This brilliant collection, often cited as the first of its kind, explores fundamental questions about ourselves and our treatment of the universe (and other beings) around us and ultimately what it means to be human.Contents: * Cordwainer Smith: The Shaper of Myths (1975) • essay by John J. Pierce [as by J. J. Pierce] * The Instrumentality of Mankind (timeline) (1975) • essay by John J. Pierce * Scanners Live in Vain [The Instrumentality of Mankind] (1950) / novelette by Cordwainer Smith: meet Martel, a human altered to be part machine-a scanner-to be able withstand the trauma space travel has on the body. Despite the stigma placed on him and his kind, he is able to regrasp his humanity to save another; Fantasy Book #6 ’50 * The Lady Who Sailed The Soul [The Instrumentality of Mankind] (1960) / novelette by Cordwainer Smith, Genevieve Linebarger; Galaxy Apr ’60 * The Game of Rat and Dragon [The Instrumentality of Mankind] (1955) / short story by Cordwainer Smith; Galaxy Oct ’55 * The Burning of the Brain [The Instrumentality of Mankind] (1958) / short story by Cordwainer Smith; If Oct ’58 * Golden the Ship Was - Oh! Oh! Oh! [The Instrumentality of Mankind] (1959) / short story by Cordwainer Smith, Genevieve Linebarger; Amazing Apr ’59 * The Crime and the Glory of Commander Suzdal [The Instrumentality of Mankind] (1964) / short story by Cordwainer Smith; Amazing May ’64 * The Dead Lady of Clown Town [The Instrumentality of Mankind] (1964) / novella by Cordwainer Smith: get to know the underpeople-animals genetically altered to exist in human form, to better serve their human owners-and meet D'Joan, a dog-woman who will make readers question who is more human: the animals who simply want to be recognized as having the same right to life, or the people who created them to be inferior; Galaxy Aug ’64 * Under Old Earth [The Instrumentality of Mankind] (1966) / novelette by Cordwainer Smith; Galaxy Feb ’66 * Mother Hitton's Littul Kittons [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * Alpha Ralpha Boulevard [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * The Ballad of Lost C'mell [The Instrumentality of Mankind] (1962) / novelette by Cordwainer Smith: the notion of love being the most important equalizer there is, is put into action when an underperson, C'mell, falls in love with Lord Jestocost. Who is to say her love for him is not as valid as any true-born human? She might be of cat descent, but she is all woman!; Galaxy Oct ’62 * A Planet Named Shayol [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith: it is an underperson of bull descent, and beings so mutilated and deformed from their original human condition to be now considered demons of a hellish land, who retain and display the most humanity when Mankind commits the most inhumane action of all; Galaxy Oct ’61aka: Paul M. A. Linebarger, Paul Myron Anthony Linebarger, Paul Linebarger, Felix C. Forrest, Carmichael Smith, Kordvejner Smit..

    Buildings breathe, cars attack, angels patrol, and hyper-intelligent pets rebel.With unbridled invention and breakneck adventure, Hannu Rajaniemi is on the cutting-edge of science fiction. His post-apocalyptic, post-cyberpunk, and post-human tales are full of exhilarating energy and unpredictable optimism.How will human nature react when the only limit to desire is creativity? When the distinction between humans and gods is as small as nanomachines—or as large as the universe? Whether the next big step in technology is 3D printing, genetic alteration, or unlimited space travel, Rajaniemi writes about what happens after.

    Featuring new fiction by Paul Cornell, Brooke Bolander, Jennifer Marie Brissett, Alex Bledsoe, Kat Howard, and Nalo Hopkinson, reprinted fiction by Amal El-Mohtar, essays by Alyssa Wong, Monica Valentinelli, Navah Wolfe, Tansy Rayner Roberts, Keidra Chaney, and Hao Jingfang (translated by Ken Liu), poetry by Neil Gaiman, Theodora Goss, and Sofia Samatar, interviews with Jennifer Marie Brissett and Alex Bledsoe by Julia Rios, a cover by Julie Dillon, and an editoral by Lynne M. Thomas and Michael Damian Thomas.

