The walking wounded. These are the stories of ordinary people.

    In eight tragi-comic stories, Einstein's Beach House: Stories features ordinary men and women rising to life's extraordinary challenges.

     In the hilarious, lacerating “I Can Say Many Nice Things,” a washed-up writer toying with infidelity leads a creative writing workshop on board a cruise ship. In the dystopian “Rollingwood,” a divorced father struggles to take care of his ill infant, as his ex-wife and colleagues try to render him irrelevant. In “Watching Mysteries with My Mother,” a son meditates on his mother’s mortality, hoping to stave off her death for as long as he sits by her side. And in the title story, told in a single breathtaking sentence, we watch as the narrator’s marriage and his sanity unravel, drawing him to the brink of suicide. As the collection progresses, we move from more traditional narratives into the experimental work that has made Ben Marcus a groundbreaking master of the short form. In these otherworldly landscapes, characters resort to extreme survival strategies to navigate the terrors of adulthood, one opting to live in a lightless cave and another methodically setting out to recover total childhood innocence; an automaton discovers love and has to reinvent language to accommodate it; filial loyalty is seen as a dangerous weakness that must be drilled away; and the distance from a cubicle to the office coffee cart is refigured as an existential wasteland, requiring heroic effort. In these piercing, brilliantly observed investigations into human vulnerability and failure, it is often the most absurd and alien predicaments that capture the deepest truths. Surreal and tender, terrifying and life-affirming, Leaving the Sea is the work of an utterly unique writer at the height of his powers.What have you done? --I can say many nice things --The dark arts --Rollingwood --On not growing up --My views on the darkness --Watching mysteries with my mother --The loyalty protocol --The father costume --First love --Fear the morning --Origins of the family --Against attachment --Leaving the sea --The moors

    It has become a feature of the designer's job to define the problems that exist in his network, choose and analyse several optimization parameters during the analysis process, and then prioritize and evaluate these parameters in the architecture and design of the system.

    It springs spontaneously from the lofty hearts and makes its own way to unite with its generous reciprocators. At times, it becomes dry and seeks the abundance of a big-hearted lover. In other scenarios, the river gets frozen and looks for the warmth of a passionate soul. And in some cases, it may just be ready and waiting to leap forth from its humble abode. All it takes is just a little stroke of fate for that river to unleash itself and flow in its full glory.'Unleash That River' is an anthology of six short stories of love and contemporary romance.1) Keys: When Dhyey returns home to meet his mother after several months, he discovers that she has started sharing the house with a beautiful tenant, Nishita who not only holds the key to his house, but to his locked heart as well.2) Dot Every 'i' And Cross Every 't':Varun and Puja met for the first time through an arranged marriage proposal. However, in order to make sure that they are the ones who can really complement each other for the rest of their lives, they must take a step out of their comfort zones, and do something unprecedented and outright crazy.3) Why Not:Neel and Rashi both have miserably failed at their first romantic endeavor. Will they keep cursing their rotten luck and ask why? Or will they reclaim the charge of their lives to embrace the second chance and say why not?4) Immeasurable Nouns:Aditi and Kartik are the academic stars of their class and each other’s arch rivals. Aditi hates boys. But Kartik secretly loves her. To win her heart, he must wait for the right moment and make every move cautiously. One day, during an English class, that moment presents itself in its full bloom.5) Madly In Marriage:Swayam and Soniya have not left any stone unturned to avoid marrying each other. But their families see this union as a match made in heaven and are hellbent to see it through. 6) Hearts And Ice-creams:Tushar is obsessed with finding his childhood crush who disappeared out of his life without a clue. Fifteen years later, will he be able to move on or destiny has yet to play its last trick?

    In spare, elegant prose, Freed delivers surprise after surprise as she shakes the truth from life. Whether it's her portrayal of a mother mired in senile dementia in "Ma," a young girl experiencing her first sexual encounter with an itinerant knife-sharpener in "Under the House," or a young woman incapable of loving conventionally in "An Error of Desire," Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters' lives. These masterful stories reinforce her reputation as one of our most fearless and sophisticated explorers of sexual and filial love.

