Howard's legendary barbarian's days are numbered in an allnew saga, and Conan's destiny is forever changed!Conan the Barbarian (2019) 1-12

    We loved the eerily sweet story of two half-brothers trying to find their way home so much we published a companion one-shot that was quickly snapped up by folks who just wanted more of this world to experience. Now, we're expanding the world of Over the Garden Wall with McHale and returning artist Jim Campbell with a full-length story. What It Is: A new Over the Garden Wall story set between episodes 3 and 4 of the animated series! Wirt and Greg are trying to hitch a ride out of schooltown but end up having to walk. Soon, they come upon two girls playing, and wind up having to keep them entertained so that they don't wake their giant father!

    Not just once or twice, but seven dozen times. Each death a new demise, from the comic to the grim to the absurd to the transcendent and back again. With text by Jesse Ball and Brian Evenson complimented by Lilli Carré's macabre, gravestone-rubbing-style art, Henry King's ends are brought to a vivid life.

    Seeds and Stems collects all of these out-of-print, self-published stories produced by the artist between 2016-2019, along with a generous smattering of rarities from various anthologies and magazines. Megg and Mogg and friends explore the worlds of lucid dreaming, banking scams, cinema, mixed drinks, alien invasions, and budget vasectomies in this varied collection of rare and often experimental adventures, designed and curated entirely by the artist.

    They are drawn in a diaphanous, haptic style that suggests dreams and memories. In washes of ink, pencil smudges, white paint, and traces of drawings removed, Koch creates resonate tone poems on paper.

    When the elder Thaddeus Gropius confronts Wally with the boilerplate plot ultimatum that he must marry "the saddest girl in the world" or be disinherited, a yarn unravels that is part screwball comedy and part unhinged parable on the lucrativeness of changing your identity.Hensley's dialogue is witty, lyrical, sampled, dada, and elliptical--all in the service of a very bizarre mystery. There's sex, violence, rock and roll, intrigue, and betrayal--all brought home in Hensley's truly inimitable style.Created during an era when another well-off "W" was stuffing the coffers of the morbidly solvent, Wally Gropius transforms futile daydreams and nightmares into the absurdity of capital.

    Described as a mix between Jeffrey Brown and James Kochalka, Liz's comic is made up of short vignettes that capture all the cute, gross, and endearing aspects of relationships.

    In fact, this book showcases three distinct styles: his earliest "realistic" drawing style (used to unsettling effect in some particularly creepy stories), an intermediate "bighead" cartoony style that still features humans (used for both humor and drama), and the "funny-animal" style he's now best known for.Readers who like Jason's anthropomorphic style won't be disappointed, though, as the book includes a number of tales done in that fashion, featuring (among other things) Death, a guy waiting for a bus, and croquet-playing nuns; over 40 "daily strip" format gags; a trio of hilarious parodies of other pop media work including Corto Mjautese and an elaborate riff on Basil Wolverton's Spacehawk done Jason style; and much more.Also included are a color section featuring Jason's painted covers for his original Norwegian magazine Mjau Mjau, color strips and illustrations, and more. Plus—God cheating at Trivial Pursuit.

    The Washington Post has described him as a “post-existentialist private eye.” An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print.Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster’s groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.

    Brad is a good guy, but his abusive father is making his life hell. Greg is full of money, but he's as aimless as he is rich. Each one thinks that challenging Mother Nature is somehow going to fix whatever issues they're dealing with. That is if they ever get their Jeep out of the increasingly bizarre swamp that they are trapped in.

    The impossible has happened and Batman is on the verge of being taken down by an enemy he cannot defeat: a virus for which there is no cure! And the only hope for his salvation is The Joker! Who infected Batman, what does the Clown Prince of Crime know, and how will the Dark Knight get that information? Together, the enemies crisscross Europe, desperate to find answers before time runs out.Collecting: Batman: Europa 1-4

    Flavor is not to be missed. Alex Robinson's completely natural and inspiring knack for dialogue has made his story of dreary jobs, comic books, love, sex, messy apartments, girlfriends (and the lack thereof), undisclosed pasts, and crusty old professionals one of the most delightful and whimsical graphic novels to hit the stands in years.

    Locked inside for the duration, he passes the time playing with his siblings and his giant cat, Nemo, while tensions within the family begin to simmer… In her first graphic novel, Tillie Walden tells the tragic and moving story of Lars and his twin sister, Maja. Full of subtle and tender character moments and set in an exquisitely rendered castle, it’s a hauntingly beautiful work that will no doubt be considered as one of the great debuts of 2015.

    The individual stories in Flayed Corpse stand on their own as minimasterpieces of skin-crawling terror, but collectively complement each other in a way that only heightens the anxiety and dread pouring from page to page. Flayed Corpse also collects several collaborations between Simmons and other cartoonists, including James Romberger, Anders Nilsen, Tara Booth, Eroyn Franklin, Tom Van Deusen, and Eric Reynolds, amongst others.

    Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter within the confines of the comic book medium.Sacco has often been called the first comic book journalist, and he is certainly the best. This edition of Palestine also features an introduction from renowned author, critic, and historian Edward Said (Peace and Its Discontents and The Question of Palestine), one of the world's most respected authorities on the Middle Eastern conflict.