Not her lovable but super-introverted dad, who after raising Millie alone, doesn’t want to watch her leave home to pursue her dream. Not her pesky and ongoing drama club rival, Oliver, who is the very definition of Simmering Romantic Tension. And not the “Millie Moods,” the feelings of intense emotion that threaten to overwhelm, always at maddeningly inconvenient times. Millie needs an ally. And when a left-open browser brings Millie to her dad’s embarrassingly moody LiveJournal from 2003, Millie knows just what to do. She’s going to find her mom.There’s Steph, a still-aspiring stage actress and receptionist at a talent agency. There’s Farrah, ethereal dance teacher who clearly doesn’t have the two left feet Millie has. And Beth, the chipper and sweet stage enthusiast with an equally exuberant fifteen-year-old daughter (A possible sister?! This is getting out of hand). But how can you find a new part of your life and expect it to fit into your old one, without leaving any marks? And why is it that when you go looking for the past, it somehow keeps bringing you back to what you’ve had all along?

    She never expected her playful golden retriever to steal his shorts right off the clothes line. And she certainly never expected to fall in love. Everybody in town would agree they are so wrong for each other – everybody but Paul Donovan. With her gypsy outfits, her lively music and her irrepressible spirit, Martie is exactly the angel the preacher needs. But can he convince her? Can their love and his career survive the small town gossip and the fireworks Martie creates wherever she goes?The other books in this romantic comedy series are Sleepless Nights (2), Hallie's Destiny (3), Any Thursday (4) and Higher Than Eagles (5).

    It's the eve of the sexual revolution, but in Juliet Montague's conservative Jewish community where only men can divorce women, she ­finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that's all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.

    The boy she loves has someone else. What now? She expected to start Harkness College as a varsity ice hockey player. But a serious accident means that Corey Callahan will start school in a wheelchair instead. Across the hall, in the other handicapped-accessible dorm room, lives the too-delicious-to-be real Adam Hartley, another would-be hockey star with his leg broken in two places. He's way out of Corey's league. Also, he's taken. Nevertheless, an unlikely alliance blooms between Corey and Hartley in the "gimp ghetto" of McHerrin Hall. Over tequila, perilously balanced dining hall trays, and video games, the two cope with disappointments that nobody else understands. They're just friends, of course, until one night when things fall apart. Or fall together. All Corey knows is that she's falling. Hard. But will Hartley set aside his trophy girl to love someone as broken as Corey? If he won't, she will need to find the courage to make a life for herself at Harkness -- one which does not revolve around the sport she can no longer play, or the brown-eyed boy who's afraid to love her back.

    She likes a drink, sure. But what 17-year-old doesn’t?Nina’s mum isn’t so sure. But she’s busy with her new husband and five year old Katie. And Nina’s almost an adult after all.And if Nina sometimes wakes up with little memory of what happened the night before, then her friends are all too happy to fill in the blanks. Nina’s drunken exploits are the stuff of college legend.But then one dark Sunday morning, even her friends can’t help piece together Saturday night. All Nina feels is a deep sense of shame, that something very bad has happened to her…A dark, funny - sometimes shocking - coming of age novel from one of the UK’s leading comedians. NINA IS NOT O.K. will appeal to fans of Caitlin Moran and Lena Dunham.

    Their mother is all alone, only thirty-one years of age, with three young children and a Labrador. It is no wonder, when you put it like that, that she becomes a menace and a drunk. And a playwright.Worried about the bad playwriting - though more about becoming wards of court and being sent to the infamous Crescent Home for Children - Lizzie and her sister decide to contact, by letter, suitable men in the area. In order to stave off the local social worker they urgently need to find a new Man at the Helm.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    All Gregor Maravilla wants to do is feed all of the starving children on the planet. So when he's selected to join Camp Save the World, a special summer program for teenage activists from all over the country to champion their cause, Gregor's sure he's on the path to becoming Someone Great.But then a prize is announced. It will be awarded at the end of summer to the activist who shows the most promise in their campaign. Gregor's sure he has the prize in the bag, especially compared to some of the other campers' campaigns. Like Eat Dirt, a preposterous campaign started by Ashley Woodstone, a famous young actor who most likely doesn't even deserve to be at the camp. Everywhere Gregor goes, Ashley seems to show up ready to ruin things. Plus, the prize has an unforeseen side effect, turning a quiet summer into cutthroat warfare where campers stop focusing on their own campaigns and start sabotaging everyone else's.

