of twenty-nine. All he really wants is to buy the local Kelly cottage, fix it up, and live in peace. After two years on the market, he never imagined there would be a competing bidder. He certainly didn’t expect some little yank to swoop in to town, and try to buy it right out from under him. He finds himself drawn into an unlikely battle with a fiery, young American woman, neither of them willing to bend. But as her secrets unravel and the woman is revealed, will he be able to push her out of the cottage, the town, and out of his life?

    It is the second year of The Great Hunger and the young couple choose to remain in Ireland while family and friends are leaving. Their story takes place in the fishing village of Blackrock, near Dundalk, but the cities of Liverpool and Sunderland have a significant influence on their lives. Is their love for each other and their homeland enough to sustain them? Will they be forced to join the one and a half million who emigrate? This is the story of a young man's love for his wife and child as he struggles to provide for a family in one of the darkest periods of Ireland's history.

    Both male and female readers have acclaimed it as a witty, warm, and life-changing view of the world—"as if women mattered." Steinem's truly personal writing is here, from the humorous exposé "I Was a Playboy Bunny" to the moving tribute to her mother "Ruth's Song (Because She Could Not Sing It)" to prescient essays on female genital mutilation and the difference between erotica and pornography. The satirical and hilarious "If Men Could Menstruate" alone is worth the price of admission.This second edition features a new preface by the author and added notes on classic essays.

    Each suspects the other of killing a well-known courtesan; when they're forced to team up to prove their innocence, sparks fly. Jaffe is a Renaissance scholar, so she knows the era—and she knows the romance as well: this is timeless historical fiction, with the kind of luminous heat that shines from the romance shelves.

    It won Best Original Script in The Straits Times’ Life! Theatre Awards in 2006.“Jean’s adroit handling of themes, from the origins of genius to gene heritage and the tyranny of Time, makes Everything but the Brain one of the best things seen on stage here in a while.” —The Straits Times“One of the more thoughtfully constructed original shows to come out of Singapore in recent times.” —The Business Times

    Jerry’s Stahl’s perverse, yet often touching tales, many of which first appeared in publications ranging from Playboy to the Pushcart Prize to Best Erotic Fiction, plumb the depths of eccentric romance, sex-starved adolescence, mid-life crisis, and family dysfunction. From a teenager’s tryst with a recently widowed middle-aged woman on an airplane, to a dissatisfied dentist’s attempt to find freedom on the road with a much younger woman, all the way to an intensely erotic love affair between an ex-junkie and an ex-circus midget with a sexual obsession with vegetables, this collection never fails to arouse and surprise. With a disarmingly immediate prose style, Stahl finds great eroticism, humor, and humanity in the wildest of encounters.

    Kenyon's fourth collection is built around two perfectly orchestrated poem sequences. In the first, the speaker contrasts memories of her baby carriage with other images from her childhood, such as her parents' toiling away at low-paying jobs. She also recalls the present-day life of her aging, increasingly dependent mother. Melancholia, the subject of the second sequence and several poems surrounding it, has been played to death in modern poetry, but still Kenyon offers new insights and gives even the most depressing poems an uplifting lilt in their final lines. In her hands a list of the latest medications becomes fit material for poetry: "The coated ones smell sweet or have / no smell; the powdery ones smell / like the chemistry lab at school / that made me hold my breath." She writes, in addition to illness, of sleep, insomnia and death. She interacts with the insects, birds and flowers in her New Hampshire landscape, relying on their fragility to teach her of her own. Kenyon describes afterlife, or "the Other Side," with the same precise, hard-edged imagery that fills her other poems." from Publisher's Weekly

    Depression & Other Magic Tricks explores themes of mental health, love, and family. It is a documentation of struggle and triumph, a celebration of daily life and of living. Benaim's wit, empathy, and gift for language produce a work of endless wonder.

    A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings and a book with the text of the poetry, a bibliograohy, and commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review. "To hear a poem spoken in the voice of the person who wrote it is not only to witness the rising of words off the page and into the air, but to experience an aural reenactment of exactly what the poet must have heard, if only internally, during the act of composition. THE VOICE OF THE POET recordings deliver these pleasures as they broadcast the pitch and timbre of many of the major voices in twentieth-century poetry."--Billy Collins, U.S,. Poet Lauerate.