Peter Bagge’s Other Stuff includes a few lesser-known Bagge characters, including the wacky modern party girl “Lovey” and the aging bobo “Shut-Ins” — not to mention the self-explanatory “Rock ’N’ Roll Dad” starring Murry Wilson and the Beach Boys. But many of the strips are one-off gags or short stories, often with a contemporary satirical slant, including on-site reportage like “So Much Comedy, So Little Time” (from a comedy festival) and more. Also: Dick Cheney, The Matrix, and Alien! Other Stuff also includes a series of Bagge=written stories drawn by other cartoonists, including “Life in these United States” with Daniel Clowes, “Shamrock Squid” with Adrian Tomine, and the one-two parody punch of “Caffy” (with art by R. Crumb) and “Dildobert” (with art by Prison Pit’s Johnny Ryan)... plus a highlight of the book, the hilarious, literate and intricate exposé of “Kool-Aid Man” written by Alan Moore and drawn by Bagge. (Other collaborators include the Hernandez Brothers and Danny Hellman.) Bagge is one of the funniest cartoonists of the century (20th or 21st), and this collection shows him at his most free-wheeling and craziest... 50 times over.

    A man of few scruples, nerves of steel, and a steady trigger finger, but also, a man on the verge of cracking. After misadventures in Central and South America and having earned enough money to retire comfortably, the Killer retires to Mexico, but his colleagues are still in need of his irreplaceable skills . . . and before long he’s drawn back into the great geopolitical game between Cuba, Venezuela, and the United States. Artist Luc Jacamon and writer Matz (The Black Dahlia) deliver the definitive collection of the Eisner Award-nominated crime saga, The Killer, a hardboiled, noir series that New York Times bestselling writer Brian Michael Bendis calls “one of the best graphic novel series of the last ten years.”

    Nature has all but disappeared in her world, but no one notices because of the antidepressants they're on. Lulu (who never takes her medicine) feels an increasing sense of dread and despair, until her fate changes one cold day when she finds a magic bottle containing a map. Drawn by pirates long ago, this map shows the way to the lost world of the Peppermint Islands, sunk to the bottom of the sea 400 years ago in the great battle between the pirates and the capitalists. Suddenly, Lulu has the chance to save the last remaining wild animals on earth, but she'll have to battle the Peppermint Man and the Great Trading Company in order to defeat the capitalist machine out to ruin the natural world. With the help of her new octopus friend, Mr. Blue, they start their journey to save the Peppermint Islands from annihilation.This is the latest Blab! storybook, a series of graphic novels showcasing artists from Monte Beauchamp's annual BLAB! anthology, presented in a faux-children's book format, though aimed squarely at adults and young adults.

    After the release of three startling, award-winning movies that have played around the world and been added to the permanent collection of the Museum of Modern Art, S. Craig Zahler wanted to return to his first artistic passion―illustration.With tools that he had developed as a director, screenwriter, cinematographer, novelist, and songwriter, he committed himself to writing, drawing, inking, and lettering his graphic novel debut, a full-length work of noir horror entitled, Forbidden Surgeries of the Hideous Dr. Divinus.Here’s the setup…Homeless people are disappearing in New Bastion, and occasionally, a dismantled corpse turns up in a dumpster. These crimes are left alone, until the day a comatose woman named Lillian Driscoll is kidnapped from the hospital. Her brothers―a grumpy detective named Leo and a slick mobster named Tommy―seek answers that lead them to darkness, arcane medicine, and pain.Fans of Bone Tomahawk (recently named best film of the decade by Conan O’Brien) will enjoy Zahler’s return to the supernatural, and the idiosyncratic, tough guy dialogue found in his crime pictures Dragged Across Concrete and Brawl in Cell Block 99 (both of which premiered at the Venice Film Festival) is also present in this starkly rendered, black-and-white graphic novel, a stylistic confluence of pre-code horror, vintage comic strip, and modern indie art styles.

    Two destructive Opium Wars have transformed what once was a sleepy tropical inlet into a bustling international crossroads, full of risks and wonders, torn between Chinese and British cultures. When Song Lu starts his new job as a Dead Letter Carrier, the curious teenager is drawn to the mysterious Walled City of Kowloon, a lawless urban enclave and haven for refugees... but an alarming trend of missing children will drive him deeper and deeper into the city's secrets. Meanwhile, his best friends Yubo and Xi find their own paths to adult power and responsibility, with dark and irreversible consequences.Emmy Award-winning writer Anne Opotowsky and stunning artist Aya Morton present "a multi-tiered tale of fleeting innocence, child theft, criminal acquisition, opium addiction and the earliest days of Kowloon's illegal ghetto." (Shelf Abuse)

    This new series, Colossal Compendium, will maintain the same recognizable series name throughout its run. Each volume will also have a unique name and volume number. Each collection will have a minimum of 5 comics, chosen carefully and specifically because the comics work together to provide a deeper, darker meaning than each on its own.Each new volume boasts upgraded heavier paper, and increased page count to 176 pages and includes a unique and collectible paper craft. As the series progresses, fans will be able to assemble their own three-dimensional version of the city of Springfield and usher in a paper paradise! Volume 1 kicks it off with a replica of Moe’s Tavern. The series will also feature artwork on the spine that creates an image of the Simpsons family when the volumes are aligned on the book shelf. The series will ultimately encapsulate Simpsons Comics issues #106 - #199.It is all the Simpsons Comics fun that fans have come to expect wrapped in an invigorating new package.

