The North Runner is a true and moving story of the building of trust between a man and an exceptional dog that was half wolf, half Alaskan Malamute, and the resulting mutual affection and respect between them.

    It is 1989 and Community Care is about to reboot the industry of psychiatry. In a soon-to-be-closed asylum a bruised nurse, Adam Sands, is feeling less like a purveyor of kindness and more like a concentration camp guard with every passing drink. Many years later Adam has got used to the quiet life when his past finds him. Maybe this time he can do some good. Even make a diference. But redemption, like magic, can come from the strangest of places.

    The second best time? Today.”—Chinese proverb   Twenty years ago, David Milarch, a northern Michigan nurseryman with a penchant for hard living, had a vision: angels came to tell him that the earth was in trouble. Its trees were dying, and without them, human life was in jeopardy. The solution, they told him, was to clone the champion trees of the world—the largest, the hardiest, the ones that had survived millennia and were most resilient to climate change—and create a kind of Noah’s ark of tree genetics. Without knowing if the message had any basis in science, or why he’d been chosen for this task, Milarch began his mission of cloning the world’s great trees. Many scientists and tree experts told him it couldn’t be done, but, twenty years later, his team has successfully cloned some of the world’s oldest trees—among them giant redwoods and sequoias. They have also grown seedlings from the oldest tree in the world, the bristlecone pine Methuselah.   When New York Times journalist Jim Robbins came upon Milarch’s story, he was fascinated but had his doubts. Yet over several years, listening to Milarch and talking to scientists, he came to realize that there is so much we do not yet know about trees: how they die, how they communicate, the myriad crucial ways they filter water and air and otherwise support life on Earth. It became clear that as the planet changes, trees and forest are essential to assuring its survival.Praise for The Man Who Planted Trees“Absorbing, eloquent and loving . . . While Robbins’s tone is urgent, it doesn’t compromise his crystal-clear science. . . . Even the smallest details here are fascinating.”—The New York Times Book Review   “This is a story of miracles and obsession and love and survival. Told with Jim Robbins’s signature clarity and eye for telling detail, The Man Who Planted Trees is also the most hopeful book I’ve read in years. I kept thinking of the end of Saint Francis’s wonderful prayer, ‘And may God bless you with enough foolishness to believe that you can make a difference in the world, so that you can do what others claim cannot be done.’ ”—Alexandra Fuller, author of Don’t Let’s Go to the Dogs Tonight  “Scientists can be confined by their own thinking—they know what they know. It’s amazing for one layman to come up with the idea of saving champion trees as a meaningful way to address the issues of biodiversity and climate change. This could be a grassroots solution to a global problem. A few million people selecting and planting the right trees for the right places could really make a difference.”—Ramakrishna Nemani, earth scientist“The great poet W. S. Merwin once wrote, ‘On the last day of the world I would want to plant a tree.’ It’s good to see, in this lovely volume, that some folks are getting a head start!”—Bill McKibben, author of Eaarth: Making a Life on a Tough New PlanetThis book was printed in the United States of America on Rolland Enviro™ 100 Book, which is manufactured using FSC-certified 100% postconsumer fiber and meets permanent paper standards.

    Here are reflections on cowboys real and fake, tractor-driving lessons, outhouses, and the uses of baling wire; here are ranch marriages, enduring and not; family legacies; loss and renewal. Westerners will find their friends and neighbors in these pages; others will find a vivid portrait of the women of a region all too often mythologized.

    Wherever there is greenery, photosynthesis isworking to make oxygen, release energy, and create living matter from the raw material of sunlight, water, and carbon dioxide. Without photosynthesis, there would be an empty world, an empty sky, and a sun that does nothing more than warm the rocks and reflect off the sea. With photosynthesis, we have a living world with three billion years of sunlight-fed history to relish.Eating the Sun is a bottom-up account of our planet, a celebration of how the smallest things, enzymes and pigments, influence the largest things­­—the oceans, the rainforests, and the fossil fuel economy. From the physics, chemistry, and cellular biology that make photosynthesis possible, to the quirky and competitive scientists who first discovered the beautifully honed mechanisms of photosynthesis, to the modern energy crisis we face today, Oliver Morton offers a complete biography of the earth through the lens of this mundane and most important of processes.More than this, Eating the Sun is a call to arms. Only by understanding photosynthesis and the flows of energy it causes can we hope to understand the depth and subtlety of the current crisis in the planet's climate. What's more, nature's greatest energy technology may yet inspire the breakthroughs we need to flourish without such climatic chaos in the century to come.Entertaining, thought-provoking, and deeply illuminating, Eating the Sun reveals that photosynthesis is not only the key to humanity's history; it is also vital to confronting and understanding contemporary realities like climate change and the global food shortage. This book will give you a new and perhaps troubling way of seeing the world, but it also explains how we can change our situation—for the better or the worse.

