It exposes the reality of the dark, claustrophobic world of the Provisionals: the iron grip they hold over their communities; their ruthless and cynical disregard for human life; the single-minded professionalism of some IRA volunteers — and the rank incompetence of others. Raymond Gilmour learned the brutal facts of life in Northern Ireland at an early age. Beatings, murders and knee-cappings were common currency on the dead-end Derry estate where he grew up, and despite the omnipresence of British. soldiers no one was in any doubt about who really held the balance of power. Many young Catholics, with few options and fewer jobs open to them, joined the terrorists as volunteers. So, at the age of sixteen, did Ray Gilmour — but his recruitment had a vital and deadly difference: his brief to infiltrate the IRA, sabotage their activities, and report back to his Special Branch contact. So began nearly a decade of life in no-man's-land, an impossibly dangerous double life where every day brought with it a new and potentially terminal threat. Gilmour relates in gripping style the hazards of playing along with the shootings and bombings while secretly trying to subvert them; the constant fear of exposure, torture and execution by his IRA `comrades' — and the tension of wondering when he might out-live his usefulness and be sacrificed by the shadowy men from MI5. Incredibly, Gilmour not only avoided exposure and sacrifice, he also became one of the RUC's most valued agents, foiling countless terrorist attacks and helping the police seize huge quantities of arms and explosives. As one RUC source admitted: 'He kept Derry clean for us.' Gilmour's career as an agent came to an abrupt and spectacular end when he uncovered one of the IRAs most prized arms caches, forcing him and his family — who until then had known nothing of his double life. — to go on the run before the IRA's notorious Internal Affairs men caught up with them. But even escape has its penalties: Gilmour has not seen his wife and children for over twelve years, and he now lives in permanent exile, flitting from safe house to safe house under a sentence of death unrevoked by peace-tAs amnesties. Dead Ground is Gilmour's story: a narrative of heart-stopping tension and unrelenting human drama which makes a mockery of fictionalised accounts of terrorism in Northern Ireland.

    That first trip to America’s last frontier convinced him he would one day call the state home. With heartfelt honesty and inspirational enthusiasm, Maranville here tells the story of his transition from living within the contiguous forty-eight states to homesteading north of the Arctic Circle. After serving in the US Army in Vietnam as an aircraft mechanic, he decided to file for the grant of a homesite in the Alaskan wilds. Once he’d staked the land, he faced the challenge of fulfilling the five-year land-improvement requirements prescribed by the Homestead Act. While earning his homestead, he encountered new opportunities, amazing adventures—and frightening hazards. Working as a helicopter mechanic, he soon partnered with a helicopter pilot and they began the farthest North helicopter company, Sunshine Helicopters, out of Circle City, Alaska along the Yukon River. He built his family a log cabin in the wilderness along the picturesque banks of the Ambler River, where they confronted bears, extreme cold, dangerous working conditions, and rugged landscape—and survived a devastating flood. Yet the difficulties were worth it. At last, Maranville received one of the final patents granted under the Homestead Act before the act was discontinued.

     As a young boy, the tales of Daniel Boone, Jim Bowie, and the stories of the Mountain Men who roamed the great Rocky Mountains in search of beaver struck a chord deep down inside that he could neither understand nor explain. They did, however, produce in him a strong desire to experience such a life for himself. In the following years, almost every decision he made was in accordance with an "inner compass" which pointed steadily to the Northwest. "To go into the wilderness, build a strong and warm log cabin with my own two hands, and hunt for my food. Trap fur-bearing animals to sell to the fur buyers for money to buy the things I couldn't produce myself, get my water from the creek, cut the firewood I would need to cook my food and to keep me warm through the long cold winters of the 'North Country,' could I do something like that?" This is his story

    She was determined to find a better life for herself, away from the oppression and isolation of her Satmar upbringing in Williamsburg, Brooklyn. And in Exodus, Revisited she delves into what happened next--taking the reader on a journey that starts with her beginning life anew as a single mother, a religious refugee, and an independent woman in search of a place and a community where she can belong. Originally published in 2014, Deborah has now revisited and significantly expanded her story, and the result is greater insight into her quest to discover herself and the true meaning of home. Travels that start with making her way in New York expand into an exploration of America and eventually lead to trips across Europe to retrace her grandmother's life during the Holocaust, before she finds a landing place in the unlikeliest of cities. Exodus, Revisited is a deeply moving examination of the nature of memory and generational trauma, and of reconciliation with both yourself and the world.

