Others you don’t dare let out … Twin Peaks meets The Dry in a deliciously dark and twisted tale that unravels a small town Ambitious young journalist Marlowe ‘Lo’ Robertson would do anything to escape the suffocating confines of her small home town. While begrudgingly covering the annual show for the local paper, Lo is horrified to discover the mutilated corpse of Lily Williams, the reigning showgirl and Lo’s best friend. Seven strange symbols have been ruthlessly carved into Lily’s back. But when Lo reports her grisly find to the town’s police chief, he makes her promise not to tell anyone about the symbols. Lo obliges, though it’s not like she has much of a choice – after all, he is also her father. When Lily’s murder makes headlines around the country and the town is invaded by the media, Lo seizes the opportunity to track down the killer and make a name for herself by breaking the biggest story of her life. What Lo uncovers is that her sleepy home town has been harbouring a deadly secret, one so shocking that it will captivate the entire nation. Lo’s story will change the course of her life forever, but in a way she could never have dreamed of.

    A missing manuscript. An undying love.Thisbe Chisholm wants to be a writer. It's 2007, a time of digital revolution and skyrocketing property prices, but she's an old-fashioned girl. She doesn't even own a mobile phone. She has no stars-in-her-eyes desire for fame, to see her name on the cover of a book, either. She longs only to tell of the stories written on her heart.While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but it's paid the rent for the last three years since university graduation.Just as she completes her novel, though, she is brutally killed at the end of John's street.Who murdered Thisbe? What will become of her novel?From the gritty glamour of Bondi Beach to the cold streets of London, here is a tale of tragedy and literary betrayal, of a publishing industry grappling with change and a great love drowning in guilt-wracked grief. Haunting, whimsical and sharply observed, Her Last Words lays bare the truth that, while some crimes might go unpunished among the privileged, words themselves have a way of enduring - and exacting a justice all their own.Praise for Kim Kelly'deeply moving...alive, full-hearted and shimmering with hope' - Belinda Castles, Bluebottle'Kelly is a masterful creator of character and voice.' - Julian Leatherdale, Palace of Tears'history that makes you think as well as feel' - Wendy James, The Golden Child'an author who writes with such a striking sense of atmosphere and sublime instinct' - Theresa Smith Writes'storytelling is clearly encoded in her DNA' - Writerful Books'It is uplifting to know that there are people who can write like this, with clarity, a bit of devilment and a hint of a smile.' Canberra Times'marvellous depth and authenticity based on some impressive research, and her characters, plot and fluid prose draw the reader into this world' - Daily Telegraph'colourful, evocative and energetic' - Sydney Morning Herald'storytelling that breaks the rules so beautifully' - Jenn J McLeod, A Place to Remember'Kim Kelly's writing is magnificent' - With Love for Books'told with wit, warmth and courage' - Kylie Mason, The Newtown Review of Books'vivid and enthralling' - Lisa Walker, The Girl with the Gold Bikini'simply superb' - Karen Brooks, The Darkest Shore

    And like any good love song, it has two parts.In Australia, Arie Johnson waits impatiently for classical pianist Diana Clare to return from a world tour, hopeful that after seven years together she'll finally agree to marry him.On her travels, Diana composes a song for Arie. It's the perfect way to express her love, knowing they'll spend their lives together... Won't they?Then late one night, her love song is overheard, and begins its own journey across the world.In Scotland, Evie Greenlees is drifting. It's been years since she left Australia with a backpack, a one-way ticket and a dream of becoming a poet. Now she spends her days making coffee and her nights serving beer. And she's not even sure whether the guy she lives with is really her boyfriend or just a flatmate.Then one day she hears an exquisite love song. One that will connect her to a man with a broken heart...

    For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not-bold, daring, carefree-and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, he is shocked...although perhaps not devastated. But as days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to look back on their lives and examine whether or not Whiskey's actions were truly as unforgivable as Charlie believed them to be.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    Short-listed twice for the Booker Prize and the winner of a record four Miles Franklin Literary Awards for Best Australian Novel, he has a gift for language virtually unrivaled among writers in English. His work is both tough and tender, primordial and new - always revealing the raw, instinctual drives that lure us together and rend us apart. In The Shepherd's Hut, Winton crafts the story of Jaxie Clackton, a brutalized rural youth who flees from the scene of his father's violent death and strikes out for the vast wilds of Western Australia. All he carries with him is a rifle and a waterjug. All he wants is peace and freedom. But surviving in the harsh saltlands alone is a savage business. And once he discovers he's not alone out there, all Jaxie's plans go awry. He meets a fellow exile, the ruined priest Fintan MacGillis, a man he's never certain he can trust, but on whom his life will soon depend. The Shepherd's Hut is a thrilling tale of unlikely friendship and yearning, at once brutal and lyrical, from one of our finest storytellers.