    and sets in motion this powerful - and unusual - collection of animal stories for adults.There is mystery and terror in the great woodland, and there is love. It is a world where fear and death and the survival of the fittest are the pitiless underlying themes. Though they are loosely linked, the stories are written to be read as separate tales, usually with a single main character: an ugly, love-lost squirrel, a wantonly savage stoat, a bat, a veteran hare running before the hounds. They are suspense thrillers or romantic interludes, pure adventure narratives, even horror stories; they all draw us deep into the stern forest through the elements we share with the animals - cold and dark, rain and sun, suspicion, loyalty, the need for warmth and the safety of shelter - above all, the feeling that, even in a world where death is inevitable, there is always enough to make life worth living.The style is clear, straightforward, often very simple, but there is passion as well as knowledge in the book. It brings the wild creates fiercely to life, in a disturbing way, with menace and unease - but vividly, in a literary debut of great imaginative strength.

    With this astonishing collection of tree portraits, Thomas Pakenham produced a new kind of tree book. The arrangement owed little to conventional botany. The sixty trees were grouped according to their own strong personalities: Natives, Travellers, Shrines, Fantasies and Survivors. From the ancient native trees, many of which are huge and immeasurably old, to the exotic newcomers from Europe, the East and North America, MEETINGS WITH REMARKABLE TREES captures the history and beauty of these entrancing living structures. Common to all these trees is their power to inspire awe and wonder. This is a lovingly researched book, beautifully illustrated with colour photographs, engravings and maps - a moving testimonial to the Earth's largest and oldest living structures.

    She is a farmer's wife and shepherdess, living alongside her husband Clive and seven children at Ravenseat, a 2000 acre sheep hill farm at the head of Swaledale in North Yorkshire. It's a challenging life but one she loves. In The Yorkshire Shepherdess she describes how the rebellious girl from Huddersfield, who always wanted to be a shepherdess, achieved her dreams. Full of amusing anecdotes and unforgettable characters, the book takes us from fitting in with the locals to fitting in motherhood, from the demands of the livestock to the demands of raising a large family in such a rural backwater. Amanda also evokes the peace of winter, when they can be cut off by snow without electricity or running water, the happiness of spring and the lambing season, and the backbreaking tasks of summertime - haymaking and sheepshearing - inspiring us all to look at the countryside and those who work there with new appreciation.

    Trees contain the cosmos; when night falls, the spirits they nurture glimmer into life.A visual ode to trees rendered by tribal artists from India, this handcrafted edition showcases three of the finest living Gond masters. This collection of their distinctive styles is enchanting—an excellent gift for those fascinated by trees, art or folk traditions.

    This selection of Thomas Hardy poems are selected by Tom Paulin.

    A prolific writer and journalist of genius, Cobbett matured into a radical left-wing politician, and a farmer who ensured his labourers had access to the three Bs: bacon, bread and beer. Recording swiftly changing ways of life, Rural Rides juxtaposes lyrical evocations of the countryside with attacks on the poverty of agricultural workers consigned to hovels with a diet of potatoes and tea. It remains one of the greatest celebrations of agrarian England, admired by thinkers as diverse as Marx, Chesterton and Belloc.

    Belchamber was not invited but Mrs. Belchamber came to stay. The changes she introduced into Scotty’s topsy-turvy Kentish farmhouse were past belief. But though Christopher could not help feeling some concern that he had landed on his friend a woman of character as well as three lively French children, the Belchamber influence on his own friendship with Cressida was admittedly an almost unmixed blessing.

    Using video links, IP Factly's Amazing Animal series has been designed to encourage and bolster independent reading. The animals are accompanied by pictures and facts plus video links so children can see the animals and how they behave.

    Disenchanted by London, she and her husband left the city and high-flying careers to move the 500 miles north, despite having absolutely no experience of crofting, or of island life. It was idyllic, for a while. But as the months wear on, the children she'd longed for fail to materialise, and her marriage breaks down, Tamsin finds herself in ever-increasing isolation.Injured, ill, without money or friend she is pared right back, stripped to becoming simply a raw element of the often harsh landscape. But with that immersion in her surroundings comes the possibility of rebirth and renewal. Tamsin begins the slow journey back from the brink.Startling, raw and extremely moving, I Am An Island is a story about the incredible ability of the natural world to provide when everything else has fallen away- a stunning book about solitude, friendship, resilience and self-discovery.

    But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.