Or so it seems to intelligence officer Hugo Hawksworth, wounded on a secret mission and now reluctantly assuming an altogether less perilous role at Selchester. The Castle’s faded grandeur hides a web of secrets and scandals—the Earl has been missing for seven years, lost without a trace since the night he left his guests and walked out into a blizzard. When a skeleton is uncovered beneath the flagstones of the Old Chapel, the police produce a suspect and declare the case closed.Hugo is not convinced. With the help of the spirited Freya Wryton, the Earl’s niece, he is drawn back into active service, and the ancient town of Selchester is dragged into the intrigues and conspiracies of the Cold War era. With a touch of Downton Abbey, a whisper of Agatha Christie and a nod to Le Carré, A Man of Some Repute is the first book in this delightfully classic and witty murder mystery series.

    But lately, retirement has been boring her and she’s found herself back in her hometown of Lachlan, Florida, remodeling the grand old mansion she’d admired as a child. It’s much too big for her alone, but she’d die before letting anyone in town know that.Then Sara’s niece Kate is offered a job in Lachlan—a start in what could be a very successful career in real estate. She accepts immediately, but with so little saved up, she’ll have to approach her estranged yet incredibly famous aunt for a place to stay while she gets herself settled. But when she arrives at Sara’s home, she finds she’s not the only long-term houseguest. Jackson Wyatt already has his own room, and though it’s impossible to deny his good looks and charm—he’s clearly got her aunt wrapped around his finger—she’s also never met anyone who irritates her quite like Jack does.However, when two skeletons are accidentally uncovered in the quiet town, this unlikely trio is suddenly thrust together by a common goal: to solve a mystery everyone else seems eager to keep under wraps. United by a sense of justice and the desire to right old wrongs, Sara, Kate and Jack will have to dig into Lachlan’s murky past to unravel the small town’s dark secrets and work to bring the awful truth to light.

    But when the lively aspiring equine trainer tangles with British aristocracy, she meets her match--and a murderer . . . Spring, 1905: Free-spirited like the Thoroughbreds she rides across the Kentucky countryside, Stella takes adventure by the reins when she's asked to attend a mysterious wedding in rural England. But once she arrives at the lush Morrington Hall estate, her cold and ambitious father confesses that he won't only give away his best racehorses as gifts--he has also arranged to give away his daughter as bride to the Earl of Atherly's financially strapped son . . .Stella refuses to be sold off like a prized pony. Yet despite a rough start, there's something intriguing about her groom-to-be, the roguish Viscount "Lyndy" Lyndhurst. The unlikely pair could actually be on the right track with each other . . . until they find the vicar who was to marry them dead in the library.With culture clashes mounting between families, a scandalous murder case hangs over Morrington Hall. Now, Stella and Lyndy must go from future spouses to amateur sleuths as they team up to search for the truth--and prevent an unbridled criminal from destroying their new life together right out of the gate . . .

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    Rachel Knight is a tenacious, wise-cracking, and fiercely intelligent prosecutor in the city's most elite division. When her colleague, Jake, is found dead at a grisly crime scene, Rachel is shaken to the core. She must take over his toughest case: the assault of a young woman from a prominent family.But she can't stop herself from digging deeper into Jake's death, a decision that exposes a world of power and violence and will have her risking her reputation--and her life--to find the truth.With her tremendous expertise in the nuances of L.A. courts and crime, and with a vibrant ensemble cast of characters, Marcia Clark combines intimate detail, riotous humor, and visceral action in a debut thriller that marks the launch of a major new figure on the crime-writing scene.

    Razor-sharp dialogue. Plots that catch and hold like a noose. These are the hallmarks of crime legend Ruth Rendell. From Doon with Death, now in a striking new paperback edition, is her classic debut novel -- and the book that introduced one of the most popular sleuths of the twentieth century.There is nothing extraordinary about Margaret Parsons, a timid housewife in the quiet town of Kingsmarkham, a woman devoted to her garden, her kitchen, her husband. Except that Margaret Parsons is dead, brutally strangled, her body abandoned in the nearby woods. Who would kill someone with nothing to hide? Inspector Wexford, the formidable chief of police, feels baffled -- until he discovers Margaret's dark secret: a trove of rare books, each volume breathlessly inscribed by a passionate lover identified only as Doon. As Wexford delves deeper into both Mrs. Parsons’ past and the wary community circling round her memory like wolves, the case builds with relentless momentum to a surprise finale as clever as it is blindsiding. In From Doon with Death, Ruth Rendell instantly mastered the form that would become synonymous with her name. Chilling, richly characterized, and ingeniously constructed, this is psychological suspense at its very finest.

