We were five years old."So began a lifelong friendship that fourteen years later would result in the formation of The Cure, a quintessential post-punk band whose albums-such as Three Imaginary Boys, Pornography, and Kiss Me, Kiss Me, Kiss Me-remain among the best-loved and most influential of all time.As two of the first punks in the provincial English town of Crawley, Lol Tolhurst and Robert Smith didn't have it easy. Outsiders from the start, theirs was a friendship based initially on proximity and a shared love of music, from the punk that was raging in nearby London to the groundbreaking experimentation of David Bowie's "Berlin Trilogy." First known as The Easy Cure, they began playing in pubs and soon developed their own unique style and approach to songwriting, resulting in timeless songs that sparked a deep sense of identification and empathy in listeners, songs like "Boys Don't Cry," "Just Like Heaven," and "Why Can't I Be You?," spearheading a new subculture dubbed "Goth" by the press. The music of The Cure was not only accessible but also deeply subversive, challenging conventional notions of pop music and gender roles while inspiring a generation of devoted fans and a revolution in style.Cured is not only the first insider account of the early days of the band, it is a revealing look at the artistic evolution of the enigmatic Robert Smith, the iconic lead singer, songwriter, and innovative guitarist at the heart of The Cure. A deeply rebellious, sensitive, tough, and often surprisingly "normal" young man, Smith was from the start destined for stardom, a fearless non-conformist and provocateur who soon found his own musical language through which to express his considerable and unique talent.But there was also a dark side to The Cure's intense and bewildering success. Tolhurst, on drums and keyboards, was nursing a growing alcoholism that would destroy his place in The Cure and nearly end his life. Cured tells the harrowing and unforgettable story of his crash-and-burn, recovery, and rebirth.Intensely lyrical and evocative, gripping and unforgettable, Cured is the definitive story of a singular band whose legacy endures many decades hence, told from the point of view of a participant and eyewitness who was there when it happened-and even before it all began.

    The author recounts her teenaged years as the lead singer of the all-girl rock band, the Runaways, her career as a movie actress, and her battle with drugs and alcohol.

    Performing night after night - from his early teens to his tragic death at age thirty-five, in tiny pass-the-hat clubs and before thousands in huge arenas - Stevie Ray Vaughan fused blazing technique with deep soul in a manner unrivaled since the days of Jimi Hendrix. The genuineness and passion of his music moved millions. It nearly saved his life. Stevie Ray Vaughan: Caught in the Crossfire is the first biography of this meteoric guitar hero. Emerging from the hotbed of Texas blues, Stevie Ray Vaughan developed his unique style early on, in competition with his older brother, Jimmie Vaughan, founder of the Fabulous Thunderbirds - a competition that shaped much of Stevie's life. Fueled by drugs and alcohol through a thousand one-night stands, he lived at a fever pitch that nearly destroyed him. Musically exhausted and close to collapse, in his final years Stevie Ray mustered the courage to overcome his addictions, finding strength and inspiration in a new emotional openness. His death in a freak helicopter crash in 1990 silenced one of the great musical talents of our time. Stevie Ray Vaughan: Caught in the Crossfire reveals Stevie Ray Vaughan's life in all its remarkable, sometimes unsavory detail. It also brings to life the rich world of Texas music out of which he grew, and captures the staggering dimensions of his musical legacy. It will stand as the definitive biographical portrait of Stevie Ray.

    At seventeen, I joined Mötley Crüe and we became one of the baddest-ass rock bands in history. We sold over 40 million albums, we wreaked havoc, we scared parents, and we titillated too many fathers' daughters. I've been married three times: once for just a few days to a Penthouse Pet, for seven years to Heather Locklear, and then for five years to Pamela Anderson, with whom I have two beautiful sons. I've gotten into a lot of fights and I've been to jail a few times.But this book isn't your typical journey in a straight line from day one to day now. I'm more interested in revealing what's most important about my life, like how I cook my steaks; what I think of the tabloids, the truth, my ex-wives, my ex-band, my music; and what an innocent observer might find hanging around my house any given Sunday. You'll get plenty of facts and I'll tell you a story, but my real mission here is to paint you a picture of my life. I want to show you how my memories smell.I'd like to get into it now, so please take your seats. I advise you to keep your arms and legs inside the car at all times. If you have a pacemaker, a heart condition, or if you are pregnant or too damn short to reach the safety bar, I ask that you turn back immediately. Those with weak stomachs, strict morals, or chronic indigestion should put the book down now. For the rest of you, there's one truth that's real across the board: What you send out is what you get back. Send out the good, people, and it will come back to you. There's another thing I've learned over the years, in court, in fights, and in arguments with people I love: There isn't one truth, there are many. This book is my truth.

