Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

    But unrest foments as undercaste cycle gangs raid supply trucks, agitate the populace and vandalize the city. A revolution is brewing in the slums and shantytowns against the occupying government, led by a voice on the radio, connected through forbidden magic.Wenthi Tungét, a talented cycle rider and a loyal officer in the city patrol, is assigned to infiltrate the cycle gangs. For his mission against the insurgents, Wenthi must use their magic, connecting his mind to Nália, a recently captured rebel, using her knowledge to find his way into the heart of the rebellion.Wenthi's skill on a cycle makes him valuable to the resistance cell he joins, but he discovers that the magic enhances with speed. Every ride intensifies his connection, drawing him closer to the gang he must betray, and strengthens Nália's presence as she haunts his mind.Wenthi is torn between justice and duty, and the wrong choice will light a spark in a city on the verge of combustion.

    Welcome to the world of Fairy Tales, Millennial style...Inside you'll find Sleeping Beauty waking up Woke, the Nanny Goats Gruff getting trolled, and three little pigs explaining that - realistically - a house of straw is really the only way a first time buyer can get on the property ladder.Goldilocks discovers a darling little Porridge pop-up, the Pied Piper shifts his content strategy to attract more followers, and Hansel and Gretel meet a witch with a disruptive approach to clean eating.

    They pine for lost loves and pop music romances, Hollywood heartthrobs, and sunnier towns. They flee from failed relationships and looming violence, adulthood and other deaths. Written with dark humor and incisive, voice-driven prose, Kara Vernor's stories will stick in your head like a song. "Kara Vernor's "Because I Wanted To Write You A Pop Song" is hilarious, dark, and beguiling. These wonderful stories crackle with hard-earned wisdom and wit and will, like all the very best songs, become forever etched on your heart." --John Jodzio, author of Knockout "Reading Kara Vernor is like being in a fast car that reveals the deepest secrets of its passerby. You rubberneck and yearn for more. You're spinning, you're flying, you're exhilarated and sad and brimming with thrill. Hail this book and hold on tight." --Lindsay Hunter, author of Ugly Girls "Kara Vernor says so much in so few words with these stories that I felt myself becoming a better reader as I read them. Her writing feels like a knife, cutting through so many of the falsehoods of American life and leaving only the truth, somehow leaving it both gently and determinedly at the same time. The stories in Because I Wanted to Write You a Pop Song do not flinch and do not seem to even remember how." --Siamak Vossoughi, author of Better Than War (winner of the Flannery O'Connor Award for Short Fiction) "The stories in "Because I Wanted to Write You a Pop Song" dazzle and tenderize. They are strange little worlds that invite you in...Kara Vernor writes with gut, heart, and striking beauty." --Jensen Beach, author of Swallowed by the Cold "If I could leave a few things in a capsule for the civilization coming next, I think I’d maybe pick Kara Vernor’s stories. Beings of the future might know us that way: how we thought; how our words arranged themselves on our tongues when we were only half thinking; what we were after, and how messed up that all was, but how vital in a deeper way. Like some of my favorite writers, Vernor is able to bring to the page a voice you’re shocked to recognize, for it seems so totally new. All of the stars, is what I’m trying to say. All of the hearts and cherries."--Scott Garson, author of Is That You, John Wayne?

    Okay yes, all that stuff too, but I'm not talking about that right now. The government has also been lying to us about space aliens. Aliens have landed on the National Mall and are asking to speak with the President of the United States. For the sake of the planet, diplomat Michael Wallenson is tasked with keeping them away from Donald Trump at all costs. Will Michael succeed? Or will these heavily armed, easily offended aliens succeed in reaching our leader? Building the border dome, coal-powered missiles, and the true identities of the men in black - all in Take Us To Your Trump, another hilarious satirical comedy from author Andrew Stanek.