    According to her friends, Lucy Lancaster, Austin, Texas genealogist, has never been drunk. Tipsy, sure, but drunk? No way. So when she arrives back at her office from a three-martini lunch a few sheets to the wind, it's a notable occasion. Even more momentous is what her client, Austin billionaire Gus Halloran, has announced on live television with a blotto Lucy standing at his side: Texas senator Caleb Applewhite might be responsible for the murder of Seth Halloran.Of course, Lucy is a genealogist, so the murder in question took place back in 1849. And it's possible that another nineteenth-century Texas politician may, in fact, have murdered Gus's great-great-grandfather instead. Lucy is determined to prove beyond a shadow of a doubt who the guilty man is, but when her curiosity lands her at the scene of another murder—this time, in the present-day—she realizes that the branches of some family trees shouldn't be shaken, for they're more twisted and dangerous than she ever thought possible.

    David Winston receiving some very special loving care from R.N. Karen Owenby, she quits her job and moves out. Mattie's best friend Izzy offers her a place to stay and suggests she'd be a natural as deputy coroner. Now, instead of taking patients' pulses, Mattie's weighing their hearts and livers.But Mattie's first homicide call turns out to be for none other than Nurse Karen, and even though she saw her ex in a heated argument with the newly deceased the night before, she refuses to believe David could be a killer. Keeping mum about what she saw, Mattie is also left speechless by the sight of hunky Detective Steve Hurley... From learning the ropes on her new job to sorting out her feelings about her ex and dealing with her growing attraction to Detective Hurley, Mattie's in deep water and in danger of sinking quickly, especially when she places herself dead center in the path of a desperate yet determined killer.

    However, the people of Bruncliffe aren't that welcoming to a man they see as trouble.Delilah Metcalfe, meanwhile, is struggling to keep her business, the Dales Dating Agency, afloat - as well as trying to control her wayward Weimaraner dog, Tolpuddle. Then when Samson gets his first case, investigating the supposed suicide of a local man, things take an unexpected turn, and soon he discovers a trail of deaths that lead back to the door of Delilah's agency. With suspicion hanging over someone they both care for, the two feuding neighbours soon realize that they need to work together to solve the mystery of the dating deaths. But working together is easier said than done . . .

    But when her business partner, Ezra Hilton, is found bludgeoned to death, she has no other choice. Business under Ezra has been faltering-but was it enough to provoke someone to murder? Only Katie can find the answer.

    This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors -- but the upshot is she's good at her job as a licensed private investigator with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman. Part Nancy Drew, part Dirty Harry, Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who's become addicted to "recreational surveillance"); and tracking down her uncle (who randomly disappears on benders dubbed "Lost Weekends"). But when Izzy's parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy's new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there's a hitch: she must take one last job before they'll let her go -- a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life.

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

    This gives her the perfect opportunity to pursue her true passion—cooking! So Dani opens Chef-to-Go, preparing delicious, ready-made meals for hungry students attending the nearby university, as well as providing personal chef services and catering events for the local community. To help support her new business, she opens her home to a few students, renting them rooms and becoming almost like a big sister figure in their lives.But just as Dani is relishing her sweet new life, the friend of one of her boarders is murdered, and Dani becomes one of the primary suspects! She’ll have to scramble to clear her name and save her business before the killer reappears—perhaps to silence the new chef forever.

    After paying a visit to her Aunt Adele, she fell in love with the tiny town of South Lick. And when she spots a For Sale sign on a rundown country store, she decides to snap it up and put her skills as a cook and a carpenter to use. Everyone in town shows up for the grand re-opening of Pans ‘n Pancakes, but when the mayor's disagreeable assistant is found dead, Robbie realizes that not all press is good press. With all eyes on her, she'll have to summon her puzzle-solving skills to clear her name, unscramble the town's darkest secrets, and track down a cold-blooded killer--before she's the next to die...

    Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard.Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's, needed improvements in hand, and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell.Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to detect. A debaucher in life and an annoyance in death, Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself.Enter Inspector Devenand Hunter from the Yard, an Anglo-Indian who is not going to let some barmy society beauty witnessed talking to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it—or go as mad as its mistress trying.The Lady Adelaide Mysteries:Nobody's Sweetheart Now (Book 1)Who's Sorry Now? (Book 2)Just Make Believe (Book 3)