    He writes openly about his film career, the huge success of The Krays, his tremendous fight against brain cancer and on to today with fame again in EastEnders. This is a stunningly written account of a fascinating life written with candour and wit. 'There are tears and laughter, and it's all told with honesty, style and unexpected humour. This inspiring tale reveals his hopes and fears as he battled for his life while trying to get his career back into the groove. It will have you glassy-eyed, torn between the Kleenex and digging out your old Spandau Ballet albums' The Mirror

    Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in history. He was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is composed of the memoir he was writing before his tragic death, pages that brings us into Prince’s childhood world through his own lyrical prose. The second part takes us into Prince’s early years as a musician, before his first album released, through a scrapbook of Prince’s writing and photos. The third section shows us Prince’s evolution through candid images that take us up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, as he retells the autobiography we’ve seen in the first three parts as a heroic journey.The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his short but profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to each of the book’s images. This work is not just a tribute to Prince, but an original and energizing literary work, full of Prince’s ideas and vision, his voice and image, his undying gift to the world.

    He’s the only artist ever to win Grammy Awards for music, lyrics, and orchestration, and his chart-topping career has, so far, lasted fifty years, most recently with a Kanye West rap hit and a new classical nocturne. Now, in his first memoir, Webb delivers a snapshot of his life from 1955 to 1970, from simple and sere Oklahoma to fast and fantastical Los Angeles, from the crucible of his family to the top of his longed-for profession. Webb was a preacher’s son whose father climbed off a tractor to receive his epiphany, and Jimmy, barely out of his teen age years, sank down into the driver’s seat of a Cobra to speed to Las Vegas to meet with Elvis. Classics such as “Up, Up and Away”, “By the Time I Get to Phoenix”, “Wichita Lineman”, “Galveston”, “The Worst that Could Happen”, “All I Know”, and “MacArthur Park” were all recorded by some of the most important voices in pop before Webb’s twenty-fifth birthday: he thought it was easy. The sixties were a supernova, and Webb was at their center, whipsawed from the proverbial humble beginnings into a moneyed and manic international world of beautiful women, drugs, cars and planes. That stew almost took him down—but Webb survived, his passion for music and work among his lifelines. The Cake and The Rain is a surprising and unusual book: Webb’s talent as a writer and storyteller is here on every page. His book is rich with a sense of time and place, and with the voices of characters, vanished and living, famous and not, but all intimately involved with him in his youth, when life seemed nothing more than a party and Webb the eternal guest of honor.

    The sheer scale of Zeppelin's success is extraordinary. In the U.S. alone they have sold 70 million records-a figure surpassed only by the Beatles-while "Stairway to Heaven," the band's most recognizable song, has been played more times on American radio than any other track and is frequently referred to as one of the greatest rock 'n' roll songs ever.But Plant's legacy stretches far beyond Led Zeppelin and with Robert Plant: A Life, Paul Rees, former Editor of Q and Kerrang! magazines, whose professional relationship with Plant spans decades, brings the whole picture into focus for the first time. From the forces that shaped him as a boy in England's Black Country to the ravaging highs and lows of the Zeppelin years; from his relationship with Jimmy Page and John Bonham to the solo career that today, at the age of 62, sees him producing some of the most acclaimed work of his career, Rees paints a rich, complicated portrait of a man who changed the face of rock 'n' roll at just 19 years old.Told with tenacity, emotion and the spark of brilliance that befits such an enigmatic frontman, this is the definitive story of a musical icon.

    Author Mark Wilkerson interviewed Townshend himself and several of Townshend's friends and associates for this biography.

    This biography is a comprehensive study of his past, and with its specially commissioned astrological chart, the future of this survivor and star.

    Sandy Denny laid down the marker for folk-rock when she joined Fairport Convention in 1968, releasing three albums with them in 1969 before her shock departure just ahead of the release of the celebrated Liege & Lief. Her music went far beyond this during the seventies, driven by a restless search for the perfect framework for her songs, first with Fotheringay the group she formed but controversially left after recording just one album. On leaving, she immediately collaborated on a historic one-off recording with Led Zeppelin on ‘The Battle of Evermore’ – the only guest vocalist ever to record with the group. Four fascinating, mercurial solo albums followed as well as an ultimately misguided return to Fairport Convention before her tragic and untimely death, aged 31, in 1978, in circumstances still shrouded in hearsay and speculation.Sandy emerged from the folk scene of the sixties – a world of larger-than-life characters such as Alex Campbell, Jackson C. Frank, Anne Briggs and Australian singer Trevor Lucas, whom she married in 1973. Their often turbulent relationship is at the core of Sandy’s later life and work, as she tried to reconcile a longing for the simple life and motherhood with the trappings of a rock ‘n’ roll lifestyle and a fear of the fame and success which others expected of her.This is her story told with the help of more than sixty of her friends, fellow musicians and contemporaries all of whom spoke with great candour, some with too much candour, and all with a mixture of joy and sadness when talking about Sandy.

