Like Salman Rushdie's Midnight's Children or Gabriel Garcia Marquez's One Hundred Years of Solitude, it combines brilliant narrative technique with a fresh vision to create an essential work of world literature.The narrator, Azaro, is an abiku, a spirit child, who in the Yoruba tradition of Nigeria exists between life and death. The life he foresees for himself and the tale he tells is full of sadness and tragedy, but inexplicably he is born with a smile on his face. Nearly called back to the land of the dead, he is resurrected. But in their efforts to save their child, Azaro's loving parents are made destitute. The tension between the land of the living, with its violence and political struggles, and the temptations of the carefree kingdom of the spirits propels this latter-day Lazarus's story.

    Inside is an invitation – to a meeting with Life. Her life. It turns out she's been ignoring it and it needs to meet with her face to face.It sounds peculiar, but Lucy’s read about this in a magazine. Anyway, she can’t make the date: she’s much too busy despising her job, skipping out on her friends and avoiding her family.But Lucy’s life isn’t what it seems. Some of the choices she’s made – and stories she’s told – aren’t what they seem either. From the moment she meets the man who introduces himself as her life, her stubborn half-truths are going to be revealed in all their glory – unless Lucy learns to tell the truth about what really matters to her.

    The unlikely thief, former child prodigy Benjamin Ziskind, is convinced that the painting once hung in his parents' living room. This work of art opens a door through which we discover his family's startling history--from an orphanage in Soviet Russia where Chagall taught to suburban New Jersey and the jungles of Vietnam.

    There is a lovely lamp next to the couch on which she's sleeping, the shade adorned with butterflies. When she wakes, Francie spies a dead butterfly, exactly matching the ones on the lamp, floating in a glass of water. She drinks it before the babysitter can see.Twenty years later, Francie is compelled to make sense of that moment, and two other incidents -- her discovery of a desiccated beetle from a school paper, and a bouquet of dried roses from some curtains. Her recall is exact -- she is sure these things happened. But despite her certainty, she wrestles with the hold these memories maintain over her, and what they say about her own place in the world. As Francie conjures her past and reduces her engagement with the world to a bare minimum, she begins to question her relationship to reality. The scenes set in Francie's past glow with the intensity of childhood perception, how physical objects can take on an otherworldly power. The question for Francie is, What do these events signify? And does this power survive childhood?Told in the lush, lilting prose that led the San Francisco Chronicle to say Aimee Bender is "a writer who makes you grateful for the very existence of language," The Butterfly Lampshade is a heartfelt and heartbreaking examination of the sometimes overwhelming power of the material world, and a broken love between mother and child.

    Chayo, the flower seller, and her husband Candelario, the salad maker, are finally blessed with the child they thought they would never have. Their cause for happiness, however, triggers a chain of events that impact the lives of everyone in their world. The hopes, triumphs, failures, and shortcomings of the novel’s enchanting array of characters create a graceful picture of life that is both a universal portrait and an insider’s look at life in Latin America.

    But for Meg—locked in a dead-end relationship and with a deadline looming for a book that she can't write—this thought fills her with dread. Stuck in a labyrinth of her own devising, Meg knows that there must be a way out.

    No one in this story was a ghost. This was not a story.”When Marcelo Hernandez Castillo was five years old and his family was preparing to cross the border between Mexico and the United States, he suffered temporary, stress-induced blindness. Castillo regained his vision, but quickly understood that he had to move into a threshold of invisibility before settling in California with his parents and siblings. Thus began a new life of hiding in plain sight and of paying extraordinarily careful attention at all times for fear of being truly seen. Before Castillo was one of the most celebrated poets of a generation, he was a boy who perfected his English in the hopes that he might never seem extraordinary.With beauty, grace, and honesty, Castillo recounts his and his family’s encounters with a system that treats them as criminals for seeking safe, ordinary lives. He writes of the Sunday afternoon when he opened the door to an ICE officer who had one hand on his holster, of the hours he spent making a fake social security card so that he could work to support his family, of his father’s deportation and the decade that he spent waiting to return to his wife and children only to be denied reentry, and of his mother’s heartbreaking decision to leave her children and grandchildren so that she could be reunited with her estranged husband and retire from a life of hard labor.Children of the Land distills the trauma of displacement, illuminates the human lives behind the headlines and serves as a stunning meditation on what it means to be a man and a citizen.

