Mary Antin recounts "the process of uprooting, transportation, replanting, acclimitization, and development that took place in my own soul," and reveals the impact of a new culture and new standards of behavior on her family. A feeling of divisions—between Russia and America, Jews and Gentiles, Yiddish and English—ever-present in her narrative, is balanced by insights, amusing and serious, into ways to overcome them. In telling the story of one person, The Promised Land illuminates the lives of hundreds of thousands. This Penguin Twentieth-Century Classics edition includes eighteen black-and-white photographs from the book's first edition and reprints for the first time Antin's essay "How I wrote The Promised Land."

    Growing up she was rarely seen without her nose in a book and read in secret long after lights out. When tragedy struck, books kept her afloat. Eventually they lit the way to a new path, first as a bookseller and then as a writer. No matter what the future holds, reading will always help.Dear Reader is a moving, funny and joyous exploration of how books can change the course of your life, packed with recommendations from one reader to another.

    A sullen and arrogant graduate student, he never thought Austen would have anything to offer him. Then he read Emma—and everything changed. In this unique and lyrical book, Deresiewicz weaves the misadventures of Austen’s characters with his own youthful follies, demonstrating the power of the great novelist’s teachings—and how, for Austen, growing up and making mistakes are one and the same. Honest, erudite, and deeply moving, A Jane Austen Education is the story of one man’s discovery of the world outside himself.

    But when she traveled to Palestine in 2003, she found herself thrown with dizzying speed into the realities of Palestinian life.Fast Times in Palestine is Olson’s powerful, deeply moving account of life in Palestine—both the daily events that are universal to us all (house parties, concerts, barbecues, and weddings) as well as the violence, trauma, and political tensions that are particular to the country. From idyllic olive groves to Palestinian beer gardens, from Passover in Tel Aviv to Ramadan in a Hamas village, readers will find Olson’s narrative both suspenseful and discerning. Her irresistible story offers a multi-faceted understanding of the Palestinian perspective on the Israel/Palestine conflict, filling a gap in the West’s popular understanding of the difficult relationship between the two nations.At turns funny, shocking, and galvanizing, Fast Times in Palestine is a gripping narrative that challenges our ways of thinking—not only about the Middle East, but about human nature, cultural identity, and our place in the world.

    After complaining to her teachers about lessons being replaced by Koran study, Marina was arrested late one evening. She was taken to the notorious prison, Evin, where she was interrogated and tortured. Aged sixteen, she was sentenced to death. Prisoner of Tehran is the astonishing account of one woman's remarkable courage in the face of terror and her quest for freedom.

    Kissing the Sword captures the surreal experiences of serving time without being charged with a crime, and witnessing the systematic destruction of any and all opposition to fundamentalist power. It is a memoir filled with both horror and humor: nights blasted by the sounds of machine gun fire as hundreds of prisoners are summarily executed, and days spent debating prison officials on whether the Quran demands that women be covered. Parsipur, one of the great novelists of modern Iran, known for magic realism, tells a story here that is all too real. She mines her own painful memories to create an urgent call for one of the most basic of human rights: freedom of expression.Born in Iran in 1946, Shahrnush Parsipur began her career as a fiction writer and producer at Iranian National Television and Radio. She was imprisoned for nearly five years by the religious government without being formally charged. Shortly after her release, she published Women Without Men and was arrested and jailed again, this time for her frank and defiant portrayal of women's sexuality. While still banned in Iran, the novel became an underground bestseller there, and has been translated into many languages around the world. Parsipur is also the author of Touba and the Meaning of Night, among many other books, and now lives in exile in northern California.

    That same year, she heard her first racial slur. At age eleven, when the United States had begun to invade Iraq and the television was flooded with anti-Muslim commentary, Amani felt overwhelmed with feelings of intense alienation from American society. At thirteen, her family took a trip to her father’s native homeland of Jordan, and Amani experienced firsthand a culture built on pure religion, not Islamic stereotypes. Inspired by her trip and after years of feeling like her voice as a Muslim woman was marginalized and neglected during a time when all the media could talk about was, ironically, Muslim women, Amani created a website called MuslimGirl. As the editor-in-chief, she put together a team of Muslim women and started a life dedicated to activism. This is the extraordinary account of Amani’s journey through adolescence as a Muslim girl, from the Islamophobia she’s faced on a daily basis, to the website she launched that became a cultural phenomenon, to the nation’s political climate in the 2016 election cycle with Donald Trump as the Republican nominee. While dispelling the myth that a headscarf makes you a walking target for terrorism, she shares both her own personal accounts and anecdotes from the “sisterhood” of writers that serve as her editorial team at MuslimGirl. Amani’s honest, urgent message is fresh, timely, and a deeply necessary counterpoint to the current rhetoric about the Middle East.