     When Colin Coyne, a young American filmmaker seeking aesthetic inspiration in Ireland, catches a pickpocket red-handed in a hotel pub, all it takes is one look into her dazzling eyes for him to fall hard. Purely for the sake of research -- or so he tells himself -- he hurtles headlong into the bewitching world of Gina Furey, a stunningly beautiful, iron-willed denizen of Dublin's gypsy criminal underground. Before he knows what's happening, he finds himself a star player in a Pygmalion-like relationship rich with dramatic film possibilities: the earnest Yankee auteur woos and wins the dangerous gypsy thief. But the tenuous lines separating art and reality soon dissolve and the neatly linear screenplay unfolding inside Colin's head is eclipsed by the brutal chaos and unpredictability of true life. By turns devastating and hopeful, bittersweet and hilarious, Fork in The Road is both a tragic love story and the riveting drama of one man's heartbreaking journey from exhilaration to desolation.

    The poems also address gender inequality and our inharmonious relationship with the natural world. A poem on Lilian Bland – the first woman to design, build and fly her own aeroplane – celebrates the audacity and ingenuity of a great Irish heroine. Elsewhere, explorers in Greenland set foot on a fjord system accessible to Europeans for the first time in millennia as a result of global warming. But if life is fragile then its traces are persistent, insistent, and in ‘Articulation’ we are invited to stop and wonder at the reconstructed skeleton of Napoleon’s horse, Marengo, ‘whose very hooves trod mud at Austerlitz’, suspended in time ‘for however long he lasts before he crumbles’.

    

    Third part of trilogy documenting modern-day Northern Ireland, by the author of Provos and Loyalists

    A tour that began to support the hugely  successful Achtung Baby record and ended with a  second, even more successful record, Zooropa, took U2  to the far reaches of the world, playing to over a  hundred sold-out arenas in over forty  cities.U2 at the End of the World  takes you on the world tour and drops you off at  the cultural intersection where rock stars meet  politicians; where writers, directors, and models all  wind up backstage with U2. You're there when the  band meets Bill Clinton in a Chicago hotel room;  when Salman Rushdie comes out of hiding to join the  band onstage at Wembley Arena in London; when  Frank Sinatra and Bono record their famous duet,  "I've Got You Under My Skin." And finally,  when the band performs their last Zoo TV concert in  Tokyo in 1993 and nearly collapses from physical  and mental exhaustion, you are there with them  waiting for the end of the world. Augmented with  sleek photos by renowned photographer Anton Corbijn, U2 at the End of the World is the  most definitive book on the band to  date.

     The first three thrillers from million copy bestseller Patricia Gibney, introducing you to maverick Detective Lottie Parker. The Missing Ones: The hole they dug was not deep. A white flour bag encased the little body. Three small faces watched from the window, eyes black with terror. The child in the middle spoke without turning his head. ‘I wonder which one of us will be next?’ When a woman’s body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. The trail leads Lottie to St Angela’s, a former children’s home, with a dark connection to her own family history. Suddenly the case just got personal. As Lottie begins to link the current victims to unsolved murders decades old, two teenage boys go missing. She must close in on the killer before they strike again, but in doing so is she putting her own children in terrifying danger? Lottie is about to come face to face with a twisted soul who has a very warped idea of justice. The Stolen Girls: The young woman standing on Lottie’s step was a stranger. She was clutching the hand of a young boy. ‘Help me,’ she said to Lottie. ‘Please help me.’ One Monday morning, the body of a young pregnant woman is found. The same day, a mother and her son visit the house of Detective Lottie Parker, begging for help to find a lost friend. Could this be the same girl? When two more girls are found dead, Lottie is forced to put the demons of her own past aside to catch a very clever killer before they claim another victim … The Lost Child: ‘Let me out! Please…’ My tiny fists pound the door, but my voice reverberates off the stone walls and hangs in the air as if suspended by spider’s webs. No one comes... Years later, a woman is found face-down in a pool of blood. Detective Lottie Parker is called to the remote farmhouse in the bleak Irish countryside. A black rain jacket makes Lottie think she knows the killer’s identity, but then she finds a disturbing clue: is the murder linked to an old case at St Declan’s asylum? A case investigated by her own father, just before he took his life. When another victim is left for dead, and a young girl goes missing, Lottie knows she has to act fast. Can she uncover the truth before another life is taken? This gripping series will have you up in the small hours turning the pages. Fans of Karin Slaughter, Rachel Caine and Rachel Abbott will love the Detective Lottie Parker Series. Read what everyone is saying about the Detective Lottie Parker books: ‘OMG it is a cracking book!! … Patricia Gibney is my favourite author at the moment and my best find of the year – this book was fantastic, and I cannot recommend it highly enough.’ Donna's Book Blog, 5 stars ‘WOW.