    One More Year continues to give substance to the characters and personalities of its protagonists in ways that never fail to surprise, delight, and horrify.

    After a decade of work and groundbreaking anthologies, "Everything Together" collects his short-story comics, which condense vast amounts of emotion and information into nuanced cartoon narratives. Harkham's classic style is both articulate and expedient. At the center of the book are two vastly different tales: "Poor Sailor," a sea-faring myth of a man gone to find wealth for his love; and "Somersaulting," a kind of fever dream of teenagers in love, wiling away the summer. Alongside these stories are shorter comic strips tackling everything from Napoleon as a tortured artist to touching examinations of Jewish mysticism and life in a shtetl, to satires on contemporary university life. Throughout these tales, Harkham maintains a light touch and emotive wit. The works in this book confirm his place among the best storytellers of his generation.Sammy Harkham was born in Los Angeles in 1980, moving to Sydney, Australia, at the age of 14. He soon started making his own comics and a zine, "Kramers Ergot," which has evolved into one of the most influential comics anthologies published today. His comic strip "Poor Sailor," originally published in "Kramers Ergot" 4, was subsequently included in "Best American Nonrequired Reading of 2004 "and has been published in French, Korean and Italian. "Kramers Ergot" has been on numerous "best of the year" lists including the "LA Weekly," "Time," "The New York Times," "Dazed and Confused," "The Comics Journal" and "Publishers Weekly." In 2006 Harkham started the ongoing comic series, "Crickets," and edited "The Simpsons' Treehouse of Horror," and most recently the eighth volume of "Kramers Ergot." A partner in both the renowned bookstore Family, and the movie theater, Cinefamily, Harkham lives in Los Angeles with his wife and three children.

    Not only did his girlfriend break his heart at work - and in front of all of the video - store patronsbut he just got fired. On the way home, Matt decides to quiet his aching heart with a brief detour to a garage sale. When an ancient-looking helmet calls to him as "the Chosen One," exhorting him to don the mantle of the "Valhalladrim," Matt touches it with trembling fingers-and is jolted by raw magical power. Holy crap Is he going to be a superhero? Is this why he always felt special even when everyone else thought he was a loser? Then the helm gets a sense of whom it's dealing with. Suddenly, it changes its tune: "I was mistaken. You are not the chosen one. Good day." But for once in his life, Matt's not taking no for an answer. Not today.

    Like Girls and Boys, Big Ideas features many of her greatest cartoons, including her menacing "Poodle with a Mohawk". Line drawings throughout.

    

    Both are seen through the eyes of John Utterson, a lawyer and friend of the scientist Dr. Jekyll. After hearing the alarming account of the horrendous trampling of a small girl “like some damned juggernaut” by a violent man named Mr. Hyde, who also holds a connection to the lawyer’s dear friend, Utterson’s curiosity gets the better of him and he begins to investigate. As he probes further into the events and the hidden life of Mr. Hyde, Utterson slowly uncovers a terrifying and ghastly story.This graphic novel adaptation of RL Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde brings together the creative comic “dream team” of Alan Grant and Cam Kennedy and is a follow-up to their first collaboration, Kidnapped — The Graphic Novel.

    Times Book Prizes Finalist (Graphic Novel/Comics) 2016A collection of two new stories from cartoonist and Adventure Time contributor Sam Alden. In "Household," a brother and sister deal with divergent memories of their father and grow closer than ever. In "Backyard," vegans and anarchists share a house, small dramas and bizarre transformations (featuring a new, never before published ending). Designed as a companion volume for the critically acclaimed It Never Happened Again, New Construction cements Sam Alden's reputation as one of the best cartoonists of his generation.Sam Alden Sam Alden is the author of It Never Happened Again, Wicked Chicken Queen, and Lydian, among others. He is a two-time Ignatz winner and four-time nominee, and works full-time as a writer and storyboarder on Cartoon Network's Adventure Time.Praise for Sam Alden's It Never Happened Again:"Alden's natural sense of framing and pace, his willingness to use silent panels to tell stories, and his beautiful (yes, beautiful) pencil images combined to open my eyes to a new idea of what a great comic can be. It helps that he's also an excellent writer—both stories sketch out lonely, lost characters efficiently, and put them each through very different quests for meaning."—Dan Kois, Slate"Two thematically divergent, but devastatingly human portraits from an emerging cartoonist displaying the sort of storytelling and artistic restraint that often only comes after years of toiling away at the drawing board. Alden is a talent to watch."—Publishers Weekly

    With a kingdom to rule and an heir on the way, will the Cimmerian finally put up his sword for good? Don’t bet on it.When his bride and country are attacked by a sinister Stygian sorcerer, Conan strikes back at Stygia with all his might — and the might of Aquilonia — in a move that threatens to throw all Hyboria into chaos!Written by Joshua Dysart (Swamp Thing, Violent Messiahs) and drawn by upcoming Kull artist Will Conrad (Serenity, Buffy the Vampire Slayer), Conan and the Midnight God is an exciting new chapter in the adventures of the barbarian king.

    The lines between character and actor are blurring under the verisimilitude of the Vegas strip, the desert sun and the impossibly shiny surface of Bradley’s shades.