Set in Little Falls, New Jersey in 1993, PINS weaves the classic story of a Catholic saint into a compelling modern life -and near-death- account of Joey Nicci, a fifteen-year-old Italian-American wrestler. After befriending Donald "Dink" Kohrs, Joey and his new posse get involved in pranks and partying that eventually get out of control, resulting in the death of a maligned fellow teammate. The ensuing legal battle and media frenzy alter Joey's life and his self- perception as a gay teenager while shattering his fragile love for fellow teammate Dink. Like his patron saint, his battle against his own teammates forces him to suffer for his beliefs. His survival becomes a literary miracle. A compelling story of a loving yet confused family, coaches and teachers struggling with multiple issues of violence and homophobia amid the clan-like world of teenage athletes, PINS brings together elements now frighteningly common in the media; bullying jocks, assaults on weaker students, faculty and families unwittingly allowing such behavior

    But when Jack's father takes him out in a rowboat on Lake Watchmayoyo and tells his son that he's gay, nothing will ever be normal again.

    Here, he confronts memories of his time at public school and relives the intense, passionate affair he shared with fellow student Stephen Walker. This forces him to come to terms with himself at last.

    His coworker Fletcher Bradford is looking for a heaven spot of his own, and his is even more elusive. Out since age 12, Fletcher's been around more blocks than Mateo has ever painted. He's dated all the jerks, all the creeps, all the losers in between. At 26 he's decided the only way to meet a nice guy is just never to give him a chance to prove otherwise. When he's introduced to Mateo, Fletcher expects to add another notch to his bedpost. But Mateo is different--and from him Fletcher will rediscover a long-lost feeling: surprise. What Fletcher finds in the trunk of Mateo's car will change his life in ways he never imagined--and may help him find what he's always wanted.From the author of THE CRANBERRY HUSH comes an epic story spanning years and hemispheres and miles of painted walls. At times sexy and sweet, gritty and gut-wrenching, THE PAINTING OF PORCUPINE CITY takes readers along with Mateo and Fletcher on an adventure through the subways of Boston to the towers of São Paulo. Are you in?

    He’s been with his partner, Lloyd, for seven years now, but when Lloyd announces that there’s no passion left between them, Jeff is sent into something of an existential frenzy. Desperate not to end up alone, Jeff haunts the dance floor and roadside rest stops, finding both the sordid and the sublime in anonymous encounters. But it’s love he’s after, so ultimately it’s his bittersweet romance in Provincetown with Eduardo, twenty-two and a vision of gorgeous, wide-eyed youth, that lingers in his mind and seems to hold the answers he seeks. This is a story of a man coming to terms with the accelerating ambiguity of his world, where men die young but old age is actively devalued. It is the story of gay life today, the life being led by thousands of men trying desperately to keep up, and to discover if anything really unites gay men other than desire. It is the story of how the truths of gay life are handed down from gay generation to gay generation. It is the story of what separates the men from the boys.

    In "Pyrography" a gay adolescent is torn between his sexual desires and his longing for acceptance as he goes on a camping trip with two straight male friends. An American in Crete finds a new reason for living after the death of his lover in "An Oracle." "Watermarked" is a moving tribute to a beautiful young actor, the subject of an early passion. And, perhaps the funniest story in the collection, "His Biographer" deals with the ludicrous experience of being the living subject of a biography; it brilliantly stages the meeting of Old World sophistication and New World political correctness.

    The first is told episodically by John, a hustler in New York, who falls in love with Martin, a man dying of AIDS. Interwoven with these stories is a second set, in which characters named Martin and John appear, but living different lives. The resulting novel is a work of stunning originality that is "inspired and brilliant" (The Nation).

    His subsequent works, from Nights in Aruba and The Beauty of Men to the essays in Ground Zero, established Holleran as the preeminent voice in the contemporary gay literary canon. His fiction has earned comparisons to that of Guy de Maupassant, Somerset Maugham, and E Scott Fitzgerald, and now Holleran returns with a collection of sixteen powerful short stories. Exploring the lives and times of those who have lived past the exuberance of youth, these tales make for a moving journey across landscapes of regret and loss, shame and pride, loneliness and love. With a surprising yet sensitive comic touch, Andrew Holleran has written his most mature work to date -- a poignant, polished collection.

     In his electrifying novel, adolescent gay love, violence, and the spirituality of old-time religion are combined through the alchemy of Grimsley's vision into a powerfully suspenseful story of escape and redemption.

    An amazing first novel, a beautifully written work of historical fiction ( Lambda Book Review), American Studies tells the story of 62-year-old Reeve who, as he recovers from a brutal beating, recalls the troubled and closeted world of his former mentor, a once-famous professor who was driven to suicide during the McCarthy era.

    Hiding among the choir, he was content to be ignored at school. But in order to make his singing dreams come true and win the scholarship, he has to push aside that shyness and stand out. When new kid, Maverick Cole shows up, all of Ashton’s plans are thrown into chaos. Now he has to work with his new duet partner to perfect their song for the biggest choir competition in the country. The moment things start to look up, Ashton suddenly finds himself at the lowest point in his life. His new friend steps in to save him, proving their friendly rivalry might be more than friendship, on and off the stage. If only he could tell Maverick how he really feels. With his heart and his future on the line, will Maverick and Ashton be able to work together to make this work or will the pressure of winning tear them apart? The stakes are high, so Ashton will have to be ready to not only stand out, but come out. Especially if he wants to win both the competition and his Maverick’s heart. Besides, who needs therapy when you have harmony? *The Boy I Love The Most is a young adult gay romance*

    Beginning in 1949 and moving to the present day, Mordden puts a unique and innovating spin on modern history. An adventurous, adroit, and fascinating novel by one of the finest gay writers of our time.

    On the bus headed out of town they hook up with Finn and Critter, a couple of speed-freak boyfriends who take a shine to both of them. They also meet Ula, who is mourning the death of her fiancé and taking a trip across the United States in his memory. The five become fast allies, united by personal loss and by the allure of intimacy only friends in the throes of conflict can understand. When Jonnyboy drops out of sight, Radboy stays behind in San Francisco, where the underground world he has been introduced to inspires his own burgeoning sexual and emotional desires.

    Sixteen-year-old Theo is an outsider, not altogether likable, and not particularly interested in making friends. Initial hostility turns to an unlikely friendship, masking a growing attraction neither boy understands. A powerful novel of relationships, set against the backdrop of a small New Zealand town, exploring the complicated emotions of two young men who don't yet understand what they are feeling and have nowhere to turn for help.

    "There's no moving away from this wrenching, beautifully told story".--Los Angeles Times.