In the character of its protagonist, Pechorin, the archetypal Russian antihero, Lermontov's novel looks forward to the subsequent glories and passion of Russian literature that it helped, in great measure, to make possible.

    He joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to find a cache of missing jewels which were hidden in some chairs that have been appropriated by the Soviet authorities. The search for the bejeweled chairs takes these unlikely heroes from the provinces to Moscow to the wilds of Soviet Georgia and the Trans-caucasus mountains; on their quest they encounter a wide variety of characters: from opportunistic Soviet bureaucrats to aging survivors of the prerevolutionary propertied classes, each one more selfish, venal, and ineffective than the one before.

    It is published here with the short story Egyptian Nights. Dubrovsky is the son of a landowner whose property has been confiscated by a corrupt and malicious general. After his father dies, and his faithful servants burn his ancestral home to the ground, Dubrovsky turns to crime. But to achieve his ultimate aim of avenging his father, he must resort to subtler means than banditry. Masquerading as a French tutor, he enters the General’s house and sets about beguiling his daughter. Asking hard questions of our faith in social institutions, in particular the law, Dubrovsky displays the considerable storytelling skill of Russia’s greatest poet. Alexander Pushkin wrote lyric and narrative poems, but his masterwork is the verse novel Eugene Onegin.

    The scene is set in a fantastic land ruled by three greedy fat men who are engrossed in eating and making merry in their palace. Meanwhile, curious things are happening outside the high palace walls.You will learn all about this and much more when you read this wise, merry tale that is so like the truth. The Three Fat Men, a favorite with all Soviet children, has run to over 30 printings, it was made into a film, and performed at many theaters in Russia."Yuri Olesha (1899-1960), a Soviet prose writer and playwright, is immensely popular with readers for his novel Envy, his short stories, plays and the famous book for children The Three Fat Men, which is really one of his masterpieces.""Yuri Olesha's book The Three Fat Men is fantastic, fabulous, abounding in extraordinary transformation and fascinating happenings." -Literaturnaya Gazeta-"There was something Beethovenian in Yuri Olesha, even in his voice. His eyes discovered many marvelous, impressive things around him, and he wrote about them briefly, precisely and excellently. -Konstantin Paustovsky-

    I t was enthusiastically received by the Russian society and remained his least controversial and most widely-read novel until the end of the 19th century. It was turned into a movie by Andrey Konchalovsky in 1969.The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.

    The plot spans from 1912 to 1944. For more than half a century the book has been loved by children and adults alike. The novel has undergone more than 100 printings, including translations into other languages. Based on its story, plays have been staged and an opera has been written. The plot of the book also became the basis of two movies of the same title in 1955 and 1976. In 1995 in Pskov, the home town of the author, a monument was erected to the characters of the book and a "Two Captains" museum was opened.The real prototype for Captain Tatarinov was Lieutenant Georgii Brusilov, who in 1912 organized a privately funded expedition seeking a west-to-east Northern sea route. The steamship "St. Anna," specially built for the expedition, left Petersburg on 28 July 1912. Near the shores of Yamal peninsula it was seized by ice and carried in the ice drift to the north of the Kara Sea. The expedition survived two hard winters. Of the 14 people who left the stranded steamship in 1914, only two made it to one of the islands of Frants-Joseph Land and were spotted and taken aboard "St. Foka," the ship of the expedition of G. Y. Sedov. The ship log they had kept with them contained the most important of the scientific data, after the study of which Sedov's expedition found the previously unknown island in the Kara Sea, Vize Island. The ultimate fate of "St.Anna" and its remaining crew is still unknown. Veniamin Kaverin (1902-1989) wrote novels, short stories, fairy tales, memoirs, and biographies. In the early 1920s, Veniamin Kaverin was a member of experimental literary group "Serapionovi bratya." In 1946 his novelTwo Captains became the winner of the USSR State Literature Award.

    Petersburg under the guidance and protection of his uncle, a government official. Such is the beginning of this "ordinary story". Alexander Aduyev, a "romantic three times over" (to quote Vissarion Belinsky) gradually sheds his idyllic notions and develops into a heartless and calculating climber.