    He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

    The repercussions of his death bring together a diverse cast of characters: Guerraoui's daughter Nora, a jazz composer who returns to the small town in the Mojave she thought she'd left for good; his widow, Maryam, who still pines after her life in the old country; Efraín, an undocumented witness whose fear of deportation prevents him from coming forward; Jeremy, an old friend of Nora's and an Iraq War veteran; Coleman, a detective who is slowly discovering her son's secrets; Anderson, a neighbor trying to reconnect with his family; and the murdered man himself.As the characters--deeply divided by race, religion, and class--tell their stories, connections among them emerge, even as Driss's family confronts its secrets, a town faces its hypocrisies, and love, messy and unpredictable, is born.

    She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover the truth behind her identity. Dazzled by his love for her, and desperate for the scoop of a lifetime, Walser has no choice but to join the circus on its magical tour through turn-of-the-nineteenth-century London, St Petersburg and Siberia.

    I am your soulmate, your old friend, and I have come back to this city of sixteen million in search of you.So begins the first letter that falls into Wang’s lap as he flips down the visor in his taxi. The letters that follow are filled with the stories of Wang’s previous lives—from escaping a marriage to a spirit bride, to being a slave on the run from Genghis Khan, to living as a fisherman during the Opium Wars, and being a teenager on the Red Guard during the cultural revolution—bound to his mysterious “soulmate,” spanning one thousand years of betrayal and intrigue.As the letters continue to appear seemingly out of thin air, Wang becomes convinced that someone is watching him—someone who claims to have known him for over one thousand years. And with each letter, Wang feels the watcher growing closer and closer…Seamlessly weaving Chinese folklore, history, and literary classics, The Incarnations is a taut and gripping novel that sheds light on the cyclical nature of history as it hints that the past is never truly settled.

    Her house and her friends are picture-perfect. Even her genius husband, Maxon, has been trained to pass for normal. But when a fender bender on an average day sends her coiffed blonde wig sailing out the window, her secret is exposed. Not only is she bald, Sunny is nothing like the Stepford wife she’s trying to be. As her facade begins to unravel, we discover the singular world of Sunny, an everywoman searching for the perfect life, and Maxon, an astronaut on his way to colonize the moon. Theirs is a wondrous, strange relationship formed of dark secrets, decades-old murders and the urgent desire for connection. As children, the bald, temperamental Sunny and the neglected savant Maxon found an unlikely friendship no one else could understand. She taught him to feel -- helped him translate his intelligence for numbers into a language of emotion. He saw her spirit where others saw only a freak. As they grew into adults, their profound understanding blossomed into love and marriage. But with motherhood comes a craving for normalcy that begins to strangle Sunny’s marriage and family. As Sunny and Maxon are on the brink of destruction, at each other’s throats with blame and fear of how they’ve lost their way, Maxon departs for the moon, where he’s charged with programming the robots that will build the fledgling colony. Just as the car accident jars Sunny out of her wig and into an awareness of what she really needs, an accident involving Maxon’s rocket threatens everything they’ve built, revealing the things they’ve kept hidden. And nothing will ever be the same.

    Its acknowledged place in Latin American fiction and its appeal to a fresh generation of readers have warranted this new translation by Alfred Mac Adam, translator (with the author) of Fuentes's Christopher Unborn.As in all his fiction, but perhaps most powerfully in this book, Fuentes is a passionate guide to the ironies of Mexican history, the burden of its past, and the anguish of its present.

    When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny.

    His parents are long dead. His mother, a circus mermaid who made her living by holding her breath, drowned in the very water his house overlooks. His younger sister, Enola, ran off six years ago and now reads tarot cards for a traveling carnival.One June day, an old book arrives on Simon's doorstep, sent by an antiquarian bookseller who purchased it on speculation. Fragile and water damaged, the book is a log from the owner of a traveling carnival in the 1700s, who reports strange and magical things, including the drowning death of a circus mermaid. Since then, generations of "mermaids" in Simon's family have drowned--always on July 24, which is only weeks away.As his friend Alice looks on with alarm, Simon becomes increasingly worried about his sister. Could there be a curse on Simon's family? What does it have to do with the book, and can he get to the heart of the mystery in time to save Enola?In the tradition of Sara Gruen's Water for Elephants, Erin Morgenstern's The Night Circus, and Elizabeth Kostova's The Historian, The Book of Speculation--with two-color illustrations by the author--is Erika Swyler's moving debut novel about the power of books, family, and magic.