    The next, she finds herself flung into the warm and salty waters of an unfamiliar world. Glowing moths fall to the waves around her, and the sleek bodies of unseen fish glide against her submerged ankles.The world is Stormwrack, a series of island nations with a variety of cultures and economies—and a language different from any Sophie has heard.Sophie doesn't know it yet, but she has just stepped into the middle of a political firestorm, and a conspiracy that could destroy a world she has just discovered… her world, where everyone seems to know who she is, and where she is forbidden to stay.But Sophie is stubborn, and smart, and refuses to be cast adrift by people who don't know her and yet wish her gone. With the help of a sister she has never known, and a ship captain who would rather she had never arrived, she must navigate the shoals of the highly charged politics of Stormwrack, and win the right to decide for herself whether she stays in this wondrous world . . . or is doomed to exile

    Since his death, she’s been sleepwalking through life, barely holding on for the sake of her teenage son. Her house is a wreck, the grass is overrun with weeds, and she’s at risk of losing her job. As Paige stares at her neglected lawn, she knows she’s hit rock bottom. So she does something entirely unexpected: she begins to dig.As the hole gets bigger, Paige decides to turn her entire yard into a vegetable garden. The neighbors in her tidy gated community are more than a little alarmed. Paige knows nothing about gardening, and she’s boldly flouting neighborhood-association bylaws. But with the help of new friends, a charming local cop, and the transformative power of the soil, Paige starts to see potential in the chaos of her life. Something big is beginning to take root—both in her garden and in herself.

    These missions may not be quite as exciting as his time in the military, but Clayton’s okay with that. It gives him more time to see his girlfriend, Veronica Hammond—an archaeologist who also happens to be the vice president elect’s daughter.But Clayton’s seemingly manageable new routine takes a startling turn when South African mercenaries target Veronica at an awards gala celebrating her work. After this attempt on Veronica’s life, Clayton enters a complicated web of lies, betrayal, and dangerous government secrets.As Clayton gets closer to the truth, he encounters unexpected foes pitted against questionable allies. With enemies at every turn, the only constant Clayton can rely on is Veronica. But when the threat against her turns on him, too, he faces an impossible choice: love or country.

    Treachery. Ancient spirits. Sieges. The Poison Wars begin now, with City of Lies, a fabulous epic fantasy debut by Sam HawkeI was seven years old the first time my uncle poisoned me...Outwardly, Jovan is the lifelong friend of the Chancellor’s charming, irresponsible Heir. Quiet. Forgettable. In secret, he's a master of poisons and chemicals, trained to protect the Chancellor’s family from treachery. When the Chancellor succumbs to an unknown poison and an army lays siege to the city, Jovan and his sister Kalina must protect the Heir and save their city-state.But treachery lurks in every corner, and the ancient spirits of the land are rising...and angry.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Not only is she geographically cut-off from the rest of the world, Sam isolates herself from friends and family as her heroin addiction takes control.Similarly alone, Jonah, her brother, is monitoring elephants in the thick of Gabon. An unfortunate crossing with a poacher soon pulls Jonah into the orbit of ivory traffickers whose connection he cannot sever until he has carried out exactly what they have asked of him.And then there's the third and oldest of the siblings whose life, by his own reckoning, has gone most awry. Gavin, in the midst of a quarter-life crisis, has just been written off his fledgling TV show, newly-dumped, and ruined his chances with a regional production (and an engaged regional director). All three siblings reunite in their home of Chicago to confront their past and prove that the bond between siblings is unshakeable... even in the throes of an unfathomable, and foreign, danger.

    But when Teddy dies of an overdose on the last day of 1987, Jude's relationship with drugs and with his parents devolves to new extremes. Sent to live with his pot-dealing father in New York City's East Village, Jude stumbles upon straight edge, an underground youth culture powered by the paradoxical aggression of hardcore punk and a righteous intolerance for drugs, meat, and sex. With Teddy's half brother, Johnny, and their new friend, Eliza, Jude tries to honor Teddy's memory through his militantly clean lifestyle. But his addiction to straight edge has its own dangerous consequences. While these teenagers battle to discover themselves, their parents struggle with this new generation's radical reinterpretation of sex, drugs, and rock 'n' roll and their grown-up awareness of nature and nurture, brotherhood and loss.Moving back and forth between Vermont and New York City, Ten Thousand Saints is an emphatically observed story of a frayed tangle of family members brought painfully together by a death, then carried along in anticipation of a new and unexpected life. With empathy and masterful skill, Eleanor Henderson has conjured a rich portrait of the modern age and the struggles that unite and divide generations.

    It has been translated into sixteen languages, made into a prize-winning motion picture, and staged as a play at high schools all over the United States; its very title has become part of the American idiom.Never before has a novel so compellingly laid bare the inner workings of a metropolitan high school. Up the Down Staircase is the funny and touching story of a committed, idealistic teacher whose clash with school bureaucracy is a timeless lesson for students, teachers, parents--anyone concerned about public education. Bel Kaufman lets her characters speak for themselves through memos, letters, directives from the principal, comments by students, notes between teachers, and papers from desk drawers and wastebaskets, evoking a vivid picture of teachers fighting the good fight against all that stands in the way of good teaching.