Accused of being a witch by a wealthy farmer in the small remote village where she lived in the early 1800's.One hundred and seventy years later these strange events, now only remembered by a few, come to light when Kitty and Gordon move back to the Devon village where they were born. They buy an old orchard from a neighbouring farm and build a small house, all is fine until they move in.Over the course of their first week in the house chilling apparitions appear and events spiral out of control, bringing the past and present together until the shocking truth emerges as to what really happened to Hannah.The Cunning Man is the second book in the series featuring the psychic sisters Queenie and Sybil.

    Crammed with catastrophe, terror, and ghostly interventions, the novel was an immediate success, and influenced numberous followers. These include William Beckford's Vathek (1786), which alternates grotesque comedy with scenes of exotic magnificence in the story of the ruthless Caliph Vathek's journey to damnation. The Monk (1796), by Matthew Lewis, is a violent tale of ambition, murder, and incest, set in the sinister monastery of the Capuchins in Madrid. Frankenstein (1818, 1831) is Mary Shelley's disturbing and perennially popular tale of a young student who learns the secret of giving life to a creature made from human relics, with horrific consequences.This collection illustrates the range and attraction of the gothic novel. Extreme and sensational, each of the four printed here is alos a powerful psychological story of isolation and monomania.

    What dark and secret spell beguiled Oriskany Forks?Why did Crazy Lizzy paint her body with strange symbols? Who stole Cass's newborn baby girl? Why did the round house have a windowless second story -- and no way to reach it? Was the circular pit in the woods a meeting place for a witches' coven?Who would believe there could be so much evil in such a pretty little town?

    . . but immortality comes at a price. . . . On the midnight shift at a hospital in rural St. Andrew, Maine, Dr. Luke Findley is expecting a quiet evening--until a mysterious woman, Lanore McIlvrae, arrives in his ER, escorted by police. Lanore is a murder suspect, and Luke is inexplicably drawn to her. As Lanny tells him her story, an impassioned account of love and betrayal that transcends time and mortality, she changes his life forever. At the turn of the nineteenth century, Lanny was consumed as a child by her love for the son of St. Andrew’s founder, and she will do anything to be with him forever, but the price she pays is steep--an immortal bond that chains her to a terrible fate.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    Even so, Kate found it difficult to understand his peculiar hatred of his elder brother Logan, on whose charity Maurice was obliged to depend. But when she accidentally stumbled upon Maurice with Logan's fiancée , she became aware of some of the secrets of Tor-Fret, and realised she was getting too deeply involved with Logan Rossiter and the other inhabitants of the mysterious household.

    While there, Phoebe is drawn to a stranger, the enigmatic Nathaniel Samuels who heralds dramatic changes in the lives of all three women. When offered the position of companion to Nathaniel's reclusive wife, Phoebe leaves her life in London's East End for Dinwood Court in Herefordshire — a house that may well be haunted and which holds the darkest of truths. In a gloriously gothic debut, Essie Fox weaves a spellbinding tale of guilt and deception, regret and lost love.

    Is Mark going mad or was his girlfriend Called from Beyond? Mark’s girlfriend dies in a car accident before he can tell her how much he loves her. He never believed in ghosts, but a well-meaning friend and guilt push him into new and dangerous territory. All he wants is the chance to say he is sorry. To speak to her one more time. During a desperate, alcohol-fueled binge, he buys an Ouija board and calls Alissa. Is his drinking problem or survivor’s guilt making him doubt his sanity? Or are the footsteps in the night and inexplicable messages real—has Alissa returned? Gail and Jesse have their own guilt to bear, both tormented by a secret they have no choice but to keep. Is it their fault Alissa died? All they want is to help Mark through his grief, but his true plight soon becomes apparent. Evil is waiting and it’s worse than they can imagine. Will Mark be sucked into the darkness or will he send away his love to save his own life? Scroll up now to find out in this thrilling, fast-paced ghost story that will have you reading well into the night. Just remember to keep the lights on. This is the second book in the exciting Spirit Guide Series. Each book is a complete story and they can be read in any order. They follow Gail and Jesse as they search for ways to put spirits to rest and to save those who are tormented by them. The first book in the series is The Haunting of Seafield House It is permanently 0.99 and FREE on Kindle Unlimited or get an introduction to the series for free - Get The Black-Eyed Children at http://eepurl.com/cGdNvX

    None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Grey, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Grey and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

    Mere miles away, on an overgrown river island, stands the house that once presided over the grand plantation of Angel’s Landing, moss-draped, decrepit. Waiting. Failing crime writer Bradley Ellison and former prostitute Missy Holiday are drawn to this place, fleeing a world turned against them. For Brad, it is work—he must find a compelling story before the true-crime magazine he writes for judges him expendable. For Missy, it is recuperation—four years at "the club" have left her drained. But the price of peace is high, and soon Brad and Missy discover that something hides behind the quiet. Something moves in the night. Something that manifests itself in bizarre symbols and disturbing funeral rites. Something that twists back through time and clings in the dust of the ancient house. A presence they must uncover before their own past catches up with them.

    Every day when the Comanche wakes up, there are fewer buffalo and more white settlers invading the plains where he and his people make their home. Angered as he is by the relentless assault on the land he loves, Running Elk doesn’t think about the differences between his people and the settlers when he spots Alexandria Standish picking flowers one day. The woman’s beauty bowls him over, and Running Elk knows he’ll never be the same again, just like he knows he won’t be able to avoid seeking her out, again and again, no matter the consequences. Alexandria doesn’t know what to think when she encounters the quiet, handsome Comanche warrior just beyond her wagon train’s encampment. She’s never met anyone who makes her feel this way—not even her husband, who is more brother to her than lover, truthfully. But Running Elk stirs something in her … something she can’t let go of, no matter what. And when he kisses her for the first time, she knows that her world has been forever changed. Will their love be able to conquer the tide of change sweeping across the country, threatening the only life Running Elk and his tribe have ever known?

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.

    Gothic-romance novel written to meet a publisher's guidelines and "stave off starvation and buy a little time to write what I really cared about."

    But now a new evil walks among the living. . . . When nineteen-year-old John Shaw returns from the trenches of World War I, he is haunted by nightmares—not only of the battlefield, but of the strange, cruel and impossible feats of his regiment's commander, Quincey Harker. Harker's ferocity knows no limits, and his strength is superhuman. At first John blames his bloody nightmares on trench fever. But when Harker appears in England and begins wooing John's sister, John must confront the truth—and stop Harker from continuing Dracula's bloodline.

    When Marian Taylor takes a post as governess at Gaze Castle, a remote house on a desolate coast, she finds herself confronted with a number of weird mysteries and involved in a drama she only partly understands.