    As the holidays approached, the tension in her household increased. Afraid of just how far her boyfriend Devin would do, she made a decision to flee to a place she never thought she would be- A Homeless Shelter. Bell had a troubled past and was trying to right his wrongs through helping others. Since Christmas wasn't a holiday he enjoyed with his family anymore, he found himself trying to cope with the loss of his mother by spending time with people he hardly knew. One snowy day, landed him in the presence of the beautiful, Snow. She didn't look like the things she had gone through but after finding out about her past, he wanted to help her but she wasn't willing to let her guard down. You never know who's placed in your path to make things in life easier for you. In Snow's case, Bell was heaven-sent but in her eyes, he was just another man trying to use his money to get what he wanted from her. Will these two come to their senses, and find out that they need each other in more ways than they knew, or will Bell's past cause Snow to push away even further?

    Her groom was a farmer almost four times her age. Despite a pre-nuptial agreement guaranteeing that there would be no sex, her husband raped her repeatedly. He also beat her. Although she made desperate pleas for help, the legal system, the police and the clergy failed to come to her aid. Sold into Marriage is the story of that girl's loveless marriage, as told to journalist Sean Boyne, her rape, subsequent pregnancy and suicide attempt and her eventual escape to London and freedom.

    This book tells the horrifying but true story of Alison Cooper from Kilkenny, Ireland, who was systematically raped, abused and beaten by her father for 16 years.Alison describes how her father•raped her when she was just ten years old•fathered her child when she was fifteen•forced her to take pornographic pictures of her mother•smashed her fingers with a lump hammer•blinded her in one eye with a kick in the faceThe court case and book resulted in a public outcry and a government inquiry, and led to a change in the criminal law in Ireland.

    I can think of several MPs who ought to.' the Times'Ferriter's judicious book shows that Brexiters' recklessness, such "contemptuous arrogance", is nothing new, and that it has always been the ordinary people of Northern Ireland who have paid its price. They deserve better' GuardianFor the past two decades, you could cross the border between Northern Ireland and the Republic half a dozen times without noticing or, indeed, turning off the road you were travelling. It cuts through fields, winds back-and-forth across roads, and wends from Carlingford Lough to Lough Foyle. It is frictionless - a feat sealed by the Good Friday Agreement. Before that, watchtowers loomed over border communities, military checkpoints dotted the roads, and smugglers slipped between jurisdictions. This is a past that most are happy to have left behind but might it also be the future?The border has been a topic of dispute for over a century, first in Dublin, Belfast and Westminster and, post Brexit referendum, in Brussels. Yet, despite the passions of Nationalists and Unionists in the North, neither found deep wells of support in the countries they identified with politically. British political leaders were often ignorant of the conflict's complexities, rarely visited the border, and privately disliked their erstwhile unionist allies. Southern leaders' anti-partition statements masked relative indifference and unofficial cooperation with British security services.From the 1920 Government of Ireland Act that created the border, the Treaty and its aftermath, through the Civil Rights Movement, Thatcher, the Troubles and the Good Friday Agreement up to the Brexit negotiations, Ferriter reveals the political, economic, social and cultural consequences of the border in Ireland. With the fate of the border uncertain, The Border is a timely intervention by a renowned historian into one of the most contentious and misunderstood political issues of our time.

    Feel Free, his fourth collection, effortlessly spans the Atlantic, combining the acoustic expansiveness of Whitman or Ashbery with the lyricism of Laird's forebears Heaney, MacNeice and Yeats. With characteristic variety, invention and wit (here are elegies, monologues, formal poems and free verse) the poet explores the sundry patterns of freedom and constraint - the family, the impress of history, the body itself - and how we might transcend them.Feel Free is always daring, always renewing, and Laird's most remarkable work to date.