    The collection consists of five short stories: 'The Small Rain', 'Lowlands', 'Entropy', 'Under the Rose', and 'The Secret Integration', as well as an introduction written by Pynchon himself for the 1984 publication. The five stories were originally published individually in various literary magazines but in 1984, after Pynchon had achieved greater recognition, Slow Learner was published to collect and copyright the stories into one volume. The introduction also offers a rare insight into Pynchon's own views on his work and influences.

    These are vibrant, weighty stories that herald the arrival of a young writer of surprising feeling and depth.“Terror Birds” tracks the dissolution of a marriage set against an ostrich farm in the sweltering Arizona desert; “Dharma at the Gate” features the tempest of young love as a teenaged girl must choose between man’s best friend, her damaged boyfriend, and a beckoning future; “Captivity” follows an octopus handler at an aquarium still haunted by the disappearance of her brother years ago; “The Girls of Apache Bryn Mawr” details a Greek chorus of Jewish girls at a summer camp whose favorite counselor goes missing under suspicious circumstances; “In the Spirit Room” centers on a scientist suffering the heartbreaking loss of a parent from Alzheimer’s while living in the natural history museum where they both worked; in “Fire Blight” a father grieving over his wife’s recent miscarriage finds an outlet for comfort in their backyard garden and makes a surprising discovery on how to cherish living things; and in the title story, a retired woman traces the steps of the husband who left her thirty years ago, burning the letters he had sent along the way, while the luminous and exotic wildlife of the Pacific Ocean opens up to receive her.Unflinching, exciting, ambitious and yet heartfelt, The Last Animal will guide readers through a menagerie of settings and landscapes as it underscores the connection among all living things.Content: Terror birds Dharma at the gate Captivity Silence The girls of Apache Bryn Mawr Isaiah on Sunday In the spirit room Landscaping Fire blight The last animal.

    A few of the stories have never been published before; the others have appeared in "The New Yorker," and several of those have also been included in "The Best American Short Stories." All are infused with the dazzling, astonishingly creative prose and the remarkable, haunting autobiographical elements that have distinguished Hemon as one of the most original and illustrious voices of our time. What links the stories in "Love and Obstacles" is the narrator, a young man who-like Hemon himself-was raised in Yugoslavia and immigrated to the United States. The stories of "Love and Obstacles" are about that coming of age and the complications-the obstacles-of growing up in a Communist but cosmopolitan country, and the disintegration of that country and the consequent uprooting and move to America in young adulthood. But because it's Aleksandar Hemon, the stories extend far beyond the immigrant experience; each one is punctuated with unexpected humor and spins out in fabulist, exhilarating directions, ultimately building to an insightful, often heartbreaking conclusion. Woven together, these stories comprise a book that is, genuinely, as cohesive and powerful as any fiction- achingly human, charming, and inviting.

    Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark.In Unstitching, a feminist revolution takes place. In Waxy, a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In Agata's Machine, two schoolgirls conjure a Pierrot and an angel in a dank attic room. In Notes from a Spider, a half-man, half-spider finds love in a great European city.By constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has come up with a method for storytelling that is highly imaginative, incredibly original, and absolutely discomfiting.Content:- Unstitching (2017)- The Mouse Queen (2017)- The Gothic Society (2017)- Waxy (2016)- The Doll's Alphabet (2017)- The Mermaid (2017)- Agata's Machine (2015)- Rhinoceros (2017)- The Sad Tale of the Sconce (2017)- Edward, Do Not Pamper the Dead (2017)- Hungarian Sprats (2017)- The Moth Emporium (2017)- Notes from a Spider (2017)

    These people tell us the truth–not only about themselves, their relationships, and their lives, but about ourselves as well. A Perfect Stranger powerfully and affectingly examines the complex, intricate network of experiences that binds us to one another. These stories are tender, raw, lovely, fine–and they reaffirm Roxana Robinson’s place at the forefront of modern literature.

    Taut, lucid, and engrossing, provocative and dark—and often darkly funny—these stories have much to offer the lover of literary fiction as well as the reader who just loves a great story.