    These are the stories told to warn children, entertain adults and beguile all. Contents:BluebeardThe Living BookThe Jacaranda WifeRed SkeinThe Chrysanthemum BrideFrozenThe Hummingbird HeartWordsThe Little Match GirlThe Juniper TreeSkinThe Bone MotherThe Dead Ones Don’t Hurt YouLight As Mist, Heavy As HopeDresses, ThreeThe Girl With No HandsCover design by Lisa L. Hannett

    A couple hires a partner for a threesome to rejuvenate their relationship after the birth of their child. An assistant at a prestigious literary journal reconnects with a middle school frenemy and finds his carefully constructed world of refinement cannot protect him from his past. In these and other stories, Tom Bissell vividly renders the complex worlds of characters on the brink of artistic and personal crisis--writers, actors, and other creative types who see things slightly differently from the rest of us. Surreal, poignant, squirmingly awkward--and always just a little bit off--this collection is a brilliant new offering from one of the most versatile and talented writers in America today.

    Helen may be able to channel the voice of the gods, but she hates her gift, and will do anything to get rid of it—even lie to her best friend, Myrtale, the priestess-princess of Epirus who is destined to marry King Philip II of Macedon even though she loves another. And in the shadows lurks a handsome green-eyed stranger who has more at stake—and more to lose—than anyone could possibly imagine.Amid jealousy and heartbreak, torrid affairs and secret rendezvous, it is spoken by the gods that either Helen or Myrtale —newly named Olympias— will carry the destiny of the known world within her womb.The prequel to LEGACY OF KINGS, VOICE OF GODS traces the intricate web of love and betrayal that led up to the birth of history’s most powerful leader, Alexander the Great.

    Now, there's a reason to be. Lux and his younger brother Lunam enjoy the full freedom of the simple life and all the childhood adventures offered by growing up in a small village in a picturesque glen. Life is tranquil, peaceful, and just about perfect—except for one formidable fact... Every day is followed by night. And, with the night, comes the DARKNESS. Slowly shrouding the valley and relentlessly seeping into every nook and cranny on its nightly rampage, the darkness returns to feast on its victims. No man, woman, child, animal—or even, insect—is safe. The darkness consumes all; the darkness's hunger is never satisfied. When the sun falls from the sky, the villagers, young and old, must take to arms, guarding their homes, loved ones, and livestock with every ray of light they can muster. Even young Lux and Lunam are well-soldiered in their responsibilities to safeguard themselves and their parents during the nightly vigil, the nightly fight to live to see another day. It's always been this way—the truths and ritual passed down from generation to generation since ancient times. No one dares question why. Nothing can change the frightening fact of the lives of the villagers or emancipate them from their singular foe—nothing, except a child's imagination and a curiosity as immutable as the darkness's own appetite. There's just one truth guiding every man, woman, and child to strive to see another day: "Darkness Comes but Once a Night."

    Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre “speaks so much about the experience of being alienated but contains so little writing by alienated people themselves.” It’s an oversight that Hopkinson and Mehan aim to correct with this anthology.The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the “third world.” It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the “developing” nations; stories that dare to dream what we might develop into.The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures.Contributors include: Opal Palmer Adisa, Tobias Buckell, Wayde Compton, Hiromi Goto, Andrea Hairston, Tamai Kobayashi, Karin Lowachee, devorah major, Carole McDonnell, Nnedi Okorafor-Mbachu, Eden Robinson, Nisi Shawl, Vandana Singh, Sheree Renee Thomas and Greg Van Eekhout.Nalo Hopkinson is the internationally-acclaimed author of Brown Girl in the Ring, Skin Folk, and Salt Roads. Her books have been nominated for the Hugo, Nebula, Tiptree, and Philip K. Dick Awards; Skin Folk won a World Fantasy Award and the Sunburst Award. Born in Jamaica, Nalo moved to Canada when she was sixteen. She lives in Toronto.Uppinder Mehan is a scholar of science fiction and postcolonial literature. A South Asian Canadian, he currently lives in Boston and teaches at Emerson College.