    Building a fence is not going to keep the world out and won't keep your children in. Life's not that simple."Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into the quiet life of this cosy community.Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. More than just a new home, it's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together.To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden.To Gwen, this as an act of war.Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.PRAISE FOR THE FENCE"There's nothing polite about this white picket fence drama. In this green-thumbed social satire of suburban neighbourly conflict, Meredith Jaffe's wicked sense of humor blooms in the fertile compost of domestic discord. To be enjoyed in all seasons, in full sun or part shade, requiring no watering or weeding. A mischievous treat for anyone who has ever had tricky neighbours. Jaffe is a welcome new talent." Caroline Baum, Booktopia

    Every day Emma pushes herself hard on the land, hoping to make ten-year-old memories of a terrible car accident disappear. And now there are more recent nightmares of an ex-husband who refuses to understand how much the farm means to Emma.When criminal Joel Hammond is released from jail and heads home to Barker, Detective Dave Burrows and his officer Senior Sergeant Jack Higgins are on high alert. Joel has a long and sorry history with many of the townsfolk and they are not keen to see him home to stay.Not all of the Barker locals want to see Joel run out of town though. Some even harbour doubts about Joel's conviction. The town finds itself split down the middle, families pitted against each other with devastating outcomes.

    Condemned by their pity to living she increasingly escapes through her hospital window into visions of horror and delight.When Anna’s finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful novel about hope and love and orange-bellied parrots.

    Claire, a former professional ballerina, has been a wonderful parent to Ethan, but he’s becoming increasingly curious about his father’s absence in his life. Claire is fiercely protective of her talented, vulnerable son—and of her own feelings. But when Ethan falls ill, tied to a tragic event that occurred during his infancy, her tightly-held world is split open. Thousands of miles away on the western coast of Australia, Mark is trying to forget about the events that tore his family apart, but an unexpected call forces him to confront his past and return home. When Ethan secretly intercepts a letter from Mark to Claire, he unleashes long-suppressed forces that—like gravity—pull the three together again, testing the limits of love and forgiveness. Told from the alternating points of view of Ethan and each of his parents, Relativity is a poetic and soul-searing exploration of unbreakable bonds, irreversible acts, the limits of science, and the magnitude of love.

    In this clever and explosive thriller, a feisty but flawed investigative journalist battles unexplained deaths, big business, trade unions and media manipulation amidst the gritty underside of Melbourne.She was slipping away. The further she fell, the closer the clouds seemed to come. Wispy transparent slipstreams of white. Cirrus. Pain smashed her head. Floating ... When investigative journalist Chrissie O’Brian lands a senior job at The Argus, she is desperate to escape the nightmares of her past. Her life has become a daily battle to numb the pain. But her job is something she does better than anyone else – and the only thing that’s keeping her anchored to this world. A face-off on the waterfront between the unions and big business is just the kind of headline-grabbing story to get her career back on track. But when a dockworker turns up dead, she becomes obsessed with unravelling the truth. When a gruesome threat lands on her desk, it's clear someone will do anything to stop her. But this is one battle Chrissie won't give up without a fight.

    Only Pen knows the reason why.College life had seemed like a wonderland of sex, drugs and maybe even love. The perfect place to run away from your past and reinvent yourself. But Pen never can run far enough and when friendships are betrayed, her secrets are revealed. The consequences are deadly.‘This is about three deaths. Actually more, if you go back far enough. I say deaths, but perhaps all of them were murders. It’s a grey area. Murder, like beauty, is in the eye of the beholder. So let’s just call them deaths and say I was involved. This story could be told a hundred different ways.’‘This is a novel of disquieting intimacy and controlled suspense, Aoife Clifford deftly tightening the screws until we share the narrator’s sense of emotional and physical confinement and the unremitting grip of the past.’ - Garry Disher, author of Bitter Wash Road

    I want to feel that ease and confidence, too. Like this is my city again, and I know my way around it.Eight years ago, Sahar pursued her happily ever after when she married Khaled and followed him to Jordan, leaving behind her family, her friends and a thriving cake business. But married life didn't go as planned and, haunted by secrets, Sahar has returned home to Sydney without telling her husband.With the help of her childhood friends, Sahar hits the reset button on her life. She takes a job at a local patisserie run by Maggie, a strong but kind manager who guides Sahar in sweets and life.But as she tentatively gets to know her colleagues, Sahar faces a whole new set of challenges. There's Kat and Inez, who are determined that Sahar try new experiences. Then there's Luke, a talented chocolatier and a bundle of contradictions.As Sahar embraces the new, she reinvents herself, trying things once forbidden to her. But just when she is finally starting to find her feet, her past finds its way back to her.'A woman's journey of self-discovery, the power of enduring female friendships and an unexpected love story. The Things We See in the Light ticked all my boxes. I loved everything about this story." Tess Woods

    Even back then, she was a mystery that I wanted to solve.The lead homicide investigator in a rural town, Detective Sergeant Gemma Woodstock is deeply unnerved when a high school classmate is found strangled, her body floating in a lake. And not just any classmate, but Rosalind Ryan, whose beauty and inscrutability exerted a magnetic pull on Smithson High School, first during Rosalind's student years and then again when she returned to teach drama. As much as Rosalind's life was a mystery to Gemma when they were students together, her death presents even more of a puzzle. What made Rosalind quit her teaching job in Sydney and return to her hometown? Why did she live in a small, run-down apartment when her father was one of the town's richest men? And despite her many admirers, did anyone in the town truly know her? Rosalind's enigmas frustrate and obsess Gemma, who has her own dangerous secrets—an affair with her colleague and past tragedies that may not stay in the past.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...