    On September 11th, 2001, Carmen bin Ladin heard the news that the Twin Towers had been struck. She instinctively knew that her ex-brother-in-law was involved in these horrifying acts of terrorism, and her heart went out to America. She also knew that her life and the lives of her family would never be the same again. Carmen bin Ladin, half Swiss and half Persian, married into-and later divorced from-the bin Laden family and found herself inside a complex and vast clan, part of a society that she neither knew nor understood. Her story takes us inside the bin Laden family and one of the most powerful, secretive, and repressed kingdoms in the world.

    ONE OF BOOKLIST'S TOP TEN RELIGION AND SPIRITUALITY BOOKS OF 2016. ONE OF BOOKLIST'S TOP TEN DIVERSE NONFICTION BOOKS OF 2017. Honorable Mention in the 2017 San Francisco Book Festival Awards, Spiritual Category A 2019 United Methodist Women Reading Program SelectionThis enthralling story of the making of an American is also a timely meditation on being Muslim in America today.Threading My Prayer Rug is a richly textured reflection on what it is to be a Muslim in America today. It is also the luminous story of many journeys: from Pakistan to the United States in an arranged marriage that becomes a love match lasting forty years; from secular Muslim in an Islamic society to devout Muslim in a society ignorant of Islam, and from liberal to conservative to American Muslim; from student to bride and mother; and from an immigrant intending to stay two years to an American citizen, business executive, grandmother, and tireless advocate for interfaith understanding. Beginning with a sweetly funny, moving account of her arranged marriage, the author undercuts stereotypes and offers the refreshing view of an American life through Muslim eyes. In chapters leavened with humor, hope, and insight, she recounts an immigrant’s daily struggles balancing assimilation with preserving heritage, overcoming religious barriers from within and distortions of Islam from without, and confronting issues of raising her children as Muslims—while they lobby for a Christmas tree! Sabeeha Rehman was doing interfaith work for Imam Feisal Abdul Rauf, the driving force behind the Muslim community center at Ground Zero, when the backlash began. She discusses what that experience revealed about American society.

    That is what is strange—that friends, even passionate love,are not my real life, unless there is time alone in which to explore what is happening or what has happened." In this journal, she says, "I hope to break through into the rough, rocky depths,to the matrix itself. There is violence there and anger never resolved. My need to be alone is balanced against my fear of what will happen when suddenly I enter the huge empty silence if I cannot find support there."In this book, we are closer to the marrow than ever before in May Sarton's writing.

    Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.

    Educated at Eton and Oxford, Thesiger was repulsed by the softness and rigidity of Western life-"the machines, the calling cards, the meticulously aligned streets." In the spirit of T. E. Lawrence, he set out to explore the deserts of Arabia, traveling among peoples who had never seen a European and considered it their duty to kill Christian infidels. His now-classic account is invaluable to understanding the modern Middle East.

    Now, with U and I, Baker has written the most idiosyncratic and deftly illuminating essay on literary influence in recent memory, as he reveals his preoccupation with the work of John Updike.

    . . Her family’s escape from Isfahan to Oklahoma, which involved waiting in Dubai and Italy, is wildly fascinating . . . Using energetic prose, Nayeri is an excellent conduit for these heart-rending stories, eschewing judgment and employing care in threading the stories in with her own . . . This is a memoir laced with stimulus and plenty of heart at a time when the latter has grown elusive.” ―Star-Tribune (Minneapolis)What is it like to be a refugee? It is a question many of us do not give much thought to, and yet there are more than 25 million refugees in the world. To be a refugee is to grapple with your place in society, attempting to reconcile the life you have known with a new, unfamiliar home. All this while bearing the burden of gratitude in your host nation: the expectation that you should be forever thankful for the space you have been allowed.Aged eight, Dina Nayeri fled Iran along with her mother and brother, and lived in the crumbling shell of an Italian hotel-turned–refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple falls in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials.Nothing here is flattened; nothing is simplistic. Nayeri offers a new understanding of refugee life, confronting dangers from the metaphor of the swarm to the notion of “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee recalibrates the conversation around the refugee experience. Here are the real human stories of what it is like to be forced to flee your home, and to journey across borders in the hope of starting afresh.

    One of Library Journal's Best Books of 2020. One of our most beloved writers reassess the electrifying works of literature that have shaped her life I sometimes think I was born reading . . . I can't remember the time when I didn't have a book in my hands, my head lost to the world around me.Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick's celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading--and re-reading--as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence's Sons and Lovers, assesses womanhood in Colette's The Vagabond and The Shackle, and considers the veracity of memory in Marguerite Duras's The Lover. She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen's prose, and soaks in Natalia Ginzburg, "a writer whose work has often made me love life more." After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing's Particularly Cats.Guided by Gornick's trademark verve and insight, Unfinished Business is a masterful appreciation of literature's power to illuminate our lives from a peerless writer and thinker who "still read[s] to feel the power of Life with a capital L."