    Taking readers on a wild rollercoaster ride from his crazy childhood in Berlin and Munich to his lonely methadone-soaked stay at a cheap hotel in Earl's Court and newfound peace on the straight and narrow, Dee Dee Ramone catapults readers into the raw world of sex, addiction, and two-minute songs. It isn't pretty. With the velocity of a Ramones song, Lobotomy rockets from nights at CBGB's to the breakup of the Ramones' happy family with an unrelenting backbeat of hate and squalor: his girlfriend ODs; drug buddy Johnny Thunders steals his ode to heroin, "Chinese Rock"; Sid Vicious shoots up using toilet water; and a pistol-wielding Phil Spector holds the band hostage in Beverly Hills. Hey! Ho! Let's go!

    Including interviews from Freddie Mercury's closest friends in the last years of his life, along with personal photographs, Somebody to Love is an authoritative biography of the great man.Here are previously unknown and startling facts about the singer and his life, moving detail on his lifelong search for love and personal fulfilment, and of course his tragic contraction of a then killer disease in the mid-1980s. Woven throughout Freddie's life is the shocking story of how the HIV virus came to hold the world in its grip, was cruelly labelled 'The Gay Plague' and the unwitting few who indirectly infected thousands of men, women and children - Freddie Mercury himself being one of the most famous. The death of this vibrant and spectacularly talented rock star, shook the world of medicine as well as the world of music. Somebody to Love finally puts the record straight and pays detailed tribute to the man himself.

    A child prodigy as a pianist and a virtuoso conductor of symphonics and operas, Barenhoim has known and worked with many of the most distinguished and exciting musicians of the 20th century, including Rubinstein, Furtwangler, Zubin Meta, Pierre Boulez, Fisher-Diskau, Pablo Casals, and not least his wife, Jacqueline du Pre. Recent years have included his work at the annual Wagner festival Bayreuth; in Berlin at the rebirth of the State Opera House; taking over from George Solti's 22-year regin in Chicago; his summer festival in Weimar, Germany, where young Arabs and Israelis can play music together; and his worldwide travels. Barenboim has revised and updated his memoir, giving us trenchant thoughts on Israel today, the problems facing young musicians, and the changing world of music at the beginning of the 21st century.-One of the world's greatest musicians, Barenboim has a dedicated following who will be interested in reading about his life in his own words.-Barenboim was married to celebrated cellist Jacqueline du Pre, the subject of the controversial film Hilary and Jackie.-His championship of peaceful coexistence with Palestinians is highly controversial, as is his insistence on playing Wagner in Israel.

    As the boxes started to arrive, the Foundation asked Clinton Heylin—author of the acclaimed Bob Dylan: Behind the Shades and 'perhaps the world's authority on all things Dylan' (Rolling Stone)—to assess the material they had been given. What he found in Tulsa—as well as what he gleaned from other papers he had recently been given access to by Sony and the Dylan office—so changed his understanding of the artist, especially of his creative process, that he became convinced that a whole new biography was needed. It turns out that much of what previous biographers—Dylan himself included—have said is wrong.With fresh and revealing information on every page A Restless, Hungry Feeling tells the story of Dylan's meteoric rise to fame: his arrival in early 1961 in New York, where he is embraced by the folk scene; his elevation to spokesman of a generation whose protest songs provide the soundtrack for the burgeoning Civil Rights movement; his alleged betrayal when he 'goes electric' at Newport in 1965; his subsequent controversial world tour with a rock 'n' roll band; and the recording of his three undisputed electric masterpieces: Bringing it All Back Home, Highway 61 Revisited and Blonde on Blonde. At the peak of his fame in July 1966 he reportedly crashes his motorbike in Woodstock, upstate New York, and disappears from public view. When he re-emerges, he looks different, his voice sounds different, his songs are different.Clinton Heylin's meticulously researched, all-encompassing and consistently revelatory account of these fascinating early years is the closest we will ever get to a definitive life of an artist who has been the lodestar of popular culture for six decades.