    "The Quiet Don") is 4-volume epic novel by Russian writer Mikhail Aleksandrovich Sholokhov. The 1st three volumes were written from 1925 to '32 & published in the Soviet magazine October in 1928–32. The 4th volume was finished in 1940. The English translation of the 1st three volumes appeared under this title in 1934. The novel is considered one of the most significant works of Russian literature in the 20th century. It depicts the lives & struggles of Don Cossacks during WWI, the Russian Revolution & Russian Civil War. In 1965, Sholokhov was awarded the Nobel Prize for Literature. The authorship of the novel is contested by some literary critics & historians, who believe it wasn't entirely written by Sholokhov. However, following the discovery of the manuscript, the consensus is that the work is, in fact, Sholokhov’s.

    These seemingly undistinguished possessions, stuffed into a worn-out suitcase, take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them, occasioning a brilliant series of interconnected tales: A poplin shirt evokes the bittersweet story of a courtship and marriage, while a pair of boots (of the kind only the Nomenklatura can afford) calls up the hilarious conclusion to an official banquet. Some driving gloves—remnants of Dovlatov’s short-lived acting career—share space with neon-green crepe socks, reminders of a failed black-market scam. And in curious juxtaposition, the belt from a prison guard’s uniform lies next to a stained jacket that once belonged to Fernand Léger.Imbued with a comic nostalgia overlaid with Dovlatov’s characteristically dry wit, The Suitcase is an intensely human, delightfully ironic novel from “the finest Soviet satirist to appear in English since Vladimir Voinovich.”

    Adored by Urbenin, the estate manager, whom she marries to escape the poverty of her home. She is also desired by the dissolute Count Karneyev and by Zinovyev, a magistrate, who knows the secret misery of her marriage. When an attempt is made on Olga's life in the woods, it seems impossible to discover the perpetrator in an impenetrable web of lust, deceit, loathing and double-dealing. One of Chekhov's earliest experiments in fiction combines the classic elements of a gripping mystery with a short story of corruption, concealed love and fatal jealousy.Ronald Wilks's brilliant new translation of this work is the first in over seventy years. It brilliantly captures the immediacy of the dialogue that Chekhov was later to develop into his great dramas. This edition also includes an introduction by John Sutherland, suggestions for further reading and explanatory notes.Anton Chekhov (1860-1904) was born in Taganrog, a port on the sea of Azov. In 1879 he travelled to Moscow, where he entered the medical faculty of the university, graduating in 1884. During his university years, he supported his family by contributing humorous stories and sketches to magazines. He published his first volume of stories, Motley Tales, in 1886, and a year later his second volume In the Twilight, for which he received the Pushkin Prize. Today his plays, including 'Uncle Vanya', 'The Seagull', and 'The Cherry Orchard' are recognised as masterpieces the world over.If you enjoyed The Shooting Party, you might like Chekhov's Plays, also available in Penguin Classics.

    Here, this extraordinary countryside is revealed in all its variety in his first two collections of short stories. The only translation available of this cycle of stories, this edition captures fully the spirit and vigor of his important early work for the first time.

    The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

    Sea-devil has appeared in the Rio de la Plata. Weird cries out at sea, slashed fishermen's nets, glimpses of a most queer creature astride a dolphin leave no room for doubt. The Spaniard Zurita, greed overcoming his superstition, tries to catch Sea-devil and force it to pearl-dive for him but fails. On a lonely stretch of shore, not far from Buenos Aires, Dr. Salvator lives in seclusion behind a high wall, whose steel-plated gates only open to let in his Indian patients. The Indians revere him as a God but Zurita has a hunch that the God on land and the devil in the sea have something in common. Enlisting the help of two wily Araucanian brothers he sets out to probe the mystery. As action shifts from the bottom of the sea to the Spaniard's schooner The Jellyfish and back again, with interludes in sun-drenched Buenos Aires and countryside, the mystery of Ichthyander the sea-devil is unfolded before the reader in a narrative as gripping as it informative.

    At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

    The Foundation Pit portrays a group of workmen and local bureaucrats engaged in digging the foundation pit for what is to become a grand 'general' building where all the town's inhabitants will live happily and 'in silence.'