    Rarely do they even leave their own rooms, in which all of their needs are met by the Machine. The Machine allows the humans to communicate "ideas" with one another, which is essentially their only activity. It doesn't stop them from leaving their rooms, but they have little desire to do so anyway. They've started to believe the Machine is omnipotent and omniscient, not to be questioned. And when it begins to malfunction, they trust that it knows what it's doing--forgetting they invented it in the first place . . .From the author of A Passage to India, A Room with a View, and other classic novels, and a sixteen-time nominee for the Nobel Prize in Literature, this remarkable science fiction story, which was included in a Science Fiction Hall of Fame anthology, was published in 1909--yet becomes more relevant and thought-provoking with each passing day of the twenty-first century.

    They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.Life on Earth is about to get much, much stranger.

    Cultures collide in real life and virtual reality. The city is literally a weed, its growth left unchecked. Life is cheap, and data is cheaper.When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik—a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation—a shifting, flowing stream of consciousness—are just the beginning of irrevocable change.At Central Station, humans and machines continue to adapt, thrive...and even evolve.

    From Hugo and Nebula winners to Pulitzer and Booker Prize finalists to New York Times bestsellers, this anthology collects 30 pieces of Subterranean’s best, representing diverse, breathtaking short fiction from today’s modern masters.In “Last Breath” Joe Hill spins the tale of a man who collects the breaths of the dying for his haunting museum. Catherynne M. Valente’s “White Lines on a Green Field” chronicles what might happen if Coyote became a small town high school quarterback. Karen Joy Fowler’s “Younger Women” finds a woman confronting her daughter’s new boyfriend, who happens to be a vampire. Visit the Twilight Zone via George R.R. Martin in the script “The Toys of Caliban”. In Ted Chiang’s “The Truth of Fact, the Truth of Feeling” the narratives of a journalist and a young man are told in contrast, both impacted by technology and literacy. And in Kelley Armstrong’s “The Screams of Dragons” a boy is declared a changeling and things only get stranger from there. Other pieces visit far-flung space and intimate sick rooms, the futuristic pyramids of the rich and a jungle where a man-eating tiger stalks a village.Contents:- Perfidia (2004) by Lewis Shiner- Game (2012) by Maria Dahvana Headley- The Last Log of the Lachrimosa (2014) by Alastair Reynolds- The Seventeenth Kind (2007) by Michael Marshall Smith- Dispersed by the Sun, Melting in the Wind (2007) by Rachel Swirsky- The Pile (2008) by Michael Bishop- The Bohemian Astrobleme (2010) by Kage Baker- Tanglefoot (2008) by Cherie Priest- Hide and Horns (2009) by Joe R. Lansdale- Balfour and Meriwether in The Vampire of Kabul (2011) by Daniel Abraham- Last Breath (2005) by Joe Hill- Younger Women (2011) by Karen Joy Fowler- White Lines on a Green Field (2011) by Catherynne M. Valente- The Least of the Deathly Arts (2012) by Kat Howard- Water Can't Be Nervous (2012) by Jonathan Carroll- Valley of the Girls (2011) by Kelly Link- Sic Him, Hellhound! Kill! Kill! (2012) by Hal Duncan- Troublesolving (2009) by Tim Pratt- The Indelible Dark (2013) by William Browning Spencer- The Prayer of Ninety Cats (2013) by Caitlín R. Kiernan- The Crane Method (2011) by Ian R. MacLeod- The Tomb of the Pontifex Dvorn (2011) by Robert Silverberg- The Toys of Caliban (script) (2005) by George R.R. Martin- The Secret History of the Lost Colony (2008) by John Scalzi- The Screams of Dragons (2014) by Kelley Armstrong- The Dry Spell (2009) by James P. Blaylock- He Who Grew Up Reading Sherlock Holmes (2014) by Harlan Ellison- A Small Price to Pay for Birdsong (2011) by K.J. Parker- The Truth of Fact, the Truth of Feeling (2013) by Ted Chiang- A Long Walk Home (2011) by Jay Lake

    In dystopias that are exaggerated versions of the world in which we live, these characters strive for intimacy and struggle to resolve their fraught relationships with each other, with themselves, and with their place in the natural world. We meet a wealthy woman who purchases a high-tech sex toy in the shape of a man, a rowdy, moody crew of college students who resolve the energy crisis, and orphaned twin sisters who work as futuristic strippers--and we see that no one is quite who they appear.

