It’s how so many of our most beloved stories start.Fairy tales have dominated our cultural imagination for centuries. From the Brothers Grimm to the Countess d’Aulnoy, from Charles Perrault to Hans Christian Anderson, storytellers have crafted all sorts of tales that have always found a place in our hearts.Now a new generation of storytellers have taken up the mantle that the masters created and shaped their stories into something startling and electrifying.Packed with award-winning authors, this anthology explores an array of fairy tales in startling and innovative ways, in genres and settings both traditional and unusual, including science fiction, western, and post-apocalyptic as well as traditional fantasy and contemporary horror.From the woods to the stars, The Starlit Wood: New Fairy Tales takes readers on a journey at once unexpected and familiar, as a diverse group of writers explore some of our most beloved tales in new ways across genres and styles.

    It’s a nightmare reflection of the society you inhabit, a surreal explosion of pop, punk, and the post-apocalypse. Over the last decade, Bizarro Fiction has changed the definition of avant garde, it’s abolished the traditional prose of yesterday and established a new precedent for awesome. Collected in this anthology is some of the best weird fiction from the past decade. Award-winning writers, cult prodigies and burgeoning talents all collected together in one place. This is what you’ve done with the last ten years of your life.With stories by:D. Harlan Wilson, Alissa Nutting, Joe R. Lansdale, Carlton Mellick III, Kevin L. Donihe, , Ryan Boudinot, Vincent Sakowski, Cody Goodfellow, Amelia Gray, Robert Devereaux, Mykle Hansen, Athena Villaverde, Matthew Revert, Garrett Cook, Roy Kesey, Jeremy Robert Johnson, Aimee Bender, Ian Watson & Roberto Quaglia, Jeremy C. Shipp, Andersen Prunty, Jedediah Berry, Andrea Kneeland, Kurt Dinan, David Agranoff, Ben Loory, Kris Saknussemm, Stephen Graham Jones, Bentley Little, David W. Barbee, and Tom Piccirilli.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    With a disintegrating marriage further collapsing under the strain of his night duty, Millimaki finds himself seeking counsel from a man whose troubled past shares something essential with his own. Their uneasy friendship takes a startling turn with a brazen act of violence that yokes together two haunted souls by the secrets they share, and by the rugged country that keeps them.

    Lila Mae Watson, the city’s first black female inspector and a devout Intuitionist with the highest accuracy rate in the department, is at the center of the turmoil. An elevator in a new municipal building has crashed on Lila Mae’s watch, fanning the flames of the Empiticist-Intuitionist feud and compelling Lila Mae to go underground to investigate. As she endeavors to clear her name, she becomes entangled in a web of intrigue that leads her to a secret that will change her life forever.A dead-serious and seriously funny feat of the imagination, The Intuitionist conjures a parallel universe in which latent ironies in matters of morality, politics, and race come to light, and stands as the celebrated debut of an important American writer.

    The humble, pixelated games of the ‘70s and ‘80s have evolved into the vivid, realistic, and immersive form of entertainment that now rivals all other forms of media for dominance in the consumer marketplace. For many, video games have become the cultural icons around which pop culture revolves.PRESS START TO PLAY is an anthology of stories inspired by video games: stories that attempt to recreate the feel of a video game in prose form; stories that play with the concepts common (or exclusive) to video games; and stories about the creation of video games and/or about the video games—or the gamers—themselves.These stories will appeal to anyone who has interacted with games, from hardcore teenaged fanatics, to men and women who game after their children have gone to bed, to your well-meaning aunt who won’t stop inviting you to join her farm-based Facebook games.At the helm of this project are Daniel H. Wilson—bestselling novelist and expert in artificial intelligence—and John Joseph Adams—bestselling, Hugo Award-nominated editor of more than a dozen science fiction/fantasy anthologies and series editor of Best American Science Fiction & Fantasy (volume one forthcoming from Houghton Mifflin in 2015). Together, they have drawn on their wide-ranging contacts to assemble an incredibly talented group of authors who are eager to attack the topic of video games from startling and fascinating angles.Under the direction of an A.I. specialist and a veteran editor, the anthology will expose readers to a strategically chosen mix of stories that explore novel video game concepts in prose narratives, such as save points, kill screens, gold-farming, respawning, first-person shooters, unlocking achievements, and getting “pwned.” Likewise, each of our authors is an accomplished specialist in areas such as science fiction, fantasy, and techno-thrillers, and many have experience writing for video games professionally.Combining unique viewpoints and exacting realism, this anthology promises to thrill generations of readers, from those who grew up with Atari 2600s to the console and PC gamers of today.

    A woman offers colonizer blood to the Mother of Chaos. A boy joins corpse destroyers to seek vengeance for the death of his father.These stories intertwine with those of a vengeful spirit and a hungry creature to paint a timely, compelling, pulpy portrait of revenge, family, and hope.

    Two grown sisters struggle with old assumptions about each other as they stumble to build a new relationship in A Map of Modern Palm Springs. Rome is the setting of Puttanesca, as two young widows move tentatively forward, still surrounded by ghosts and disappointments from the past.These twelve stories, filled with the sharp humor, emotional acuity, and joyful language that are sure to become Straub’s hallmarks, announce the arrival of a major new talent.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    The 14 stories of The Dogs of Detroit each focus on grief and its many strange permutations. This grief alternately devolves into violence, silence, solitude, and utter isolation. In some cases, grief drives the stories as a strong, reactionary force, and yet in other stories, that grief evolves quietly over long stretches of time. Many of the stories also use grief as a prism to explore the beguiling bonds within families. The stories span a variety of geographies, both urban and rural, often considering collisions between the two.

    The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

    JonesCold snap by Thom JonesDoe season by David Michael KaplanPatriotic by Janet KauffmanGirl by Jamaica KincaidTerritory by David LeavittThe kind of light that shines on Texas by Reginald McKnightYou're ugly, too by Lorrie MooreThe management of grief by Bharati MukherjeeMeneseteung by Alice MunroGhost girls by Joyce Carol OatesThe things they carried by Tim O'BrienThe shawl by Cynthia OzickBrokeback Mountain by Annie ProulxStrays by Mark RichardIntensive care by Lee SmithThe way we live now by Susan SontagTwo kinds by Amy TanFirst, body by Melanie Rae ThonAble, Baker, Charlie, Dog by Stephanie VaughnNineteen fifty-five by Alice WalkerFever by John Edgar WidemanTaking care by Joy Williams

    Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.

    Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

    Since she was a baby, Maren has had what you might call "an issue" with affection. Anytime someone cares for her too much, she can’t seem to stop herself from eating them. Abandoned by her mother at the age of 16, Maren goes looking for the father she has never known, but finds more than she bargained for along the way. Faced with love, fellow eaters, and enemies for the first time in her life, Maren realizes she isn’t just looking for her father, she is looking for herself. The real question is, will she like the girl she finds?