And ever since she took over her mother’s beloved Manhattan bookstore, they’ve become her home too. The only thing missing is her own real-life romance like the ones she loves to read about, and Rosie has an idea of who she might like to sweep her off her feet. She’s struck up a flirty online friendship with lesbian romance author Brie, and what could be more romantic than falling in love with her favorite author?Jane Breslin works hard to keep her professional and personal lives neatly separated. By day, she works for the family property development business. By night, she puts her steamier side on paper under her pen name: Brie. Jane hasn’t had much luck with her own love life, but her online connection with a loyal reader makes Jane wonder if she could be the one.When Rosie learns that her bookstore’s lease has been terminated by Jane’s family’s business, romance moves to the back burner. Even though they’re at odds, there’s no denying the sparks that fly every time they’re together. When their online identities are revealed, will Jane be able to write her way to a happy ending, or is Rosie’s heart a closed book?

    The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.

    He's terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he's gay, but all he knows of gay life are the media's images of men dying of AIDS.Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance...until she falls for Reza and they start dating.Art is Judy's best friend, their school's only out and proud teen. He'll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.As Reza and Art grow closer, Reza struggles to find a way out of his deception that won't break Judy's heart--and destroy the most meaningful friendship he's ever known.

    I like to sleep and I like to blog. Last year – before all that stuff with Charlie and before I had to face the harsh realities of A-Levels and university applications and the fact that one day I really will have to start talking to people – I had friends. Things were very different, I guess, but that’s all over now.Now there’s Solitaire. And Michael Holden.I don’t know what Solitaire are trying to do, and I don’t care about Michael Holden.I really don’t.This incredible debut novel by outstanding young author Alice Oseman is perfect for fans of John Green, Rainbow Rowell and all unflinchingly honest writers.

    Since she left Dublin, she’s been spending her days teaching English to rich children—she’s been assigned the grammar classes because she lacks warmth—and her nights avoiding petulant roommates in her cramped apartment.When Ava befriends Julian, a witty British banker, he offers a shortcut into a lavish life her meager salary could never allow. Ignoring her feminist leanings and her better instincts, Ava finds herself moving into Julian’s apartment, letting him buy her clothes, and, eventually, striking up a sexual relationship with him. When Julian’s job takes him back to London, she stays put, unsure where their relationship stands.Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her. Ava has been carefully pretending that Julian is nothing more than an absentee roommate, so when Julian announces that he’s returning to Hong Kong, she faces a fork in the road. Should she return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

    Burdened with a broken heart, she asks herself the age-old question . . . is love really worth it?Out of Love is a bittersweet romance told in reverse. Beginning at the end of a relationship, each chapter takes us further back in time, weaving together an already unravelled tapestry, from tragic break-up to magical first kiss. In this dazzling debut Hazel Hayes performs a post-mortem on love, tenderly but unapologetically exploring every angle, from the heights of joy to the depths of grief, and all the madness and mundanity in between. This is a modern story with the heart of a classic: truthful, tragic and ultimately full of hope.

    Tabby Brown is tired of trying to fit in. She doesn't want to go to parties - in fact, she would much rather snuggle up on the sofa with her favourite book.It's like she hasn't found her people ...Then Tabby joins a club that promises to celebrate books. What could go wrong? EVERYTHING - especially when making new friends brings out an AWKWARD BUZZING feeling all over her body.But Olivia, Cassie, Henry and Ed have something that makes Tabby come back. Maybe it's the Austen-themed fancy-dress parties, or Ed's fluffy cat Mrs Simpkins, or could it be Henry himself ...Can Tabby let her weird out AND live THE BEST BOOKISH LIFE POSSIBLE?Perfect for fans of Holly Smale and Super Awkward.

