Her world is rocked when a 14-year-old African-American boy, Emmett Till, is killed for allegedly whistling at a white woman. A powerful middle-grade debut perfect for readers who enjoyed The Watsons Go to Birmingham and Brown Girl Dreaming.

    This time, Paige’s specific wish is one she’s not sure can come true: Don’t let Mom and Grandpa sell the farm.When Paige’s younger brother finds a wounded peacock in the barn, Paige is sure it’s a sign that if she can keep the bird safe, she’ll keep the farm safe too. Peacocks, after all, are known to be fierce protectors of territory and family.With determination and hard work, Paige tries to prove she can save the farm on her own, but when a real estate agent stakes a “For Sale” sign at the end of the driveway and threatens everything Paige loves, she calls on her younger brother and her best friends, Mateo and Kimana, to help battle this new menace. They may not have street smarts, but they have plenty of farm smarts, and some city lady who’s scared of spiders should be easy enough to drive away.But even as the peacock gets healthier, the strain of holding all the pieces of Paige’s world together gets harder. Faced with a choice between home and family, she risks everything to make her wish come true, including the one thing that scares her the most: letting the farm go.

    She cannot walk or talk, but she has a photographic memory; she can remember every detail of everything she has ever experienced. She is smarter than most of the adults who try to diagnose her and smarter than her classmates in her integrated classroom - the very same classmates who dismiss her as mentally challenged because she cannot tell them otherwise. But Melody refuses to be defined by cerebral palsy. And she's determined to let everyone know it - somehow.

    Owens grabbed a brick and hurled it at the trash picker. Arthur had his reasons, and the brick hit the Junk Man in the arm, not the head. But none of that matters to the judge—he is ready to send Arthur to juvie for the foreseeable future. Amazingly, it’s the Junk Man himself who offers an alternative: 120 hours of community service . . . working for him. Arthur is given a rickety shopping cart and a list of the Seven Most Important Things: glass bottles, foil, cardboard, pieces of wood, lightbulbs, coffee cans, and mirrors. He can’t believe it—is he really supposed to rummage through people’s trash? But it isn’t long before Arthur realizes there’s more to the Junk Man than meets the eye, and the “trash” he’s collecting is being transformed into something more precious than anyone could imagine. . . . Inspired by the work of American folk artist James Hampton.

    As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father’s actions.Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today’s world, and how one boy grows to understand American blackness in the aftermath of his own death.

    There’s just one problem—Gage doesn’t actually have a place to live.When Ari’s mother died four years ago, she had two final wishes: that Ari and her older brother, Gage, would stay together always, and that Ari would go to Carter, the middle school for gifted students. So when nineteen-year-old Gage decides he can no longer live with their bossy guardian, Janna, Ari knows she has to go with him. But it’s been two months, and Gage still hasn’t found them an apartment. He and Ari have been "couch surfing," staying with Gage’s friend in a tiny apartment, crashing with Gage’s girlfriend and two roommates, and if necessary, sneaking into a juvenile shelter to escape the cold Maine nights. But all of this jumping around makes it hard for Ari to keep up with her schoolwork, never mind her friendships, and getting into Carter starts to seem impossible. Will Ari be forced to break one of her promises to Mama? Told in an open, authentic voice, this nuanced story of hiding in plain sight may have readers thinking about homelessness in a whole new way.

    Because now the girls are standing up for what's right, and they're not backing down.

    Then, on Thanksgiving Day, her older brother, Tom, brings home a pink, squirmy bundle wrapped in an old football jersey—a piglet he rescued from a nearby farm. Her name is Hamlet.The minute Josie holds Hamlet, she feels an instant connection. But there’s no room for Hamlet in the crowded Shilling household. And whoever heard of keeping a pig in the city? So it’s up to Josie to find her a forever home.

    Toby's in bad shape, and Fred longs to rescue him from the old man with the mile-long mean streak who lives next door. But Margery—the straight-talking woman who is fostering Fred—says going over to their house is against the rules.And since Fred will only be around until her mother comes to grips with her dependence, Fred can't let herself care too deeply. Not about Toby or Margery or Delia, a new classmate whose insistent friendship surprises Fred at every turn. Because the more Fred lets this loveable band of misfits into her heart, the harder it'll be to leave them all behind.In this story of loss and love, acclaimed author Cecilia Galante examines life's difficult choices and how a girl plus the dog she loves can add up to finding family in the most unlikely places.

    Years ago, when her mother left, Judith stopped talking. Now she communicates entirely through gestures and taps, and by drawing cartoons, speaking only when she’s alone—or with Dog. This year, Judith faces a big change—leaving her small, special classroom for a regular fifth-grade class. She likes her new teacher, and finds a maybe-friend in a boy named Mason. But Jubilee’s wandering feet won’t stop until they find her mother. And now she discovers that her mother has moved back to the mainland, nearby. If Jubilee finds her, will her mother’s love be what she needs to speak again?  Judith’s cartoons are sprinkled throughout.

    But the biggest mystery yet is Ian Wainscott, the handsomest (and most arrogant) boy in school who inexplicably hates her. Will the homework be found? Can they ever track down the Yeti? And why is Ian out to ruin her?With black-and-white art throughout, this is the launch of an exciting new mystery series!

    That’s why the Collectors are always keeping watch.Van has always been an outsider. Most people don’t notice him. But he notices them. And he notices the small trinkets they drop, or lose, or throw away—that’s why his collection is full of treasures. Then one day, Van notices a girl stealing pennies from a fountain, and everything changes. He follows the girl, Pebble, and uncovers an underground world full of wishes and the people who collect them. Apparently not all wishes are good and even good wishes often have unintended consequences—and the Collectors have made it their duty to protect us. But they aren't the only ones who have their eyes on the world’s wishes—and they may not be the good guys, after all.

    But right after they disembark, Nora’s cousin Riley falls to the ground…and doesn’t get up. Nora had begged and dragged Riley onto the ride, and no matter what the doctors say, that she had a heart condition, that it could have happened at any time, Nora knows it was her fault. Then, as Riley comes out of her coma, she’s not really Riley at all. The cousin who used to be loud and funny and unafraid now can’t talk, let alone go to the bathroom by herself. No, she’s only 10% Riley. Nora, guilt eating her up on the inside worse than a Coney Island hotdog, thinks she knows how to help. How to get 100% Riley back. But what Nora doesn’t realize is that the guilt will only get worse as that percentage rises.

    Most people see the old constellations, the things they've been told to see. But Liberty sees new patterns, pictures, and possibilities. She's an exception. Some other exceptions:Her dad, who gave her the stars. Who moved out months ago and hasn't talked to her since.Her mom, who's happier since he left, even though everyone thinks she should be sad and lonely.And her sister, who won't go outside their house. Liberty feels like her whole world is falling from space. Can she map a new life for herself and her family before they spin too far out of reach?

    She's also pretty lonely, until she meets Jennifer. Jennifer is...well, different. She's read Macbeth. She never wears jeans or shorts. She never says please or thank you. And she says she is a witch. It's not always easy being friends with a witch, but it's never boring. At first an apprentice and then a journeyman witch, Elizabeth learns to eat raw ends and how to cast small spells. And she and Jennifer collaborate on cooking up an ointment that will enable them to fly. That's when a marvelous toad, Hilary Ezra, enters their lives. And that's when trouble starts to brew.