    I was born at the end of the Reining Age, just as the Earth’s rotation was coming to a final halt.The Sun is about to unleash a helium flash, threatening to swallow all terrestrial planets in the solar system. On Earth, the Unity Government has erected Earth Engines. With them it plans to propel our planet out of the solar system, setting it on a journey into outer space in search of a new sun. The Earth begins its centuries-long, wandering travels through outer space.Just as we began our journey, my grandfather passed away, his burnt body ravaged by infection. In his final moments, he repeated over and over, “Oh, Earth, my wandering Earth...”China Galaxy Science Fiction Award of Year 2000.

    Twenty-five chances to impress.When the test takes an unexpected and tragic turn, Idir is handed the power of life and death.How do you value a life when all you have is multiple choice?

    Now from this brilliant young writer comes a groundbreaking collection of stories, many of them previously unavailable in the United States, and including four never-before-published tales–one set in Miéville’s signature fantasy world of New Crobuzon. Among the fourteen superb fictions are“Jack”–Following the events of his acclaimed novel Perdido Street Station, this tale of twisted attachment and horrific revenge traces the rise and fall of the Remade Robin Hood known as Jack Half-a-Prayer. “Familiar”–Spurned by its creator, a sorceress’s familiar embarks on a strange and unsettling odyssey of self-discovery in a coming-of-age story like no other.

    The world that he remembers was much as we know it today. Now, as he regains his faculties through a cure developed during the years of his near-fatal decline, he discovers that the world has changed and so has his place in it. He was a world-renowned poet. Now he is seventy-five years old, though by a medical miracle he looks much younger, and he’s starting over, for the first time unsure of his poetic gifts. Living with his son’s family, he has no choice but to learn how to cope with a new information age in which the virtual and the real are a seamless continuum, layers of reality built on digital views seen by a single person or millions, depending on your choice. But the consensus reality of the digital world is available only if, like his thirteen-year-old granddaughter Miri, you know how to wear your wireless access—through nodes designed into smart clothes—and to see the digital context—through smart contact lenses. With knowledge comes risk. When Robert begins to re-train at Fairmont High, learning with other older people what is second nature to Miri and other teens at school, he unwittingly becomes part of a wide-ranging conspiracy to use technology as a tool for world domination. In a world where every computer chip has Homeland Security built-in, this conspiracy is something that baffles even the most sophisticated security analysts, including Robert’s son and daughter-in law, two top people in the U.S. military. And even Miri, in her attempts to protect her grandfather, may be entangled in the plot. As Robert becomes more deeply involved in conspiracy, he is shocked to learn of a radical change planned for the UCSD Geisel Library; all the books there, and worldwide, would cease to physically exist. He and his fellow re-trainees feel compelled to join protests against the change. With forces around the world converging on San Diego, both the conspiracy and the protest climax in a spectacular moment as unique and satisfying as it is unexpected.

    G. Wells, and Jules Verne to Ray Bradbury, Ursula K. Le Guin, and William Gibson. In The Best American Science Fiction and Fantasy award-winning editor John Joseph Adams delivers a diverse and vibrant collection of stories published in the previous year. Featuring writers with deep science fiction and fantasy backgrounds, along with those who are infusing traditional fiction with speculative elements, these stories uphold a longstanding tradition in both genres—looking at the world and asking, What if . . . ?  The Best American Science Fiction and Fantasy 2015 includes  Kelly Link, Neil Gaiman, Karen Russell T. C. Boyle, Sofia Samatar, Jo Walton, Cat Rambo Daniel H. Wilson, Seanan McGuire, Jess Rowand others  JOE HILL, guest editor, is the New York Times best-selling author of the novels Heart-Shaped Box, Horns, and NOS4A2 and the short story collection 20th Century Ghosts. He is also the writer of the comic book series Locke & Key.   JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds, Wastelands, and The Living Dead. He is also the editor and publisher of the digital magazines Lightspeed and Nightmare and is a producer of Wired’s podcast The Geek’s Guide to the Galaxy.

    From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes.

    Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?There can only be one…or can there?