He's intense. He's obsessional. He's dangerous.DCI John Luther has an extraordinary clearance rate. He commands outstanding loyalty from friends and colleagues. Nobody who ever stood at his side has a bad word to say about him. But Luther seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn't; things way beyond the limits of the law.The Calling, the first in a new series of novels featuring DCI John Luther, takes us into Luther's past and into his mind. It is the story of the case that tore his personal and professional relationships apart and propelled him over the precipice. Beyond fury, beyond vengeance. All the way to murder…

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    An abandoned asylum. Will a mysterious former patient help untangle the dark truth?The body of an elderly woman has been found in the bowels of a derelict asylum on the banks of the Thames. As Detective Lew Kirby and his partner begin their investigation, another body is discovered in the river nearby. How are the two murders connected?Before long, the secrets of Blackwater Asylum begin to reveal themselves. There are rumours about underground bunkers and secret rooms, unspeakable psychological experimentation, and a dark force that haunts the ruins, trying to pull back in all those who attempt to escape. Urban explorer Connie Darke, whose sister died in a freak accident at the asylum, is determined to help Lew expose its grisly past. Meanwhile Lew discovers a devastating family secret that threatens to turn his life upside down.As his world crumbles around him, Lew must put the pieces of the puzzle together to keep the killer from striking again. Only an eccentric former patient really knows the truth—but will he reveal it to Lew before it’s too late?

    A story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition.The atmosphere of Bleak House, the sensuous thrill of Perfume, and the mystery of Jonathan Strange & Mr. Norrell all combine in a story of murder, deceit, love, and revenge in Victorian England."After killing the red-haired man, I took myself off to Quinn's for an oyster supper."So begins the extraordinary story of Edward Glyver--booklover, scholar, and murderer. As a young boy, Glyver always believed he was destined for greatness. A chance discovery convinces him that he was right: greatness does await him, along with immense wealth and influence. Overwhelmed by his discovery, he will stop at nothing to win back a prize that he knows is rightfully his.Glyver's path to reclaim his prize leads him from the depths of Victorian London, with its foggy streets, brothels, and opium dens, to Evenwood, one of England's most beautiful and enchanting country houses, and finally to a consuming love for the beautiful but enigmatic Emily Carteret. His is a story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition. And at every turn, driving Glyver irresistibly onward, is his deadly rival: the poet-criminal Phoebus Rainsford Daunt.The Meaning of Night is an enthralling novel that will captivate readers right up to its final thrilling revelation.

    There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after. Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals’ warnings: ‘There’s no luck for them as meddles with Gipsy’s Acre.’ Michael Rogers is a man who is about to learn the true meaning of the old saying ‘In my end is my beginning.’The title Endless Night was taken from William Blake’s Auguries of Innocence and describes Christie’s favourite theme in the novel: a “twisted” character, who always chooses evil over good.Christie finished Endless Night in six weeks, as opposed to the three-four months that most of her other novels took. Despite being in her seventies while writing it, she told an interviewer that being Michael, the twenty-something narrator, “wasn’t difficult. After all, you hear people like him talking all the time.”The book is dedicated to Christie's relative "Nora Prichard from whom I first heard the legend of Gipsy's Acre." Gipsy's Acre was a field on the Welsh moors.

    Scarclaw Fell. The body of teenager Tom Jeffries is found at an Outward Bound center. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who embarked on that fateful trip, and the flimsy testimony of those living nearby. 2017. Enter elusive investigative journalist Scott King, whose podcast examinations of complicated cases have rivaled the success of Serial, with his concealed identity making him a cult internet figure. In a series of six interviews, King attempts to work out how the dynamics of a group of idle teenagers conspired with the sinister legends surrounding the fell to result in Jeffries’ mysterious death. As every interview unveils a new revelation, you’ll be forced to work out for yourself how Tom Jeffries died, and who is telling the truth.