    I was depressed and gay.”Shaun David Hutchinson was nineteen. Confused. Struggling to find the vocabulary to understand and accept who he was and how he fit into a community in which he couldn’t see himself. The voice of depression told him that he would never be loved or wanted, while powerful and hurtful messages from society told him that being gay meant love and happiness weren’t for him.A million moments large and small over the years all came together to convince Shaun that he couldn’t keep going, that he had no future. And so he followed through on trying to make that a reality.Thankfully Shaun survived, and over time, came to embrace how grateful he is and how to find self-acceptance. In this courageous and deeply honest memoir, Shaun takes readers through the journey of what brought him to the edge, and what has helped him truly believe that it does get better.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    Within minutes, she and her family hastily pack up their belongings and abandon their home. Where did the family go and why? Det. Roberta Hobbs has been assigned to uncover the family's whereabouts. Hobbs is a confident, intelligent police veteran. However, each passing day brings her closer to her unresolved past. When Hobbs digs deeper into the mystery, all leads point to her own longtime ex-boyfriend - a former drug dealer turned philanthropist named Steven Vance -- as the primary suspect. This riveting dual-timeline suspense novel takes us back to 2004 -- the year Greta Carpenter first realizes something is wrong with her young son, John. Over the course of his childhood, John's learning disabilities become apparent. Greta's unfaltering advocacy on his behalf puts her at odds with the school system and strains her relationship with her husband Griffin. Eventually Greta and Griffin's marriage falls apart, and during the divorce trial, Greta reveals that she was a teenage runaway, and a local entrepreneur named Steven Vance rescued her from the streets. Vance is certainly a man of many shades - a local celebrity for his philanthropy, a cunning CEO who sits atop a questionable mini-empire, a benevolent former father figure to Greta and a lying, evasive former companion to Hobbs. It seems that only Vance has the power to make people disappear in this small town and he emerges as the most obvious suspect...but Hobbs remains uncertain of his role. While her colleagues question whether she can truly be impartial, Hobbs realizes she has a reason to suspect them as well. Nothing is obvious in this thrilling mystery...except that Hobbs must race to solve the mystery before it's too late.

    These stories span characters and emotional states with canny details that touch the depths of your soul. Picturing the complexities of love, misery and mystery, the stories try to gnaw your heart like never before.• What does a flower teach us we often fail to see?• “The belly is an ungrateful wretch.” Is it true?• Ever wondered about the sparseness and illusions in life?• Does death put an end to true love?• Have all the ascetics won over their emotions?With the power of simple language, this book transports the readers to a world scarcely thought of in our bustling lives. The allegories maintain an intense rhythm of life prompting the readers to perceive things from a unique angle.“A whole bookful to make you think, cry, think again and move on.”

    At first I tried to deny my condition (trying to treat a tumor with hot baths and ice packs). Eventually, I decided I would learn as much about my illness as possible while trying to keep my emotions on hold.What followed was an experience that finally forced me to deal with issues about my body that I had tried to ignore for decades. Along the way I dealt with a physician who gave me ridiculous advice and acquaintances who asked unbelievable questions. But I was also fortunate to be surrounded by people who supported me and doctors who helped me through the process.

    By the time it was over, she was notorious. The New York Times thought her worthy of a lengthy obituary that began “Death of a Modern Diana . . . Dressed in Man’s Clothing She Wins a Girl’s Love.” The obit detailed what the Times knew of Lucy’s life, from her backwoods upbringing to the dance school she ran disguised as a man, “where she won the love of a young lady scholar.” But that was just the start of the trouble; the Times did not know about Lucy’s arrest and trial for the crime of wearing men’s clothes or her jailbreak engineered by her wife, Marie Perry, to whom she had been married by an unsuspecting judge.Lucy lived at a time when women did not commonly travel unescorted, carry a rifle, sit down in bars, or have romantic liaisons with other women. Lucy did these things in a personal quest—to work and be paid, to wear what she wanted, and to love whomever she cared to. But to gain those freedoms she had to endure public scorn and wrestle with a sexual identity whose vocabulary had yet to be invented. Lucy promised to write a book about it all, and over the decades, people have searched for that account. Author William Klaber searched also until he decided that the finding would have to be by way of echoes and dreams. This book is Lucy’s story, told in her words as heard and recorded by an upstream neighbor.It has been named a Stonewall Book Award-Barbara Gittings Literature Award Honor Book for 2014.

    Kat’s childhood friend, Heidi is looking for great sex and a fantastic weekend hookup. But, things turned bad quickly when they learn a friend of theirs had been brutally attacked. Federal and local law enforcement officials are concerned about a vicious murder on the beach and the disappearance of five women. Scroll Up and Grab Your Copy Today!

    At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.