Yes, she’s thirty-three, single, and has had to work as a waitress and children’s party entertainer since her social worker salary suffered from budget cuts, but she stays positive and manages to pay the mortgage on her flat. Her home is her sanctuary – until Tom moves in downstairs. Lucy and Tom quickly fall in love and into a serious relationship, which is complicated by Tom’s recent separation from his wife, who he has two young sons with. Lucy is heartbroken when Tom breaks up with her, saying that something has to give in his busy life. Encouraged/coerced/badgered by her friends into getting ‘back on that horse’, Lucy finds herself at a tacky Singles Night; dating Danny, a Justin Timberlake impersonator; and attempting a rendezvous with her ‘special friend’. Lucy’s quest to move on from Tom would be a whole lot easier if she didn’t have to hear everything he does. After all, how on earth do you get over someone when you can hear them peeing? Him Downstairs is relatable Chick Lit for readers 18+ who have dipped their toe into the world of modern dating and relationships. It contains adult language and humour, and is written in ‘British English’.

    His dream is to be admitted to the elite detective bureau of Amsterdam’s police force, but he knows he needs to prove himself as a uniformed officer first.That is, until he is sent to interview witnesses of an audacious kidnapping in the city centre: Alfred Heineken, head of the brewery corporation, has been snatched by shadowy assailants and driven at speed from the scene. Is this really just about a ransom or is there any truth to the rumour that West German terrorists are involved? The case is far beyond van der Pol’s rank but his instincts tell him to do everything in his modest power to solve it—even if it means putting his own life at risk.From the bestselling author of The Harbour Master, Initiation introduces Daniel Pembrey’s beloved detective as a green young officer at the very start of his career, determined to outwit criminals and his superiors alike, in a first case that could well have been his last.

    Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency."After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining.For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into--and out of--Stanley Kubrick's cinematic maze.

    His company, HandMade films, went on to make some of the best British films of the 80s (Withnail and I, Time Bandits and Mona Lisa among them), but then things started to go wrong... This is the incredible and often hilarious insiders’ story of what happened...

    Film geeks, cinema snobs, VHS collectors, and anyone else who likes their entertainment a little on the weird side will appreciate author Danny Peary’s in-depth approach to their favorite sci-fi films ranging from Barbarella to Liquid Sky.

    When his tentative efforts at a relationship with elegant political campaign worker Betsy come to naught, Travis conceives of an assassination attempt upon her boss, Senator Charles Palantine. But as he cruises the streets at night, Travis encounters a hapless child prostitute, Iris, and her sinister pimp, sport. Travis's mounting psychosis acquires a new focus, and violence erupts . . .One of the key films of the 1970s and winner of the Palme d'Or at the 1976 Cannes Film Festival, Taxi Driver was the first of several potent collaborations between Paul Schrader and director Martin Scorsese. Inspired by Ford's The Searchers, Bresson's Diary of a Country Priest, the diaries of real-life gunman Arthur Bremer, and an especially tormented period in Schrader's own life, Taxi Driver remains a devastating portrait of a man in urban purgatory.

    Illustrated.

    The rubber snake might as well be a real snake—the nightmare reality—when they elicit the same response. Blind fear will make both horse and rider try to outrun lions, even when those lions are made of paper. Blind fear can send you straight over a cliff, and even if you manage to pull up before the edge, that is no way to live life. It is only through training, training, and more training, and then testing that training, that you learn to turn and face fear, find courage, and welcome the ride, wild though it promises to be. These are the rings of fire, the trials that lie ahead for all of us, whether they be taking command of a spooky horse or navigating more human problems. Once trained, with worthy companions marching with you, shoulder-to-shoulder, you are ready for the ride. Welcome to The Dressage Chronicles IV: Rings of Fire.

    Len Deighton, author of the classic espionage novel 'The Ipcress File', knew both sides intimately. An acquaintance of Ian Fleming’s (who had praised Deighton’s debut novel in the 'Sunday Times') Deighton was also close to the man who was to become Fleming’s nemesis – Kevin McClory, a veteran of the British film industry. The history of Bond’s development under the arc lights becomes, in Deighton’s expert hands, a saga-like story of inflated egos and poisonous vendettas, exotic locations and claustrophobic courtooms, all involving household names. As an eye witness to the protracted disputes that complicated Bond’s depiction both on screen and on the page, Deighton is in a unique position to tell what he saw. Candid, comical, always steely-eyed, this hefty slice of cinematic memoir reads with all the high-powered pace of a Len Deighton thriller.

    This text shows how The Big Sleep signalled a change in the nature of Hollywood cinema, as the director Howard Hawks shot extra scenes, "fun" scenes, to replace the ones in which the murders are explained, and in so doing left the plot unresolved.

    Not only faced with a life of adversity, Ruth and her mother Caitlin also share a secret, one that no one else must ever know. Ruth and Caitlin's wages are barely enough to put food on the table let alone pay the rent. And an increasingly neglected young Glynis runs wild. When Caitlin contracts tuberculosis and dies they have no option but to move into an even more squalid neighbourhood. But Ruth is still determined to keep their secret, at all costs. That is, until their father dies unexpectedly and an ever more desperate Ruth and Glynis find themselves living hand-to-mouth...

    because once this killer has you in his sights, he doesn't stop until you're dead. Talia is chasing a shadow of a terrorist who has haunted her international family for years across Europe to rescue her kidnapped daughter. The shadow is her long dead husband. Its a wild chase to the ultimate decision. Does she kill him or walk away?

    A true auteur, Anderson is known for the visual artistry, inimitable tone, and idiosyncratic characterizations that make each of his films—Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom—instantly recognizable as “Andersonian.”The Wes Anderson Collection is the first in-depth overview of Anderson’s filmography, guiding readers through his life and career. Previously unpublished photos, artwork, and ephemera complement a book-length conversation between Anderson and award-winning critic Matt Zoller Seitz. The interview and images are woven together in a meticulously designed book that captures the spirit of his films: melancholy and playful, wise and childish—and thoroughly original.

    Pinter took more than a year to conceive and write the screenplay and called the experience "the best working year of my life." Although never produced, Harold Pinter's The Proust Screenplay is considered one of the greatest adaptations for the cinema ever written. With fidelity to Proust's text, the screenplay is an extraordinary re-creation by one of the leading playwrights of our time. It is, in its way, a unique collaboration between two extraordinary writers united across more than half a century and two different cultures by a special concern for time and memory.

    The book unveils the journey of the personal philosophy of its makers, compelling a nation to think.