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    I'm a cemetery restorer who sees ghosts. In order to protect myself from the parasitic nature of the dead, I've always held fast to the rules passed down from my father. But now a haunted police detective has entered my world and everything is changing, including the rules that have always kept me safe.It started with the discovery of a young woman's brutalized body in an old Charleston graveyard I've been hired to restore. The clues to the killer, and to his other victims, lie in the headstone symbolism that only I can interpret. Devlin needs my help, but his ghosts shadow his every move, feeding off his warmth, sustaining their presence with his energy. To warn him would be to invite them into my life. I've vowed to keep my distance, but the pull of his magnetism grows ever stronger even as the symbols lead me closer to the killer and to the gossamer veil that separates this world from the next.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    So she flees Boston and rents an old home named Brodie’s Watch on a remote coastal peninsula of Maine, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. She immediately feels at peace in the isolated house–until she starts to hear strange noises.Rumor has it that a sea captain named Brodie has haunted the house for decades. Then, one night, Ava is awakened to find herself face to face with an apparition who looks–and feels–all too real. Meanwhile, there’s been a series of accidental deaths nearby that don’t add up. And as Ava starts to check into the previous renter’s mysterious disappearance, she starts to realize that there’s a disturbing secret some in town are desperate to keep hidden.Soon all of Ava’s waking hours are consumed by her investigation, and her nights are ignited by Captain Brodie’s ghostly visits. But even as she questions her own sanity, she knows she must uncover the truth before a killer strikes again.

    Once, a family disappeared there. And now Constance Langton has inherited this dark place as well as the mysteries surrounding it. Having grown up in a house marked by the death of her sister, Constance is no stranger to mystery, secrets, and the dark magic around us. Her father was distant. Her mother was in perpetual mourning for her lost child. In a desperate attempt to coax her mother back to health, Constance took her to a seance hoping she would find supernatural comfort. But tragic consequences followed, leaving her alone in the world-- alone with Wraxford Hall. Saddled with this questionable bequest, she must find the truth at the heart of all these disappearances, apparitions, betrayal, blackmail, and villainy, even if it costs her life. John Harwood's second novel delivers on the great promise proven by his first with this gripping mystery set in the heart of Victorian England.

    Martin Gänsewein, who spends his days in peace and quiet autopsying dead bodies for the city of Cologne. Shy, but scrupulous, Martin appreciates his taciturn clients--until the day one of them starts talking to him. It seems the ghost of a recently deceased (and surprisingly chatty) small-time car thief named Pascha is lingering near his lifeless body in drawer number four of Martin's morgue. He remains for one reason: his "accidental" death was, in fact, murder. Pascha is furious his case will go unsolved--to say nothing of his body's dissection upon Martin's autopsy table. But since Martin is the only person Pascha can communicate with, the ghost settles in with the good pathologist, determined to bring the truth of his death to light. Now Martin's staid life is rudely upended as he finds himself navigating Cologne's red-light district and the dark world of German car smuggling. Unless Pascha can come up with a plan--and fast--Martin will soon be joining him in the spirit world. Witty and unexpected, Morgue Drawer Four introduces a memorable (and reluctant) detective unlike any other in fiction today.Morgue Drawer Four was shortlisted for Germany's 2010 Friedrich Glauser Prize for best crime novel.

    Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

    For Lewis-born Macleod, the case represents a journey both home and into his past.A SECRETSomething lurks within the close-knit island community. Something sinister.A TRAPAs Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted.

    So the murderer has killed himself; that just saves the time and cost of a trial. But a second murder days later bears haunting similarities to the first, even though once more the murderer swiftly confesses and kills himself.Detective Inspector Anthony McLean is investigating the discovery of a dead girl, walled up in the basement of an old Edinburgh mansion. She has been brutally murdered, her internal organs removed and placed around her in six preserving jars. The evidence suggests this all happened over sixty years ago, an attempt to re-enact an ancient ceremony that by trapping a demon in the dead girl’s body would supposedly confer immortality on the six men who took one of her organs each.McLean’s grandmother – the woman who raised him after his parents were killed when he was a young boy – dies after months in a coma following a stroke. On top of this he has to investigate a series of unusual, violent suicides and a cat-burglar who targets the homes of the recently dead. But as another prominent Edinburgh businessman is killed, he begins to suspect that there may be a connection between the murders, the suicides and the ritual killing of the girl found in the basement. The same names keep cropping up. He just can’t find a rational explanation as to how that connection works.As he digs deeper, and as the coincidences stack up, McLean is forced to consider an irrational explanation. Could there really be something evil stalking the city he has sworn to protect? And if so, how on earth can he hope to stop it?